When I was a rebellious little punk teenager, the only Brown I saw on stage at shows was Tony Kanal playing bass in No Doubt. And he was dating bindi wearing Gwen Stefani, who was by far the coolest rock chick ever. It wasn’t until I stumbled upon Sepia Mutiny as a reader that I noticed other punk, alterno, progressive musicians – the most prominent one being of course, M.I.A.
Here we are in the last week of Sepia Mutiny. On these pages as a reader, I’ve discovered some of my favorite songs and as a writer, I’ve gotten to interview some of the most amazing people. I’ve loved discovering new Desi music and examining musicians exploration of hyphenated identities through lyric, music and movement.
Since I love lists – what better way to remember this then… a Top Ten Favorite Mutinous Music Moments.
I think it’s safe to say that today’s #MusicMonday is brought to you by the letters M, I, and A. She might have had only 18 seconds of screen time as a Madonna backup hook girl out of the 13 minute halftime Superbowl show, but M.I.A. made every one of those seconds count.
…a member of M.I.A.’s camp, speaking Sunday night from the Super Bowl host city of Indianapolis, said M.I.A. was struck with “a case of adrenaline.” “She wasn’t thinking,” said the source, who requested anonymity but was with the artist at Lucas Oil Stadium. “It wasn’t any kind of statement. She was caught in the moment and she’s incredibly sorry.” [link]
As for M.I.A. and her brown finger. Well, everyone is stumbling to point the blame finger at someone else.
NBC has apologized for airing footage of M.I.A. flipping off the cameras while delivering the line “I don’t give a shit” during Madonna‘s Super Bowl halftime show. “The NFL hired the talent and produced the halftime show,” NBC said in a statement to the Hollywood Reporter. “Our system was late to obscure the inappropriate gesture and we apologize to our viewers.”
The NFL have also issued an apology for the incident, but placed the blame on NBC’s censors. “There was a failure in NBC’s delay system,” spokesman Brian McCarthy said in a statement. “The obscene gesture in the performance was completely inappropriate, very disappointing, and we apologize to our fans.” [link]
The song is great, but I absolutely LOVE this video – if only because I can imagine Saudi women blasting this rebellious song as they drive unlawfully through the desert. The stunts are pretty legit and gritty without the Hollywood flair too. I feel as if “Bad Girls” skips over Vicki Leex mixtape and goes back to the world orientalist flavor of the Kala days of M.I.A.. I loved the Kala days.
The video, directed by Romain Gavras (see: M.I.A.’s “Born Free”) was shot in Ouarzazate, Morocco, and premiered exclusively on VICE’s new music channel Noisey. The short features daring car stunts that had M.I.A. terrified the entire time.[huffpost]
“It was dope to have so many people from so many different backgrounds speaking so many different languages come together to create something that we believed in,” says M.I.A about the video. “I thought I was gonna die on the shoot when I saw the drifting. It was a four day shoot so everyone was on edge the whole time specifically ME when I had to do bluesteel singing to the camera while the cars did doughnuts on the wet road ten feet away. In my mind I was thinking how I was gonna deliver the video to Vice with no legs.” [bizjournals]