Dussehra: Some Celebrate Ravana

Nearly simultaneously, it’s the High Holy Days, Eid (last week), and now in the Hindu tradition, Dussehra, the celebration of the defeat of Ravana by Rama. (For my “Bong” friends, I believe it was also just Durga Puja over the weekend.) But not everyone celebrates religious holidays the same way. Case in point:

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I was intrigued to see a headline from an Indian newspaper offering a surprising twist on Dussehra: “Dalits celebrate ‘Ravana Mela’ to oppose ‘Dussehra’.” There isn’t a whole lot there to explain how this has come about, or how widespread it is (the article only indicates that the group involved is the “Dalit Panther” organization in Kanpur, and that it’s been going on for about ten years). Another big question that remains unanswered from the news coverage I have seen is how the local community reacts to the pro-Ravana interpretation of Dussehra these folks are presenting. Is there active opposition, or is it tolerated? (Wikipedia lists a number of Ravana Temples in various places throughout India, including Kanpur, though it’s not clear whether caste is a factor in Ravana worship in general.)

Though I haven’t been able to find very much information about the “anti-Dussehra” practitioners, they do raise some interesting issues. One is their premise that the Ramayana is a caste narrative.

There is a hallowed tradition of differing interpretations of texts like the Ramayana in India. For instance, I know from reading Paula Richman’s work that there has been a long tradition, going back to the 1950s, of Tamil/Dravidian activists interpreting Rama’s quest as an anti-Dravidian crusade. In an article from the groundbreaking anthology, Many Ramayanas: The Diversity of a Narrative Tradition, Richman wrote about a Tamil activist named E.V. Ramasami, who published a Ravana-centric Anti-Ramayana in 1956, and actually went to jail for it. (See more about E.V. Ramasami’s later years at Wikipedia). However, the main focus in E.V. Ramasami’s approach, if I remember correctly, was regionalism: he saw Ravana as a defender of the “South” against Rama’s “Northern” incursions (caste was, admittedly, also a major factor for him). The Dalit Panthers are doing something a bit different.

But I wonder whether the caste interpretation is just in the mind of Dalit activists, or whether it goes the other way as well. Is there also a tradition amongst high-caste Hindus of interpreting the conflict between Rama and Ravana along caste lines? If so, that might help explain where the Dalit activists are coming from. Then again, if Rama vs. Ravana is really just a broader “good vs. evil” struggle, the injection of caste might be seen as idiosyncratic and unproductive. Continue reading

Bean Town Meetup = Epic

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“Epic” is such an overused word. Thinking back on last night’s mutineer meetup in Boston, however, it’s the only word that comes to mind. Because what else do you get when 30 plus Bostonian mutineers take over the better part of Harvard Square’s Finale dessert restaurant? Perhaps I’m still buzzing from the combination of chocolate martinis and scintillating conversations, but I have to say my first meetup ever already has me awaiting the next one.

I was blown away by the diverse backgrounds that were represented by our Boston peeps. During the course of the evening, I met a mutineer originally from a Southern state, who told our table about his experiences growing up South Asian in the same town in which Emmett Till was killed, and how united the Asians in his small town – whether they were Pakistani or Chinese – were. (“I grew up being physically and verbally abused every day – and that was just by my parents.”) I was thrilled to be able to talk punk rock with Michael Muhammad Knight, author of The Taqwacores and Basim Usmani, lead singer of The Kominas. (Not that I know anything about punk rock, but no matter.)

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Teacher Absenteeism in the Desh

A few months back, I pointed mutineers at a new book – The Beautiful Tree – which documented the surprising success of very low cost, unchartered, private schools in India. Although some charged as little as $1-$2 per child, per month and they solidly outperformed their government counterparts –

It ain’t pretty but it works…

The results from Delhi were typical. In mathematics, mean scores of children in government schools were 24.5 percent, whereas they were 42.1 percent in private unrecognized schools and 43.9 percent in private recognized. That is, children in unrecognized private schools scored nearly 18 percentage points more in math than children in government schools (a 72 percent advantage!), while children in recognized private schools scored over 19 percentage points more than children in government schools (a 79 percent advantage).

In a blog post over at the ever-excellent Marginal Revolution, Alex Tabarrok provides some detail on one of the reasons for the utterly poor government school performance, teacher absenteeism –

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“Couples Retreat”: Soundtrack by A.R. Rahman

A.R. Rahman scored big in Hollywood last year with the soundtrack to Slumdog Millionaire, though of course those of us who have been listening to him since the 1990s know that in fact Slumdog was far from his best work (my favorite, Dil Se… was actually my first; those songs completely changed how I thought about Hindi film music). In the wake of all the Oscar love, I was fully expecting Rahman to get some calls from prominent American directors for upcoming films.

Well, Rahman is going to make his debut with a Hollywood soundtrack this fall. But he’s not working with Steven Soderbergh, Steven Spielberg, or Clint Eastwood. Instead, his debut soundtrack is for a Vince Vaughn comedy called Couples Retreat.

Thrilling.

The soundtrack hasn’t been released yet, but you can listen to the tracks on the Soundtrack website: here.

As a partial relief, the soundtrack sounds great. I think “Sajna” sounds especially nice, but even some of the instrumental tracks are cool (try “Undress”). Tamil-speakers might also like “Kuru Kuru Kan,” [update: track removed]. (Anyone want to do some translation help?)

I’m still trying to digest the decision to debut with what looks like a second-rate sex comedy. From what I have heard from the soundtrack so far, it sounds like Rahman has made some great music for this film. But will anyone be paying attention? Continue reading

2 Thumbs Up

I was in India earlier this month and while celebrity endorsements are all over the place, these posters for MacroMan Underwear with Hrithik Roshan were particularly, uh, eye catching –

Having lived in the SF Bay Area for over 10 yrs, I probably read too much into the posters & tagline (“Excitingly Male”). However, more interesting & prominently featured in the ad was Mr. Roshan’s polydactyly – long the subject of giggles and hushed tones but proudly displayed for a billion desi’s to proudly gawk at –

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3 New Geniuses

This year’s MacArthur “Genius Grants” have been announced and, as usual, the award committee has tried to recognize a wide variety of human endeavor and scholarship

A papermaker dedicated to preserving traditional Western and Japanese techniques; a scientist developing theories of global climate change; and a journalist who helps uncover details of unsolved murders from the civil rights era are among the 24 recipients of the $500,000 “genius awards,” to be announced on Tuesday by the John D. and Catherine T. MacArthur Foundation….

Mutineers might be particularly interested in 3 of the award recipients who have a desi flavor –

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“Cattle Class”: Shashi Tharoor’s Tempest in a Tweetpot

I have been following Shashi Tharoor’s Tweets since the run-up to the Indian election, and have found him reliably interesting. The fact that he has been using Twitter is to some a gimmick, but it has been a bit of fresh air to people who want politicians to be accessible to ordinary people. (Melvin wrote a parody of the Twittering Minister back in June.)

But recently Shashi Tharoor’s Tweets have landed him in hot water. On September 14, he posted the following 12 words on Twitter:

@KanchanGupta absolutely, in cattle class out of solidarity with all our holy cows!

Kanchan Gupta is an editor at The Pioneer; Tharoor was answering a Tweeted question. The question came in response to a recent directive that government leaders should take austerity measures — don’t stay in 5 star hotels, take the train instead of fly, etc. (Tharoor himself has been living in a luxury hotel in Kerala; as I understand it, he pays his rent out of his own pocket, not Indian government funds.)

Within a day, the throwaway line was all over the Indian news and print media, with opposition leaders demanding an apology and Congress party leadership trying to figure out how to explain Tharoor’s apparent contemptuous elitism. PM Manmohan Singh himself had to intervene, stating that he felt the phrase “cattle class” was just a joke.

A boilerplate example of the outrage over the line, and Tharoor’s Twittering in general, can be found here.

Tharoor subsequently posted the following:

learned belatedly of fuss over my tweet replying to journo’s query whether i wld travel to Kerala in “cattle class”. His phrase which i rptd

it’s a silly expression but means no disrespect to economy travellers, only to airlines for herding us in like cattle. Many have misunderstd

i’m told it sounds worse in Malayalam, esp out of context. To those hurt by the belief that my repeating the phrase showed contempt: sorry

i now realize i shldnt assume people will appreciate humour. &u shouldn’t give those who wld wilfully distort yr words an opportnty to do so

What do people think? Tempest in a teapot, or some legitimate issues here? Should Tharoor either stick to Tweeting “straight,” or ought there be some room for humor for Indian politicians? Continue reading

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Interviewing Naseeruddin: The Lion Roars

Well, he was really incredibly nice…but he certainly had little patience for stupid people asking stupid questions, so the possibility that he would lose his temper lent a certain charge to the proceedings.

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I’m talking about Naseeruddin Shah, of course. The yin to Big B’s yang, the iconoclast, the evergreen, the lion of Indian cinema with over 150 films to his credit. From Umrao Jaan to Monsoon Wedding to Omkara, he disappears into a role so thoroughly, I usually have to check IMDB frequently to make sure it’s really him.

It’s just so refreshing when famous people turn out to be intelligent and really engage in a conversation. All too often it’s just rote PR fluff. Many mutineers seemed to like the Vik Sahay interview for that reason, so I thought I’d bring over these two Naseerudin Shah interview clips: Continue reading

Glee’s Principal Figgins aka Iqbal Theba

When my next-door neighbors decided to throw a raucous party this past Friday night that included (terrible) karaoke versions of N’SYNC, Backstreet Boys and Britney Spears, I went to Twitter for some relief. While scrolling down the page, I noticed the television show ‘Glee,’ was among the top ‘Trending Topics’ on Twitter. I’d heard much about Glee, which features Matthew Morrison as Will Schuester, a Spanish teacher at McKinley High School in Limo, Ohio who coaches a bunch of misfits as the director of the school’s glee club. Now’s a better time than any to start watching a new show that’s all about singing, I thought to myself as the neighbors burst forth into a fresh rendition of Jay Sean’s Down (That they precluded by saying “Oh man, I didn’t know that dude was Indian.”)

Ever since Glee came out on Sept. 9, my friends have been obsessed with it. I’d resisted till Saturday, because who really wants to see another High School Musical except for my tween cousins? (I didn’t mention I spent the better part of high school singing acapella, did I?) Much to my surprise, the show, despite the occasional annoying stereotype (the sassy black diva singer, the stupid quarterback, the fashionable gay guy), was entertaining. I didn’t much appreciate its approach to teen sexuality (there’s much celibacy-lambasting that parents of high school youth will most certainly take offense at). But by the show’s end, I was loving the character of Principal Figgins played by Iqbal Theba. Continue reading

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Q&A with Himanshu Suri of Das Racist: Part II

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When we left off on Friday, Himanshu Suri, one half of the group Das Racist, was dishing on The Cosby Show and Taylor Swift. And now for more substantive questions…

Q: Das Racist has been labeled blipsters. Also hipsters. What’s the huge fuss about? In other words, why does everyone hate on you guys? And were you really a sk8ter boy growing up?

A: That blipster thing was weird. Those types of classifications of people don’t do anything positive. It was an article on black people dressing like white people that dress how black people dressed in the ’80s but didn’t address the cyclical nature of it and basically stood to further alienate an already alienated group. And I don’t know if you noticed, but I’m not black. I was told it was an article on cross-cultural fashion and I made a shit ton of points that were ignored for a quote on skateboarding. (Yo I don’t even skateboard!). And Daggggg. I wouldn’t say everyone hates on us. Certain publications have taken quite a liking but any time that happens in this age of fickle internet fandom you have backlash and that’s something any artist has to deal with. Like I said we’re not making music that’s instantly appealing. We dabble with nonsequitors, dadaism, repetition, repetition. We make dance music while talking about not-dancey things. We say things that on the surface can seem pretty dumb but it’s a mask on some Paul Laurence Dunbar shit for actual discontent with a lot of shit in the world. Further, not a lot of people want to hear rappers talk about Dinesh D’Souza being a punk, Eddie Said, Gayatri Spivak being dope or even know who they are. A lot of people hear Pizza Hut Taco Bell and then have preconceived notions about our entire body of work that fall prettty flat if you ask me. But yeah, we seem to be pretty polarizing. Continue reading