Interview: The Animal Days Are Gone for Tasneem

It started to drizzle as I waited for Tasneem on the Santa Monica Pier early on a July summer day. I couldn’t believe it. It never rains in Southern California but here it was, middle of summer and it had started to rain. Luckily, by the time Tasneem arrived, guitar and all, it had turned into a beautiful day for a ferris wheel ride.

Tasneem, otherwise known as Jungli, is back for a brand new edition with a whole new sound. A New York transplant to California, she’s taken the coastal change and reinvented herself and her singer-songwriter sound into a new Cali-vibin’ freshenss. She’s working on a new E.P. The Animal Days Are Gone set to be released in the next few months. Check out my one-on-one ferris wheel interview with the infamous Tasneem. She talks about why she makes conscious music, how she loves Bat for Lashes, and how her dad would make them listen to Afro-Pop on the drive to weekly prayer.

I realize the interview is kind of long, but I had a hard time editing it down. We had a lot of fun on our quasi-date and Tasneem is very personable. Conducting interviews on ferris wheels are my new favorite thing to do, and getting a personal concert while in a ferris wheel bucket was one of the highlights of this summer. Check out the following video where Tasneem sings “Mark Wahlberg” and you’ll see just what I mean. Continue reading

Music Video faceoff

I have two videos for your viewing pleasure today.

In the total wingnut corner we have this “patriotic” anthem by Trade Martin making the rounds in conservative circles. It reminds us why graduating from college is so important in the modern day:

And in the opposing corner we have this video by Malini Sur, a surgery resident / singer songwriter in New York:

I read a nice quote on blogger Andrew Sullivan’s site yesterday:
“[When] the [Virginia] bill for establishing religious freedom… was finally passed,… a singular proposition proved that its protection of opinion was meant to be universal. Where the preamble declares that coercion is a departure from the plan of the holy author of our religion, an amendment was proposed, by inserting the word “Jesus Christ,” so that it should read “a departure from the plan of Jesus Christ, the holy author of our religion.” The insertion was rejected by a great majority, in proof that they meant to comprehend within the mantle of its protection the Jew and the Gentile, the Christian and Mahometan, the Hindoo and infidel of every denomination.” –Thomas Jefferson: Autobiography, 1821. ME 1:67 [Link]

Well, I guess there was a good reason why the conservative school board in Texas decided to expunge Jefferson from textbooks.

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Let it Bhi (Part I)

I’m changing it up a bit for this week’s post, Mutineers, and setting aside the wax gems for flesh-and-blood. I think auntie netta is getting to my head-a, cuz I’ve got Jaffna on my mind. I’d like to focus on a certain young, hot, and hip Tamil artist with politically charged lyrics, plenty of street cred, and an original and inimitable sound. If you are expecting to see gaudy glasses, gold tights, or…whatever this is, well, you are wrong. This Sri Lankan sensation unpretentiously rocks wire frames, loose jeans, and a 5 o’ clock shadow that magically morphs into an uncle-ji stache. I’d like to introduce to the Mutiny my favorite discovery of 2010 and your new folk hero, Bhi Bhiman.

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Behind that deceptively handsome mug is a booming voice backed by a powerful wit, perhaps the deadliest combination since butter met scotch. You don’t have to take my word for it: he’s already garnering critical praise after only doing the coffee-house circuit for a short while. Here’s probably the best assessment of Bhi and his music I’ve come across yet:

“It only makes good sense that the next great American folk hero/political voice is a very un-white, first-generation Sri-Lankan American. Bhi Bhiman (bee-bee-man) is arguably the wittiest and angriest person to pick up a guitar in the last 30 years and wield it like an aural hatchet aimed at chopping the head off all that’s wrong in the world.”

Local IQ (Albuquerque)

Aside from the questionably colorist “very un-white” comment, I could not have said it better myself. Bhi is a star in the making. He’s the closest we have to a brown Randy Newman (except topical and funny) and/or a brown Bob Dylan (except modest and intelligible). Just like Abhi made the bold prediction that Das Racist would be the hottest, brownest thing of 2009, I’m sayin’ that Bhi is going to do to wannabe fakers just like the release of Nevermind did to 80’s butt-rock: render them irrelevant with the strumming of a single chord. Continue reading

Friday Find – The King of Pop

I have a lot of records.

Not more than the KGB of course, (that nonsensical distinction is for MIA alone to lay claim to) but enough to have seriously impacted my pocketbook, personal life, and also to provide me with an escape when pressures of living with wackily overbearing desi parents prove to be a bit much.

I started collecting in 2000, a year before the first generation iPod was first released (partially designed by my friend’s dad while we were still in high school, no less). Since then, I’ve accumulated probably close to 1000 records but, to this day, my audiophilia never translated into me owning an iPod or any other personal mp3 player. The reason is simple- those devices offer the exact opposite experience to that of the LP. The record is a tactile medium and it is almost not possible for the music to be seen and felt as much as heard, a reality totally lost with the iPod. The mp3 player certainly provides incredible convenience and portability for those who want hours of tunes at their disposal without a wheel-barrow to schlep it around in, but I’ve found that it deracinates and decontextualizes the music from the interesting history and processes that helped created it. It’s in the spirit of this obsessive nerdery that I came across, via reading the miscellanea on my record sleeves, the subjects of tonight’s post and the nuggets I’ll be sharing every Friday with all ye Mutiny Faithful.

Pensive after reading Anna’s tribute to Michael Jackson last month, I remembered that I had seen something completely unexpected while scanning the sleeve of his single for The Way You Make Me Feel: the familiar “P-word.” I knew I was onto something big. Continue reading

Saturday Sounds – Indian Summer

This week’s nugget is a soon-to-be-legendary gem of a track that I’ve spent over 3 years trying to dig up before finally tracking down a copy in a warehouse in Delhi. It was mine (and mine alone!) to enjoy until I foolishly informed Manish of this magical slice of audio heaven at a party last March. I guess if I’m going to have to share it with him, I might as well introduce you guys to your new favorite summer jam.

What was that insufferable science-fiction movie that came out a few years ago, set in an improbable parallel universe where a wisecracking 16 year-old could simultaneously make superfluous references to Soupy Sales and nonchalantly decide the future of her unplanned fetus all in the same hamburger-phone call? It doesn’t matter, as the only interesting part of that unbearable film was the unearthing, for the masses, of Sonic Youth’s cover of Superstar. Eerie, with equal parts irony and insanity, the Thurston Moore-led reworking revived interest in the track that helped define the careers of both Bette Midler and The Carpenters and introduced his art-rock band for another generation of smarmy hipsters. Now, imagine the inevitable Bollywood remake and that scene, where little Jaanu slow dances with the Uncleji vying for the child inside her womb- what uberhip, obscure cover song by a brown artist could match Superstar’s cool cred and lilt ominously from the record player? Glad you asked. Continue reading

Aisee Taisee Out of Nowhere

This gem was buried in my twitter feed right before bedtime and was too good not to share immediately. Found, of course, through the tweet worthy Manish.

With a west coast sound and a music video on my favorite skating beach, I’m super surprised I haven’t heard of this cat before. Turns out his home base is the Bay Area and he went to SF State, which figures with Bay-ish lyrics like those. His name is Mandeep Sethi, and the above track was produced by Sikh Knowledge. I am diggin’ how in a world of hip-hop pseudonyms, Mandeep Sethi is keeping it real with his name. He’s keeping it real in other ways too.

Representing San Francisco Universal Zulu Nation as well as the global Hip-Hop scene, Mandeep Sethi is a young yet seasoned emcee/DJ from that has shown and proven his ability to rhyme and freestyle with the best. An Afrika Bambaataa appointed member of Zulu Nation, Mandeep was raised by the 5 elements of hip-hop: emceeing, djing, breakdancing, graffiti, and KNOWLEDGE. For Sethi, the microphone represents a catalyst of change, rhyming about social consciousness as well as cultural awarenesss while remaining true to the undefinable essence of hip hop’s versatility. [vivalahiphop]

Follow his twitter @mandeepsethi to get some of that knowledge. Check out the rest of his music too – you can download his latest digital EP The World’s Gone Mad for free (or for a donation.)

<a href="http://mandeepsethi.bandcamp.com/album/the-worlds-gone-mad">Illusion [produced by Povan Beats] by Mandeep Sethi</a>

Here’s an Ultrabrown post on Mandeep. Good find, Vij. I feel like I’m hella late to the game and need to catch up. All the rest of you, what do you think? Continue reading

Saxophones and Seduction

One of my favorite film songs of all time is “Roop Tera Mastana” from the 1969 Hindi film [Aradhana](http://en.wikipedia.org/wiki/Aradhana_(1969_film). The song appears just before a dashing young Air Force pilot, Arun (Rajesh Khanna), spends his first night with his new bride, Vandana (Sharmila Tagore, with her bouffant and perfect liquid eyeliner ). Arun and Vandana have just been married by a priest in a small temple because Arun has to leave to fight, and they’re in a rush to get married before he leaves. Unfortunately now it’s raining, and they’ve been drenched, so they huddle together in a rustic wooden cabin for warmth. Because they’re married, their isolation shouldn’t be a problem. But they’ve jumped the gun by getting married without their families’ presence. And now they’re getting closer and closer, to the point of no return…

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Rani Taj beats the hell out of “Rude Boy”

Three of you sent me this video, so I get the feeling that you want SM to post about it. 🙂 If only I hadn’t spent my entire Friday in meetings…you Left-coasters could’ve enjoyed an all-natural jolt from something besides your morning coffee. Better late than never, I always say. Type. Whatever.

I was confused by the video until about 15 seconds in; that’s when the performer suddenly transforms Rihanna’s “Rude Boy” from a song I rolled my eyes at to a joint which made me sit up straighter in my office chair. Do your thang, gurl, do your thang:

None of you knew who this fierce female was, so I scrolled through 281 YouTube comments— never, EVER doubt my fortitude or devotion to the Mutiny– and saw a name which I googled for a bit. I discovered this:

My name is Rani Taj. I am the first professional British-Kashmiri female dholi, trained by the Dhol Blasters and Azaad dhol where I am a senior player. I also dance with the Bhangra Blasters and love playing the dhol, especially at public events.

That’s from her criminally under-loved Facebook fan page. Really, world? Only three of you “like” Miss Taj? Forget desis needing to support Manoj Shymalan no matter what pap he may proffer, y’all need to fan the Queen of percussion. Yes, I said “y’all”. I already did. While it’s still public, toggle through her profile pics on Facebook; she channels David Bowie while in Desi clothes. All that flavor and she’s got the beat? Got damn, Batman.* Continue reading

Boney M, Kutty-fied.

I’m not one to really open the FW-ed e-mails, but I got this in my inbox this week and couldn’t wait for the next #MusicMonday to share. I realize as far as memes go, this may be a little outdated, but funny desi-fied music video covers are timeless (h/t Zaida).

Lola Kutty, the bespectacled woman in the front, is a VJ on Channel [V] and the alter ego to Anuradha Menon. Ultrabrown linked to some kitschy posters of Lola Kutty back in ’07. I’m surprised I hadn’t heard of Lola sooner. Then again, maybe there’s a little part of Lola Kutty that exists within all of us and I’ve always known her.

Lola Kutty is a bespectacled Keralite lady who speaks English with a heavy Malayali accent. Unlike other VJs, she has curly oily hair sporting a gajra and wears silk saris. Unlike Jassi of Jassi Jaissi Koi Nahin, Lola has no plans for a makeover[3]. She is a huge fan of Abhishek Bachchan[9]. Her assistant is Shiny Alex, who wears fluorescent shirts, matching slippers, and mundu folded up. [wiki]

And of course, Boney M needs no introduction. Right? Riiiight? Continue reading

Q&A with Fair and Kind’s Anand Subramanian

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Remember during the third season of NBC’s The Office where Michael Scott and the gang went to a Diwali celebration with Kelly Kapoor and her family?

Kelly’s dad: How long have you been married to the cheerleader?

Michael Scott: Oh, she’s not a cheerleader. She thought this was a
costume party. Um, no, we’re not married…yet.

Kelly’s mom: She is very fair.

Michael Scott: She is very fair. Very fair and very kind.

That scene served as inspiration for brother-sister dream pop-duo Anand Subramanian and his sister, Arthi Meera (as Taz blogged last fall). When the two moved to L.A. in 2007 to make music, they chose Fair and Kind as their group name. Recently, I interviewed Anand via email for MTV Iggy and thought I’d share an excerpt with you Sepia folks – first because we’ve blogged about them before and second since the two will be performing at UNIFICATION 2010, in August, an event I’m working on in collaboration with BROWNSTAR and hope to see you many of you attend. Continue reading