In Conversation With Vijay Iyer, Part I

Speekenbrink_HighRes_01.jpg photo by Hans Speekenbrink

Acclaimed jazz musician Vijay Iyer’s trio put out an amazing album last year. Historicity got terrific reviews. And the Jazz Journalists’ Association just named him Musician of the Year!

I have the album and love it and wanted to chat with him for the Mutiny; he was gracious enough to agree, and so here, in the first of two parts, is our conversation (which we did online).

(Tracks that are likely of special interest to some Mutiny readers: This track, a cover of M.I.A.’s “Galang,” has deservedly gotten lots of attention. An earlier album, Tragicomic, features a track called “Macaca Please.”

VVG: It’s been so exciting for me to watch your success, especially this year with “Historicity.” My older brother and I both played tenor saxophone relatively seriously when we were younger… Today, coincidentally, I am going to practice again for the first time in years! Your website describes you as “self-taught.” How do you teach yourself/practice? What’s your routine/process? How does your day as a musician work (when you’re not touring)?

VI: Thanks, Sugi! I am honored.

I’ve mostly grown musically over the years by trying new things. Sometimes that means trying to work through some existing musical idea that challenges me, and doing it very slowly; other times it’s about composing challenges for myself to try to play; still other times it’s through collaboration with others, whether in my area of music, in other areas of music, in other artistic fields like poetry, film, and theater, and even in less arts-oriented disciplines like the sciences. I don’t have much of a routine because I find every day is different – but my basic way of learning anything is by working on something for long enough that it’s not “practicing” anymore. As a player, I mostly practice being spontaneous; I practice improvising.

As for my day-to-day when I’m home, I spend an unwanted number of hours each day on business matters – emails, phone calls, paperwork, logistics. But I manage to make music every day, either playing or composing. And I spend as much time with my family as I can, especially my 5-year-old daughter. Continue reading

Artwallah’s Afterlife – June 18 to June 20th

artwallah_logo_w-on-b.jpg For Southern Californians who are making plans for the weekend – you should know, there has been a revival. Artwallah is back and though it is not as grandiose as the weekend long festival of yester years, the line-up this year seems pretty boss. It is the tenth anniversary festival, and long time Los Angeles residents will remember what an iconic event this festival once used to be.

North America’s decade-old, internationally renowned arts festival of the South Asian diaspora will present the freshest Cultural-Art-Collision on June 18th to 20th 2010 at the venerable Highways Performance Space in Santa Monica.

> Co-presented by The South Asian Artists Collective and Highways, the tenth anniversary festival celebrates the theme of “Afterlife” with a presentation of original artist collaborations and multi-disciplinary performance – and an engaging children’s program for families. Tickets are now available online at www.highwaysperformance.org or via the Highways box office at 310-315-1459.[[artwallah](http://artwallah.southasianartists.org/)] Artists on the line-up The Pieces, [MadGuru’s screening of Gul](http://www.sepiamutiny.com/sepia/archives/006079.html), a dance piece by [Shyamala Moorty](http://www.sepiamutiny.com/sepia/archives/005847.html), comedic songs by[ Rasika Mathur](http://www.sepiamutiny.com/sepia/archives/006080.html), reading by Shilpa Agarwal (Haunting Bombay), and many, many more. There is also a gallery exhibit featuring “Thums Up N Up”, an installation by Yatin Parkhani. And on Sunday, there’s a children’s program with a yoga/comedy improv class and bhangra dance class. There’s a little bit of something, for everyone. Abhi and I will both be making it out to this amazing event. I hope you’ll be able to make it too, L.A.! Continue reading

Mark Your Calendars for UNIFICATION 2010

Back in September, Taz planned a Boston meetup that attracted dozens of Sepia supporters. It was the first meetup Ravi and I attended on behalf of the Mutiny and we were humbled by the warm reception Boston’s mutineers gave us. That night, we met a lot of people, including BROWNSTAR REVOLUTION, a spoken-word duo composed of Pushkar Sharma and Sathya Sridharan, who Taz later interviewed for a post. Now, more than six months later, BROWNSTAR needs our help. The duo is in the middle of planning UNIFICATION 2010, a joint celebration of Pakistani and Indian independence in New York City and you’re invited.

Who: Join spoken-word duo BROWNSTAR REVOLUTION, NYC’s DJ Rekha, Boston-based punk rock band The Kominas, Hari the Comic, brother-sister singers Fair and Kind and other talented South Asian artists in Manhattan for double the independence day fun. Continue reading

Real men do it barefoot

My friend Amit emailed me earlier today asking me if I thought this was the single greatest Wikipedia trivia fact ever. Ennis covered this back in 2006 but I think it is worth revisiting in greater detail:

India qualified by default for the 1950 FIFA World Cup finals as a result of the withdrawal of all of their scheduled opponents. However, they did not take up their place in the competition. The Indian players were unable to play as boots were required according to FIFA legislation, and the Indian players were not used to footwear and thus refused. The Indian football team was known to play barefoot during the period. In fact, Mohammed Abdul Salim one of the Indian football players played for Celtic F.C. barefoot.[2] The team has never since come close to qualifying for the World Cup. In the FIFA world cup 2010 qualifiers, India was eliminated in the first round by Lebanon. [Wiki]

I tried to do a bit of digging and found what I believe to be the oldest organized soccer club in India, pre-dating the 1950 World Cup. It is Mohan Bagan.

If you go to this site and look at some really old pictures you can get a glimpse of their feet. Sure enough, they play barefoot.

1911 IFA SHIELD WINNING TEAM (beat the Yorkshire Regiment)

Continue reading

Winking at Aziz at the MTV Movie Awards

Hey Aziz Ansari! I’m gonna be one of those infamous seat fillers at this year’s MTV Movie Awards 2010 on June 6th! You better be winking at a brown face you see in the audience, because I’ll be winking back…!

First of all, how did Aziz Ansari get a gig like hosting the 19th Annual MTV Movie Awards? I mean we’ve written about his rise in fame here, and here, and here… but damn! A national awards show? Is it possible that he could just be the first Desi to host a national televised award show? Moving up. Second, how precious are those baby pictures? (h/t Ami)

Stephen Friedman, the general manager of MTV, said Mr. Ansari’s pop-cultural tastes made him an ideal embodiment of the millennial-generation viewers whom the channel wants to reach.

“He’s playing with music, our sweet spot, but doing it in a way that creates a visceral connection with everyone in our audience,” Mr. Friedman said. “This guy gets us in a much more immediate way than other comedians. He’s grown up with the audience.”

What Mr. Ansari won’t do is exploit his minority status for laughs, or make it the focus of his comedy. You won’t hear him opining about his parents’ background as Tamil Muslims from India, and he said he’s tired of people’s assumptions that he encountered rampant racism growing up in the South. [nyt] Continue reading

The Copycat Facebook Ban

BangladeshFlag.jpg Remember how on May 19th, the Pakistan government banned facebook? Phillygrrl wrote about how all the hoopla was over how there was one page on Facebook dedicated to the “Everybody Draw Muhammad Day!” which was in turn a retaliation to the anti-South Park activists out there. Soon after, people in Pakistan couldn’t access YouTube (that ban was lifted a few days ago, selectively).

Well yesterday, Bangladesh totally copycatted Pakistan.

Bangladesh has blocked access to Facebook after satirical images of the prophet Muhammad and the country’s leaders were uploaded, say reports. Officials said the ban was temporary and access to the site would be restored once the images were removed.

A spokesman for the Bangladesh Telecommunications Regulatory Commission (BTRC) told AFP Facebook had “hurt the religious sentiments of the country’s majority Muslim population” by carrying “offensive images” of Mohammed. [BBC]

I just think it’s kind of silly that that they are “officially” citing the cartoons TEN days after the actual “Everybody Draw Muhammad Day!” That site isn’t even up anymore. If that was really the issue, the halal-ness of the interwebs in Bangladesh, wouldn’t they have banned Facebook at the same time Pakistan did – on May 19th the day before the ‘sanctioned’ date of May 20th?

I think the real issue is that the current Bangladesh government was insulted by cartoons made about THEM. And they are using the anti-Muslim sentiment as a scapegoat. Continue reading

Attacks in Lahore at Ahmadi Mosques: an Eyewitness Account

As many readers may be aware, today there has been a terrible pair of attacks on Ahmadi mosques in Lahore, by gunman armed with grenades and automatic weapons. As of now about 70 people have been killed. In some ways the style of the attacks — heavily armed gunmen on foot, mowing down people at random in crowded places — reminds one of the attacks by a group of militants on Mumbai, in 2008. Within Pakistan itself, there is also the recent memory of the attack on the Sri Lankan cricket team. The BBC has an eyewitness account by an unsigned observer:

I saw one of the attackers as he was entering the sermon hall, then I ran away. He very much reminded me of the people who attacked the Sri Lankan cricket team, he was wearing similar clothes – the traditional Pakistani dress shalwar kameez and he looked like someone from a tribal area.

I went upstairs and I found a room with a bed, I hid under the bed. I was too scared to leave, even after the firing had stopped. I saw from the window security personnel, rescue people, fire brigade. The bodies had already been taken away.

This is a big old building, it’s 50 years old. I was on my own. I didn’t know what was happening. I could hear the firing going on for quite some time.

I am not surprised by this attack. We were expecting it for three or four weeks – a threat was published in a local newspaper that there would be attacks and the authorities were informed.

That’s why we have our own security guards in front of our mosques. They are not professional, they are volunteers. They were the first to have been killed. (link)

That last detail is distressing: there were specific warnings published in a local newspaper? And the authorities still didn’t see fit to send in police to guard the mosques? Granted, if these guys were anything like the militants in the Mumbai attacks, even armed police may not have posed a significant deterrant. But still: it seems like a malicious kind of negligence to have left these folks to fend for themselves.

This tragedy is part of a long history for the Ahmadiyyas in Pakistan, who form a minority community of about 4 million (many Ahmadiyyas have left Pakistan since the 1970s). Wikipedia describes how the sect was declared to be non-Muslim, and effectively disenfranchised through a series of ordinances, starting in the 1970s. More details about the history of Ahmadi political agitation in Pakistan can be found here (Musharraf initially aimed to counter some of the discriminatory laws targeting Ahmadis, and effectively ended the ban on Ahmadis voting in elections in 2002). Finally, UNHCR has a limited timeline concerning political agitation involving the Ahmadis here.

It should also be noted that there was a serious Maoist attack in West Bengal, India today as well — leaving more than 70 dead as a derailed passenger train was struck by an oncoming cargo train. See a BBC account by Soutik Biswas here. The sense I’m getting is that the sabotage that caused the derailment itself was relatively minor, and might have led to minimal casualties; the event that has caused the high body count was the secondary collision. Continue reading

Guest Blogger: Lakshmi Gandhi

Do we dare hit you with yet another guest this month? Yes, we dare. Many of you already read her blog anyways, so why not read her at this party? Lakshmi Gandhi is joining us for a guest stint. She does a great job on her blog covering pop culture and politics among other topics.

And because we are South Asian I will highlight her degrees:

BA in History from Bryn Mawr College and a MA from the CUNY Graduate School of Journalism.

Alright that’s enough intro. She’s ready to go. Please join me in welcoming her.

Continue reading

Pass the Mic: Interview with Riz MC

I was first blown away by Riz Ahmed when I saw him perform on Britz. It was only afterwords that I realized that Riz wasn’t just an actor – he’s also known as Riz MC. Straight out of the U.K., his lyrics are dynamic and controversial and his sound dances on the edge of gritty hip hop and electro sci fi. Amardeep’s written about Riz MC’s controversial lyrics in the past. I had the chance to sit down virtually with the infamous Riz. Here’s what he said.

Taz: Though you’ve been MCing for a few years, MICroscope is your debut album. Why did you wait so long to release your first album?

Riz: I guess you could say it was because I was busy filming. But in reality, I also wanted to take the time to find my sound and set out a unique style of music and lyrics – dense lyrical ideas with bold simple electronic or totally acoustic sounds. This album took 18 months to make.

T: On your website you say that “the album is coupled with a groundbreaking live show and a trans-media online experience.” What exactly does that mean?

R: There’s a live show that goes with the album. It’s a gig or concert but it also has a story line in which the audience is involved in moving forward. It’s pretty unique as a concept and in the way it’s performed. There’s a short film that ties in with it too. Both the website for the album and live shows are cutting edge digital interactive. So it’s an album, show, film, and website all set at different points in the same story world. Continue reading

Blogger claims illicit affair with Nikki Haley

Our tipline has been buzzing off the hook with the news Monday morning that a conservative blogger named Will Folks is claiming he had an affair with Indian American gubernatorial candidate Nikki Haley. Haley had a 30% lead in recent Republican primary polls and has been endorsed by Governor Mark Sanford’s ex-wife Jenny, the conservative blogosphere, and most recently, Sarah Palin. Here is what Folks claims:

In fact, on a very personal level I have become the primary target of a group that will apparently stop at nothing to destroy the one S.C. gubernatorial candidate who, in my opinion, would most consistently advance the ideals I believe in. For those of you unfamiliar with the editorial bent of this website, the candidate I am referring to is S.C. Rep. Nikki Haley.

…within the last forty-eight hours several pieces of information which purportedly document a prior physical relationship between myself and Rep. Haley have begun to be leaked slowly, piece by piece, to members of the mainstream media. I am told that at least one story based upon this information will be published this week. Watching all of this unfold, I have become convinced that the gradual release of this information is deliberately designed to advance this story in the press while simultaneously forcing either evasive answers or denials on my part or on Nikki’s part.

I refuse to play that game. I refuse to have someone hold the political equivalent of a switch-blade in front of my face and just sit there and watch as they cut me to pieces.

The truth in this case is what it is. Several years ago, prior to my marriage, I had an inappropriate physical relationship with Nikki.

That’s it. [Link]

Nikki Haley flatly denies any of this is true:

News 4’s Mandy Gaither asked Haley if Will Folks said anything to her before the allegations came out on his blog.

“No,” said Haley.

“So, you had no idea? You were blind-sided?” said Gaither.

“I mean, look. This is what I will tell you. It is absolutely not true. My husband and I have been married for 13 years. We’ve been faithful to each other,” said Haley. “I will not stop pushing for good government no matter what they throw at me two weeks prior to the election.” [Link]

The thing about a situation like this that we know to be true? At least one of the two is lying. Continue reading