There is a mutiny afoot in the Sepia Mutiny bunker. About half of us think that Joel Stein’s piece published in Time on Edison NJ was ill-humored garbage. The other half thinks it’s RACIST ill-humored garbage. I’m of the camp that thinks it’s racist. In the past few days the Desi blogosphere, twitterverse and facebookdom have been in uproar over this piece but what I find the most striking is the debate – “Is it or isn’t it racist?” What is it about the “R” word that makes us recoil and run to words like “stereotype” “bigot” or “xenophobic”? Why are we scared to call things racist?
I thought the article “My Own Private India” was racist – but then again, I come at things from a Critical Race Theory perspective where racialization is an inherent part of our history and narrative. It permeates through every aspect of living in the U.S., whether in how public policies and laws are implemented, healthcare is accessed or in a simple Time satire article. I think a lot of things are racist, more so than the average brown person, whether it be internalized, institutional or blatant. I think implicit biases are real, and people can be racist without intentionally doing so.
But instead of dissecting the Stein piece again, I wanted to highlight another racially controversial piece in the news. Today is the official premier of the M. Night Shyamalan movie The Last Airbender. The movie is based on the Nickelodeon anime-styled cartoon series “Avatar: The Last Airbender,” which is a cartoon heavily influenced by East Asian philosophies, there’s martial arts in it, and the cartoons are brownish Asian looking kids. But the controversy has been around the casting process of the movie. White kids were cast as the main three roles, and the evil people? Why they were cast as the Desis: Dev Patel (as Prince Zuko), Summer Bishil (Princess Azula), Aasif Mandvi (Commander Zhao) and Persian actor Shaun Toub (Uncle Iroh). Question is, is it racist?
Floating World had a fantastic piece on their blog about the history of face painting in the industry, and the use of white people in the entertainment industry to play people of color.
…”The Last Airbender” offends even more [than “Prince of Persia”] with its casting of newcomer/lesser known White actors over equivalent Asian actors to portray its starring Asian characters. The marketing reasons attached to famous actors does not apply here; instead, the marketing assumption is that White actors are more “capable” than Asian actors for pulling in viewers, with a possible secondary assumption in their “superiority” in acting abilities. This overarching assumption is the basis for an institutionalized racism innate to Hollywood’s long, long history of ethnic narratives. [floatingworld]