Sepia Mutiny’s new commenting system

You have spoken. We have heard. We agree. The level of discourse in the comments following blog posts has declined substantially since we first started in 2004. I won’t go in to all the reasons behind this but it involves an evolution in the way people use and interact with blogs, as well as the time the bloggers here have available to moderate. Over the coming months we will be making changes to the website to better your experience, as well as, hopefully, increase the value of the discussions that are being had on this site. Here are a couple of the near term changes our awesome website admin team, Chaitan, Kunjan, and new team member Vishal are getting set to roll out as early as today:

  • You will now have the ability to “Login” to leave comments. This means you can use your Google, Facebook, Twitter, etc. ID to serve as your login to leave comments on SM. Why should you choose to do this? Well, we want everyone to be able to tell (even if it is via an anonymous Google/Facebook/Twitter account) who the people are that leave the best and most substantive comments here at SM, the people that are contributing an edifying perspective. We also want people to know who repeatedly derails comment threads by violating our comment policy so that our bloggers can more quickly and effectively moderate comment threads.
  • You can continue to leave comments totally anonymously as always. BUT…starting September 22nd these comments will be hidden by default (collapsed) and most people will never see them unless they take the time to uncollapse them. For practical purposes this means if you want to leave comments with total anonymity, very few people will actually see that comment.

The new comment system is in testing mode so please use this thread or the “Contact” link at the top of our homepage to send us feedback about any bugs you have found. Thanks, and please let our wonderful admin team know if you like!

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Your Money’s No Good

amibera.JPGIt’s gotta be said. I am so sick of the Islamophobia in America right now, particularly fueled currently by the “Ground Zero” mosque and championed by key leaders in the Republican party. And by that I mean Sarah Palin, Newt Gingrich and Fox News. It’s a dirty, divisive campaign tactic to garner votes in November and anyone with brain cells can see how transparent this is. My twitter feed can’t go ten minutes without getting a retweet from some dimwit on the issue or anti-Muslim sentiment.

But Congressional Candidate Ami Berra? Come ON.

Dr. Ami Bera, the Democrat challenger to Congressional incumbent Dan Lungren (R-Calif.), was blasted by the California Republican Party for accepting a $250 donation from the Sacramento chapter of the Council on American-Islamic Relations. [cbs13]

First of all, it’s only a $250 donation. Second of all, it’s CAIR, one of the tamest, not-so-progressive, largest national Muslim advocacy group around. I’m not the biggest fan of CAIR’s work (mainly because it’s not left or inclusive enough) but the Republican candidate’s anti-Muslim targeting of Ami Berra’s campaign contribution is absurd. Third (and most importantly) CAIR is a 501c3 organization so they can’t make donations to candidates. The money came from Basim Elkarra, the current Executive Director of Sacramento-CAIR and who also happens to be elected to the Executive Board of the California Democratic Party. Which basically means it’s the individual citizen that made the donation, not an organization that said citizen works for.

Does the Doctor stand by his Muslim donor?

Dr. Bera gave the donation back. His spokesperson issued a statement, saying, “We returned the contribution after questions about the organization’s affiliations arose. This is a diversionary tactic designed by Rep. Lungren and his proxies to deflect from jobs, the economy and health care — the issues that this campaign is about.” [cbs13]

If it’s a diversionary tactic, why’d you give the money back? For the record Dr. Berra, Muslim-Americans donate AND Muslim Americans vote. You have them in your district. Some of them were probably even planning on voting for you. The fact that you folded to the anti-Muslim rhetoric on the right so easily will not bode well for you on November 2nd. How easily will you fold to them if you are in Congress? Pretty easily, I would guess. Continue reading

Party on the Food Network!

After several months of waiting, the “Next Food Network Star” has been announced, and it is none other than fellow desi Aarti Sequiera! Lakshmi did a brief write up on Aarti as the competition to select the Food Network’s next celebrity chef began, and now we can see the results come full circle. Aarti’s show, currently titled “Aarti Party,” will be the first cooking show on national American television to focus on Indian food, and be hosted by an Indian American.

I consider myself to be an amateur foodie, and between tasting new cuisines, learning how not to starve to cook, and avidly reading others’ food blogs, I always make time to enjoy the veritable smorgasbord of culinary shows. If there are any other foodie mutineers out there, you will know that the Food Network is often mocked for its commercial drive, and celebrity chefs who are more celebrity than chef. I usually don’t watch the Food Network unless I feel like listening to Paula Deen’s comforting southern drawl, but in between seasons of “Top Chef,” “The Next Food Network Star” keeps me satiated.

I have been watching “The Next Food Network Star” since its start, and the Food Network for even longer, but it wasn’t until the third season of TNFS that I noticed something about the Food Network…its lack of diversity in both food culture and the ethnicity of its hosts. One of the contestants on that season, Joshua “Jag” Garcia, was disqualified from the competition after it had been revealed that he lied about some of his culinary experience. In his exit interview, he mentioned how the Food Network has no Latino chefs or shows featuring Hispanic cuisine, and he had hoped he could be the first to bring his culture to the channel. Shortly after, Food Network produced “Simply Delicioso.” Around the same time, the first African-American hosted cooking show premiered, “Down Home with the Neely’s.” Continue reading

King Khan Comes to Times Square

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We get a lot of press releases here in the bunker. Sometimes one comes along advertising an event that looks like too much fun to pass up.

That’s how I felt when I heard that Madame Tussauds New York would be unveiling of their newest addition- a life-sized statue of Shah Rukh Khan. So last Thursday I headed to the museum’s Bollywood Zone to see the statue for myself.

As costumed dancers from Bollywood Axion performed to a medley of songs from Om Shanti Om, photographers quickly snapped photos and fans patiently waited for the area to be opened to the public. According to Rosemary del Prado, the museum’s director of marketing, Khan’s fans are the reason Madame Tussauds commissioned the statue. “Visitors just started to ask right after the Bollywood Zone opened last year,” she said. While the museum doesn’t keep track of how many tourists from South Asia visit each year, they do know that half of all museum guests are international tourists.

Some more fun facts about the statue: It takes about 3-4 months to create a figure after the celebrity has a sitting. All of the hair is individually inserted, and the eyes are created using silk thread. Shah Rukh Khan is the second Bollywood star to be displayed at the New York Museum. He joins Amitabh Bachchan.

Of course, none of these facts would matter if the statue didn’t look like Khan. I thought it looked quite realistic and the fans I spoke to agreed. “I think it looks really nice. It looks better than the one in the UK,” said Sanchari Ghosh, a 16-year-old fan from New Jersey.

Her brother Saurabh Ghosh, 18, agreed. “I think that Madame Tussaud would be proud,” he said.

Do you agree? And what other celebrities would you like to see at the Madame Tussauds Bollywood Zone? Continue reading

Innoru pazham

A quick post in which we celebrate Kavundamani and Senthil, fixtures in the storied comedy track of Tamil cinema. Actually this is just an excuse for me to share my favorite routine. For a more in depth look at these guys’ comedy and their caste implications, check out “On Castes and Comedians: the language of power in recent Tamil Cinema” by K Ravi Srinivas and Sundar Kaali in Ashish Nandy’s 1999 book, The Secret Politics of our Desires: Innocence, Culpability and Indian Popular Cinema. Excerpt:

Especially noteworth is the dominant mode of comedy over the past several years which comprises two comedians, one of whom is in a dominant position and the other subservient (these are usually played by two well-known comedians in Tamil cinema, Kavundamani and Senthil, though there are exceptions). The dominant one constantly bullies, exercises authority over, and is scornful towards the physical appearance and personality of the subservient one. The latter is clever at dodging this direct and indirect violence, and eventually succeeds in outwitting the former. Though this is nothing new in terms of structure and is well represented in a variety of comedy traditions, ranging from circus clowning to the Laurel and Hardy films, its caste implications are particularly strong in Tamil cinema and this adds a different dimension to the basic structure of comedy.

Anyhoo, here’s the clip, from the 1989 film, Karagaattakkaaran (translation after the jump):

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The Guild Goes Bollywood with “Game On”

I am not a gamer. Never have been, never will be. But my little sister was able to convince me to watch a few episodes of The Guild with her back in ’07, when the web series first came out. The show centers around a group of hardcore gamers who finally meet in real life after one of the members of their online guild, Zaboo (Sandeep Parikh) unexpectedly disappears online. Created by real-life gamer, Felicia Day, the show highlights all the awkwardness that results when people who are more comfortable in front of a computer screen than face-to-face with another person – attempt to form offline relationships.

Last summer, instead of their regular web episode, fans of The Guild were delighted to see a music video, “Do You Want to Date My (Avatar).” This summer, The Guild is back with another music video, “Game On.” Cue Zaboo and Codex (Day) sitting on a bed. Hint: Bollywood-themed dancing results. Enjoy! Continue reading

Music Video faceoff

I have two videos for your viewing pleasure today.

In the total wingnut corner we have this “patriotic” anthem by Trade Martin making the rounds in conservative circles. It reminds us why graduating from college is so important in the modern day:

And in the opposing corner we have this video by Malini Sur, a surgery resident / singer songwriter in New York:

I read a nice quote on blogger Andrew Sullivan’s site yesterday:
“[When] the [Virginia] bill for establishing religious freedom… was finally passed,… a singular proposition proved that its protection of opinion was meant to be universal. Where the preamble declares that coercion is a departure from the plan of the holy author of our religion, an amendment was proposed, by inserting the word “Jesus Christ,” so that it should read “a departure from the plan of Jesus Christ, the holy author of our religion.” The insertion was rejected by a great majority, in proof that they meant to comprehend within the mantle of its protection the Jew and the Gentile, the Christian and Mahometan, the Hindoo and infidel of every denomination.” –Thomas Jefferson: Autobiography, 1821. ME 1:67 [Link]

Well, I guess there was a good reason why the conservative school board in Texas decided to expunge Jefferson from textbooks.

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Let it Bhi (Part I)

I’m changing it up a bit for this week’s post, Mutineers, and setting aside the wax gems for flesh-and-blood. I think auntie netta is getting to my head-a, cuz I’ve got Jaffna on my mind. I’d like to focus on a certain young, hot, and hip Tamil artist with politically charged lyrics, plenty of street cred, and an original and inimitable sound. If you are expecting to see gaudy glasses, gold tights, or…whatever this is, well, you are wrong. This Sri Lankan sensation unpretentiously rocks wire frames, loose jeans, and a 5 o’ clock shadow that magically morphs into an uncle-ji stache. I’d like to introduce to the Mutiny my favorite discovery of 2010 and your new folk hero, Bhi Bhiman.

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Behind that deceptively handsome mug is a booming voice backed by a powerful wit, perhaps the deadliest combination since butter met scotch. You don’t have to take my word for it: he’s already garnering critical praise after only doing the coffee-house circuit for a short while. Here’s probably the best assessment of Bhi and his music I’ve come across yet:

“It only makes good sense that the next great American folk hero/political voice is a very un-white, first-generation Sri-Lankan American. Bhi Bhiman (bee-bee-man) is arguably the wittiest and angriest person to pick up a guitar in the last 30 years and wield it like an aural hatchet aimed at chopping the head off all that’s wrong in the world.”

Local IQ (Albuquerque)

Aside from the questionably colorist “very un-white” comment, I could not have said it better myself. Bhi is a star in the making. He’s the closest we have to a brown Randy Newman (except topical and funny) and/or a brown Bob Dylan (except modest and intelligible). Just like Abhi made the bold prediction that Das Racist would be the hottest, brownest thing of 2009, I’m sayin’ that Bhi is going to do to wannabe fakers just like the release of Nevermind did to 80’s butt-rock: render them irrelevant with the strumming of a single chord. Continue reading

Picturing War and Peace: Sri Walpola (Photos)

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This may look like it’s from a picture postcard, but it was a surprise for me to see a lone fisherman in the Jaffna lagoon where fishing had been totally banned during most of the past two decades. The ceasefire, despite its problems, had added a ray of hope for many people of the Northern & Eastern provinces of Sri Lanka.

–photographer Sri Walpola on “Jaffna Fisherman”

This is the episode in which we are on Staten Island! Because a friend recently tipped me off to this:

War & Peace in Sri Lanka Photos by Sri Walpola (Click for the show’s official description. Thanks, Deepti! I am not posting any of the photos here, for obvious reasons … but if you scroll to the end of the post, you’ll see two ways to see some of them much of the rest of the show too. EDITOR’S NOTE/UPDATED 8/11: Sri Walpola and I have been trading messages, and he generously offered to send me pictures to put up here. I have interspersed them with the text that I originally posted, and included his captions.)

Unless you are already lucky enough to live on Staten Island, head to the ferry and take the boat over there. Staten Island has a substantial Sri Lankan community, and indeed, if you find your way into the St. George Library Center (not far from where the ferry docks) and a kindly library staffer thinks you look Sri Lankan and/or confused, he may not even wait for you to ask where the show is before he points you downstairs, toward the reference room. It is possible that this is the warmest reaction you will ever have to being profiled.

If it is the weekend, neighborhood residents will be reading, or perhaps checking e-mail. Comfy chairs and tables are scattered about. Card catalogs, tables. The people leafing through newspapers or working quietly on laptops will not look up to watch you scan what hovers above their heads: the photography of Sri Walpola, a former presidential photographer in Sri Lanka. His pictures of the civil war in Sri Lanka are on display here for the first time in the U.S.

The twentysome pictures on the walls range from heartbreakingly hopeful pictures of the ceasefire to devastating portraits of families separated by fences and displays of military and militant firepower. Some of the pictures are printed in a high gloss; others are matte, so that they appear almost like oils, or old movie stills. A friend describes one as especially painterly–a Jaffna fisherman standing in his boat, the blue of the background dark and pure behind him, the line between water and sky nearly seamless.

(ED 8/11: Obviously that’s the photo up top. Click for more of his pics.) Continue reading

Bollywood x Hollywood: Horror Edition

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This isn’t your grandmother’s Nagin movie–this is “Hisss,” the Split Image Production directed by American Jennifer Lynch, daughter of the famous David Lynch. The story of the Nagin is a classic in Bollywood, and has been portrayed in film and television for decades, even by such high-brow names as Sridevi, Vyjayanthimala, and Rekha. Most often the tale follows the basic plot of somebody angering the mythic Cobra goddess by killing/capturing her husband-snake and thus she exacts her supernatural vendetta on said human. And of course, in true Bollywood style, there are a plethora of songs, some of which have become quite infamous. This formula for a Nagin movie may have been popular in India several decades ago, but for a movie to be successful in today’s India, much less in front of an American audience, a Nagin story would need a major re-telling.

If you can get past the cringe-inducing title, there seems to be quite a lot this film has to offer that many recent Bollywood/Hollywood crossovers failed at. In fact, while some may claim that the two cinemas are a perfect match, the epic flop of Hrithik Roshan’s recent movie, “Kites,” would show that it may be simply impossible to perfectly please both audiences. And now where superstars Rai and Roshan have left off, the sex symbol Mallika Sherawat steps in, along with the great Irrfan Khan, who, coming hot off a role in Slumdog Millionaire, is back on the world stage to play co-star to Sherawat. Continue reading