Rock Music In India: Breaking Through At Last?

IndiaRocks031.jpg As most SepiaMutiny readers know by now, I work for MTV Iggy. And I don’t mean to keep pimping that stuff over here, but whenever something that might interest you comes up, it seems a shame to not share it. A new special feature just went up on the rock music scene in India, with interviews, live performance footage, music videos, slideshows, and more. Arjun S. Ravi, the editor of a Mumbai-based site that tracks the Indian rock scene, contributed fascinating article on the highs and lows of being a rock music fan in India:

The easiest way to sneak alcohol into Rang Bhavan was to hide it under a girl’s jacket. The notoriously long queues of people waiting impatiently to enter Mumbai’s legendary open air theatre were predominantly male, which meant that the security guards at the gate would only frisk guys. A girl, depending on her stature and the size of the jacket, could slip in anywhere between four to eight cans of Kingfisher beer. Inebriation was as crucial to the Rang Bhavan experience as the Metallica-inspired, ’90s metal cover bands.

[snip]

In India, rock is a much maligned genre, mostly because it is totally misunderstood. India’s Bollywood-loving masses generally accept and believe the particularly damaging stereotype that rock music is overrun by dudes with knee-length hair screaming into microphones and groaning like cats being tortured by pitchforks. And until the late ’90s, Indian rockers did very little to change that impression.

He goes on to trace the changes (fan attitudes, new kinds of venues, advent of the internet, bands stopped noodling around) that contribute to the fact that Indian rock bands were recently invited to the Glastonbury Festival in the UK, and SXSW in Austin, TX. It’s long(ish) but you can read it in full here. The full special feature is here.

An video introduction to some of the bands (Jalebee Cartel, Shor Bazaar, Them Clones, etc.) is after the jump. Continue reading

A Desi Woman’s Voice On The Hill

Kiran Ahuja.jpgRemember last month when I blogged about how President Obama signed the executive order to reinstate the Asian American and Pacific Islander Advisory Commission and White House Initiative? You know, when Penn Masala sang at the White House?

Well, Kiran Ahuja has just been named Executive Director of the White House Initiative on Asian Americans and Pacific Islanders.

This federal-wide effort was first established in June of 1999 by President Bill Clinton… The office will be housed in the U.S. Department of Education and include a Federal Interagency Working Group (IWG) co-chaired by Secretary of Education Arne Duncan and Secretary of Commerce Gary Locke.

> Kiran has a rich history of leadership in government, public policy and AAPI communty advocacy. Most notably, she was the Founding Executive Director of the National Asian Pacific American Women’s Forum (NAPAWF). [[aapimomentum](http://www.aapimomentum.org/blog)] I first met Kiran when we were both sitting together on a panel after the 2004 elections. She was sincere and genuine, her personality reflecting a precision and knowledge reflecting a strategic firmness. I have no doubt that she will be the new voice of change needed to truly shift the political paradigm inside the beltway, with regards to how our AAPI communities are organized. > For almost twenty years, Kiran Ahuja has dedicated herself to improving the lives of women of color in the U.S. Well-known as a leader among national and grassroots Asian and Pacific Islander and women’s rights organizations, Kiran served as the founding Executive Director of the National Asian Pacific American Women’s Forum from 2003-2008….Kiran grew up in Savannah, Georgia, where her understanding of race, gender and ethnicity was formed as a young Indian immigrant. She attended Spelman College and worked for Georgia’s first African American Congresswoman since the Reconstruction.[[aapimomentum](http://www.aapimomentum.org/user/1/blog/kiran-ahuja-named-executive-director-white-house-initiative-asian-americans-and-pacific-)]> Congratulations Kiran! We look forward to what you bring! Continue reading

What if India had Liberalized Sooner?

Historical “what-if’s” are notoriously difficult to prove but also notoriously delicious to discuss. Would WWII have happened if Hitler had been killed in the trenches of WWI? [W]ith earlier reform, 14.5 million more children would have survived, 261 million more Indians would have become literate, and 109 million more people would have risen above the poverty line.Would there have been a WWI if Franz Ferdinand survived the assassination attempt? What if Al Gore got his Florida recount? What would have become of Sonam Kapoor’s career if she skipped the flop that was Saawariya?

Arguably, while many of the most famous what-if’s focus on chance events in history, prominent Indian econ journalist Swaminathan Aiyar, writing for the Cato Institute, decided to take on a far more considered, deliberate economic policy “what-if”. He asks “what if India liberalized its economy 10 yrs earlier?” Put differently, what if 1970s India followed the economic path pursued by Korea, Japan, and Taiwan?

Until the 80s/90s rounds of liberalization, India followed a Soviet-inspired economic model resulting in stuff like this –

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“Children of a Lesser Google”

Hey, remember when Google’s motto used to be “don’t be evil?” Vaht, you thought they still had it? I did too, but this…might not be evil, but it certainly seems a little unfair:

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Google India had launched a ‘Doodle 4 Google – My India’ contest in August. The Doodle is the logo design you see on the Google homepage. The theme of this competition was ‘My India’. On November 12, Google India announced at Taj Ambassador Hotel that tech hub Gurgaon based 4th standard school kid Puru Pratap has won the competition…a laptop computer for himself, a t-shirt with his doodle and Rs. 1 lakh (approx 2100 US dollars) for his school.

But his counterparts in USA and UK won substantially more. According to Google their US winner “will win a $15,000 college scholarship to be used at the school of their choice, a trip to the Google New York Office, a laptop computer, and a t-shirt printed with their doodle. We’ll also award the winner’s school a $25,000 technology grant towards the establishment/improvement of a computer lab.”

So let’s see: Indian winner = laptop + T-shirt + $2100 (for his school) + $0 (for himself)
US winner = laptop + T-shirt + trip to NY + $25,000 (for his school) + $15,000 (for himself)

Let me see…let me do the math…I dunno, maybe you need a special algorithm or something to make these two things equal? Because to my eyes, it looks like the Indian kid is getting royally screwed. It looks like the same contest, run by the same company, is rewarding a far lesser prize to the winner from one country than to the winner from another country.

The writer of the quoted piece goes on to point of various other prizes that are awarded equally to winners from all countries. She concludes:

Are we children of a lesser Google? Or is the Indian market less important? Perhaps Bing has the answer.

Dammit. I like Chrome. Continue reading

“In one drop of water are found all the secrets of all the oceans.”

I love this picture. I have no other reason for sharing it with you, other than that. I wondered if we might be able to use it for a caption contest, but I’m not sure how it would turn out (did I just diss your creative powers? I might have! Prove me wrong! 😉 Your Shot - Top Shots 2009 - National Geographic Magazine.png

Fantastic capture, isn’t it? It was taken by a Debasis Roy, of Asansol, India, and I felt like it deserved to be seen, in case you missed it when it was featured on National Geographic’s “Top Shots“. As for how the fishy fared, don’t fret about the poor pet:

While transferring fish from one bowl to another, science tutor Roy, 27, was inspired. He composed this scene–a baby guppy sustained by a single droplet, cradled on a grass leaf atop a wooden stool–then put the fish back. [link]

Beautiful. I sweat such talent and creative vision. A whale-sized thank you to the Barmaid, for showing me this magical image. Continue reading

Tunku Varadarajan: Off the Deep End

By now, many readers may have seen Tunku Varadarajan’s controversial column for Forbes from last week, “Going Muslim.” In it, Varadarajan coins a new term to describe Major Nidal Hasan’s rampage at Fort Hood two weeks ago. “Going Muslim” is Varadarajan’s variation of “going postal,” a phrase coined a few years ago, after a string of (non-Muslim) U.S. postal workers went on killing sprees. Here is how Varadarajan defines the term:

This phrase would describe the turn of events where a seemingly integrated Muslim-American–a friendly donut vendor in New York, say, or an officer in the U.S. Army at Fort Hood–discards his apparent integration into American society and elects to vindicate his religion in an act of messianic violence against his fellow Americans.

The most irksome part of Varadarajan’s column for me was the following paragraph:

The difference between “going postal,” in the conventional sense, and “going Muslim,” in the sense that I suggest, is that there would not necessarily be a psychological “snapping” point in the case of the imminently violent Muslim; instead, there could be a calculated discarding of camouflage–the camouflage of integration–in an act of revelatory catharsis. In spite of suggestions by some who know him that he had a history of “harassment” as a Muslim in the army, Maj. Hasan did not “snap” in the “postal” manner. He gave away his possessions on the morning of his day of murder. He even gave away–to a neighbor–a packet of frozen broccoli that he did not wish to see go to waste, even as he mapped in his mind the laying waste of lives at Fort Hood. His was a meticulous, even punctilious “departure.”

In fact, reports from Hasan’s colleagues strongly suggest a profile of a person who was borderline psychotic for several years, but who finally snapped around 2007. Yes, he gave away his broccoli on the day he went on a shooting spree. But that is in fact entirely in keeping with how psychotics behave.

What Varadarajan doesn’t realize is that the kind of paranoid argument he is making about immigrants in “camouflage” could very easily be used against any other immigrant group, including Hindus, as a pretext for mistrust or active discrimination.

Varadarajan also make a claim about “integration” into American society that is simply not supported by any facts. The diverse groups of immigrants who are Muslim have done just fine in terms of their economic performance, civil participation, etc. By coining this pernicious phrase, and by promoting an argument based self-evidently on bigotry, Varadarajan has shown us why we no longer need to take anything he says seriously.

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New South Asian Fiction Writers in Guernica / Asian-American Literary Festival

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I know the Mutiny community has lots of literature lovers, so I wanted to let you know about some sharp new writers, and where you can find them–Amitava Kumar and I have edited the fiction section of Guernica this month, and it features South Asian writers. Tomorrow, two of them (Tania James and Hasanthika Sirisena) will be joining us for a reading in Brooklyn as part of Page Turner – The Asian American Literary Festival. (There’s a day of great programming–we’re on at 3. Disclosure: Amitava and I are both on the board of AAWW, the sponsoring org.)

I thought it would be interesting to talk to some of the writers a little bit more about the stories they submitted, and writing in general. Sirisena, who won a prestigious Rona Jaffe Award last year, gave us a story called Murder The Queen. You can read it here. She agreed to chat with the Mutiny–Preeta Samarasan will follow next week.

Sirisena’s work has appeared, or is forthcoming, in Glimmer Train, Narrative Magazine, Epoch, StoryQuarterly, Witness, Best New American Voices, and other publications.

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Pakistani Rock Queried by the NYT

Let’s start with this song by the Pakistani rock group co-VEN, “Ready to Die”:

co-VEN was featured in a recent New York Times multimedia video by Adam Ellick (not embeddable) which can be seen here.

Other musicians mentioned in the Times story include Ali Azmat and the band Noori (identified in the video as the Noori Brothers). To me, Ali Azmat comes across as a blithering idiot in the Times video, but I found the comments from co-VEN more compelling — at least coherent. (For the most part, I agreed with the Pakistani journalists in the Times’ video, not the musicians.)

What was interesting to me was the fact that Ellick, in the Times video, seemed to be putting co-VEN forward as an example of a band that criticizes the west but not the Taliban.

I haven’t heard much of co-VEN’s other music (none of the songs on YouTube seem political) or looked closely at their public statements, but the lyrics to the song above are present in the YouTube video, and they seem more ambiguous than Adam Ellick suggests. While “Ready to Die” does put forward the idea that there is a pattern — and a long history of failure — to western policy in the Muslim world, I don’t necessarily think the song reflects Pakistanis in denial. You can be opposed to the “game of chess” co-VEN is talking about while also being opposed to what the extremists have been doing in Pakistan in recent months. I’m not sure co-VEN is actually willing to go there, but it seems like a stretch to put an interesting indie/metal band next to the more banal pop music of Ali Azmat and Noori, as if they’re all the same.

Oh, and one more thing: it’s a shame that this irreverent and upbeat song, Laga Re by Shehzad Roy, was apparently banned on Pakistani TV. (I wonder whether it might have circulated anyway through the internet etc.) Continue reading

Is Being Brown Enough To Get Your Vote?

Our friend Bassam Tariq from 30 Mosques in 30 Days just posted a fascinating story over at Times.com about a Bangladeshi candidate that ran for local office in NYC. (hat tip, Sharaf!)

It’s the classic story, with a modern twist. Bangladeshi immigrant Mujib Rahman wants to be elected to New York’s City Council. It’s the story of an immigrant, running for office on the Republican ticket, wanting to make a difference for his community. The clip shows how he tries to campaign in the local Bangladeshi community to gain votes – to get one of their own Bangladeshis in office. But the campaign he’s running on is based on a divisive message – letting voters know his opponent is gay.

I was conflicted as I watched this. On one hand you want this hard working Bangladeshi uncle to achieve the bootstrap American dream. He’s getting himself and his community involved in civic engagement. But on the other hand, his closed minded smear campaign just reflects all the reasons I stopped talking politics with my father’s generation of uncles. Were any of our readers involved in Mujib’s campaign? Did any of you have the chance to vote (or not vote) for Mujib? Continue reading

Q&A with Aasif Mandvi: “I Just Make Stuff Up”

aasif_mandvi_sr.correspondent.jpgIf, like me, you’re addicted to “The Daily Show” with Jon Stewart, then Aasif Mandvi needs no further introduction. If, for some reason, you don’t watch the show (what’s wrong with you? The internets flattened the world, remember? Click here to watch!) then you’ve seen him in everything from “CSI” to Spider Man 2, generally as a fleeting and funny brown presence. And if you happen to be a theater-going sort of person, you’ve seen him in all sorts of things, and may even know that he won two Obie Awards for his one-man play Sakina’s Restaurant. Multi-talented, is our Mr. Mandvi.

Anyway, the play was recently remade into a film (Today’s Special, also starring Aasif Mandvi) that’s been well-received in international film festivals. He was besieged by other press people (damn you, BBC!) at a screening in NY, but he kindly let me email questions which he promptly answered via Blackberry. Get ready for a formal exercise in true journalism (by that I mean ridiculousness):

What was it like to translate your play, Sakina’s Restaurant, into the film Today’s Special? Was anything lost in the process? Yes, we lost all the Monologues, and the fact that it was a one-man show, and we lost most of the characters in the play, and we came up with all-new characters and a new storyline and all-new lines for the characters to say and… come to think of it, I don’t think the two things are related at all.

Hmm… awkward.

[snip]

Your family left India for England when you were one, then moved to the US when you were 16, according to Wikipedia. How much did it suck to move as a teenager? Have you been back to India? It did suck, and yes I have been back to India…But don’t tell Wikipedia cos he doesn’t know yet…Shhh.

What’s the most offensive thing anyone’s ever said to you? I don’t remember the most offensive thing, but the second most offensive thing anyone ever called me was: a motherf@ckingdotheadtalibanterroristeatingpu##yfacedc@$ksuckera$$holesh!tstaincoloreddotragheadsandnegropakiwalacurrybreathingsh!tlicker.

Which I definitely thought was inappropriate.

(More with Aasif on being Muslim, the secret to getting hired at The Daily Show, sleeping with Margaret Cho, and light sabers. After the jump.) Continue reading