The little black dress (actually a long black dress) worn by Audrey Hepburn in Breakfast at Tiffany’s has just been auctioned off for a record $924,588 dollars at Christies in London, on Tuesday. This was roughly six times the highest estimate for the amount of money that the dress would bring in.
The dress was designed by Givenchy, who later donated it for a sale to help the famous “City of Joy” charity in Calcutta:
The dress, an iconic piece of cinematic history, was designed by Hubert de Givenchy, who became Hepburn’s life-long friend in 1953. He donated the dress to Dominic Lapierre, founder of the charity City of Joy Aid, which helps India’s poor…
Hepburn, who died in 1993, devoted much of her time in her later life to her role as Ambassador for UNICEF, the United Nations Children’s Fund.City of Joy Aid is supporting the work of more than 1,000 social workers, doctors, nurses, therapists and educators in India, helping more than four million sufferers of tuberculosis, cholera and leprosy. [Link]
Givenchy made 3 such dresses for Hepburn – the other two are in museums. The charity was founded by novelist Dominique Lapierre who wrote a book of the same name which later became a movie starring the incomparable Om Puri and also Patrick Swayze.
Hepburn was one classy dame. Her commitment to helping others lives on long after she’s dead and gone.


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There’s a powerful scene in “Bamboozled,” Spike Lee’s most difficult and underappreciated movie, in which the street-actor characters played by Savion Glover and Tommy Davidson, having been recruited into a scheme that involves staging a deliberately outrageous, racist pilot for a TV show, find themselves in the dressing room applying blackface. The camera lingers as the cork burns and the grease paint is prepared, and pulls back to show us the characters as they see themselves in the mirror, watching their natural brown hues turn to a shiny, oily black.
Over the weekend, I was shown a tube of grease paint of a make used back in the blackface heyday. A small, banal object, yet one invested with so much and so troubling a meaning. Well it turns out that just a couple of days earlier, the British daily The Independent ran this front-page image in honor of its “Africa issue” with half of the day’s revenues to help fight AIDS on the continent. The depiction is of Kate Moss, the decidedly non-black British fashion model and alleged onetime cocaine/heroin fiend, not only blackened but Blackened — bigger lips, thicker brows, fleshier cheeks. “NOT A FASHION STATEMENT,” the headline blares, while an inset on the sidebar promises a poster of the image inside.

