Even in translation, the writings of Saadat Hasan Manto are blindingly good. Manto published about 250 short stories in a very brief career — alcoholism killed him at the age of 42 — and countless nonfiction pieces for newspapers and magazines. Much of Manto’s nonfiction writing is witty and sharp, though he also has a dark side that comes out in some of his best work. Partly because they’re available online, today I’d like to point readers to a series of rhetorical “Letters to Uncle Sam” Manto wrote in the early 1950s. There were nine in total, and four of them have been put online at Chowk: one, two, three, four.

If you know Manto well, you might want to skip down a bit for quotes and comments on the “Letters.” For those who don’t know Manto: the stories are amazing, often horrifying. The Partition stories Manto wrote are about the darkest you’ll ever see. Several of them deal explicitly with the psychic effects of rape, on both men and women, perpetrators and victims. Even Manto’s pre-partition writings (stories like “Khushia,” for instance) seem deeply preoccupied with the problem of masculinity and the objectification of women, from a perspective that’s only partly feminist.

Manto was in Bombay through the Partition (in 1948, he decided to move, with his family, to Lahore), so it’s unclear to me whether he personally knew people who had experienced this kind of violence. But stories like “Open it!” and “Cold Meat” (both of which provoked obscenity trials in Pakistan) seem to be inspired by a very personal awareness of the effects of traumatic violence. Whether or not he was personally there, Manto’s partition stories keenly capture the dehumanization that follows communal violence.

(As a place to start, I would recommend the collection Black Margins, though pretty much any collection will do.) Continue reading →

Since Ennis mentioned superheroes, I wanted to point out that Samit Basu has put together a wonderful series of essays and interviews on the subject of contemporary Indian speculative fiction (“speculative fiction” is an umbrella term, which includes sci-fi, fantasy, horror, and alternative history).

It’s really a small encyclopedia rather than a blog post, so here are a couple of pointers to start you off. First and foremost, Samit deals with the question of Indian speculative fiction in the context of the recent flourishing of “literary” Indian Writing in English here. He deals with the question of “authentic” Indian superheroes (as opposed to the bad, but familiar, ripoffs of western superheroes) here. Both are highly recommended links. Basu also gets into some questions about the publishing industry and the current dominance of diasporic writers here, though that may be of interest more to people interested in publishing questions. Continue reading →