Apologies to Billy Idol, but a recent article in the Washington Post about local weddings has me thinking in the abstract (I’m as far from the lavan as I have ever been) about wedding customs and how they change.
The article makes a number of interesting points. It starts by describing how non-desis have discovered the business opportunities involved in brown weddings, such as Sue Harmon who has two white mares specially reserved for baraat duty, or Foxchase Manor which has learned how to handle the havan without setting off all the fire alarms:
“The normal instinct is to blow out the fire when you’re done … But that creates this huge puff of smoke that’s actually much bigger than when the fire is lit. So the key is to keep the fire in a portable container, and then when you’re done, you carry it outside and close all the doors before blowing it out.” With an average of 80 South Asian weddings a year, the staff has had ample opportunity to perfect the technique, he added. [Link]
Still more interesting to me was a story of how other “ethnic” couples have adapted some aspects of desi ceremonies:
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Why wear white? |
South Asian vendors, meanwhile, are increasingly hearing from non-South Asian couples who want to borrow their customs. Caucasian couples who came across photos of Sood’s creations … have asked her to decorate their weddings in the same shades of maroon and gold. She’s even draped a mandap — the wedding canopy — with kente cloth for an African couple… [Link]
But the bit that really caught my attention was about how ABDs are wanting to have hybrid wedding ceremonies that incorporate aspects of the white weddings they grew up watching on television:
Perhaps most radical, however, is the growing use of whites and ivories in the decorations. “In Indian culture, white signifies mourning,” she said. “It used to be such a taboo for weddings. But now so many brides are demanding it.”
Priti Loungani-Malhotra, 32, a dressmaker based in Arlington County, has even designed a white version of the classic Indian wedding gown, with a mermaid-shaped lengha, or skirt, that would do Vera Wang proud. [Link]
I always thought precisely those two aspects of western weddings – the procession down the isle and the white dress / black tux were boring and dull compared to the circumambulation of holy objects (at least in some desi weddings) and bright red wedding garments. I know I’m a guy, and the long walk down the isle brings attention to the bride, but I just never liked it. For one thing, I don’t like the parts of either culture that view a woman as something to be given from one man (the father) to another (the husband).
How many of you would (or did) seize control of your wedding from your parents and create a wedding ceremony that incorporated aspects of both cultures? Are you all more enamoured of white wedding customs than I am?
Apparently the only surprise about Deepa Mehta’s Water losing out on the Best Foreign Film award last night was that the eventual winner wasn’t Pan’s Labyrinth, the consensus favorite, but rather The Lives of Others, by an impossibly tall German director with an impossibly aristocratic Prussian name. So there’s little gnashing of teeth or rending of garments in the Indian press today, simply matter-of-fact recognition that “
