More proof from Obama’s pocket

In the past I have been accused by unruly commenters on this blog of being obsessed with President Barack Obama. No. That is false. Admiration is not obsession. I am however, endlessly fascinated (perhaps obsessed) by what is in the man’s pockets. In June of 2008 I cited this photograph in Time Magazine. I openly (but with tongue-firmly-in-cheek) wondered, “is Obama a secret Hindu?” In his pocket he carried a Hanuman good luck charm.

This morning I was on the WhiteHouse Flickr feed. I went there because I wanted to savor some of the images of a hard won health care reform victory. This was a “big f*cking deal.” There was a picture of Obama demonstrating an okey-doke. Another one that captured the exact moment history was made. But for me, none of them compared to this one, which had the following caption:

President Barack Obama holds a lucky charm given to him during the campaign, while on the phone with a Member of Congress in the Oval Office, March 21, 2010. (Official White House Photo by Pete Souza) [Link]

So what is that lucky charm you ask? I blew it way up to find out for myself:

First, I don’t belive that is an icon of Jesus Christ. The face is atypically wide and the beard too wild. I also very much doubt it is a Geico caveman (as one of my friends offered). That, to me, looks like a yogi or Hindu spiritual leader of some sort. I can kind of make out saffron robes, a garland around the neck, and perhaps, just perhaps, a bindi closer to the right brow. Am I just smokin’ something or do you guys see it too? Continue reading

Intimate with Aziz

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Not really new news, but new to me news – In January, comedian Aziz Ansari premiered his Comedy Central stand up special: “Intimate Moments for a Sensual Evening.” We’ve talked about Aziz plenty of times on Sepia Mutiny in the past as the latest up and coming funny man. He can also be seen on Parks on Recreation on NBC Thursday nights, otherwise known as ‘every show has a Desi sidekick’ night. The clips from his Comedy Central special are up [NSFW] and I wanted to share. (h/t Channel APA)

Russel Peters is the only other Desi person I know to have had a Comedy Central special, though I could be wrong on this one. What I do find interesting though, is how different Peters and Ansari’s comedy styles are from one another. I could be snarky and say style differences reflect a Canada vs. U.S.A. thing, but that could just be the residual Olympic effect speaking. In reality, it seems that Peters relies on his Desi background for his jokes, and Ansari has moved away from that, using Desi references more as seasoning than crutch. But maybe, that really is reflective of a Canada vs. U.S.A. thing.

More from an ‘Intimate Moment for a Sensual Evening’ after the jump. Continue reading

How you doin’, Kamaljeet?

Jay Sean, the brown (whom we’ve known about for years) who crooned “Down”, was on The Wendy Williams show two days ago. Behold:

After he performed “Down” and “Do you remember , Williams exclaimed to her guest, “You are, STUNNING!” She followed up with “You’re exotic and spicy, what is your background??”. Mr. Jhooti let her know that his “heritage” was Indian and immediately clarified that he did not, in fact, live in a “wigwam”, i.e. that he wasn’t THAT kind of Indian.

Other scintillating bits from the show included Jay swatting down rumors about Ashley Tisdale, a mention of how the New York Post named him one of NYC’s most eligible bachelors and Sean’s confirmation that he’s already got a bird. So all you single ladies (all the single ladies)…and single men (all the single men), if you were in to him…you’re tatti out of luck. 🙂 Continue reading

Ol Dat M.I.A. Sees

M.I.A. just tweeted the above video, “There’s Space for Ol Dat I See.” (She’s also been tweeting a lot about Sri Lanka’s portrayal in the NYT article Sugi blogged about, but I’m not gonna link those pictures.) I’m kinda diggin’ how basic the song sounds in this video.

MIA says she expects her third album to be released as early as this early spring…”I wanted it to be like, no gimmicks,” she declared. “It’s my third album and I have to kind of confront whether I am a musician or not… I wanted to make something that you could play that isn’t like trendy just for three months, or the length of a DJ’s attention span.” [nme]

Can’t wait, especially with songs with titles like, “I’m Down Like Your Internet Connection.” Continue reading

Mother Murdered for Being Strict

Danish Minhas.jpgI think most Desis can empathize with the overly strict Desi household growing up as a teenager in the U.S. But this story has a tragic ending. (h/t Muna)

From the beginning, Houston police say, they doubted 17-year-old Danish Moazzam Minhas’ story about finding his mother’s bloody body in their apartment.

> The Lee High School student told investigators he’d spent the entire night out and came upon the crime scene when he returned home that morning in late November. The attacker, Minhas told detectives, must have surprised 43-year-old Tabassum Khan while she was counting money she planned to spend on bills and the traditional Muslim feast of Eid. [[chron](http://www.chron.com/disp/story.mpl/metropolitan/6801520.html)] Fingerprints left at the scene were tracked back to a classmate of Minhas. The classmate, Nur Mohamed, told cops he was hired by Minhas to kill his mother for $4,000. He only collected $1,000. > He is now charged with solicitation of capital murder, authorities said, and has confessed to arranging the killing because he felt his mother was too strict. Continue reading

The Eidie Goat

GOAT.jpgEid Mubarak, Mutineers! There are two Eids that Muslims celebrate, one marks the end to a month of fasting and another marks the end to pilgrimage to Mecca, called Hajj. Today we celebrate the latter one, Eid-al-Adha. This Eid in particular is the one where a sacrifice is supposed to be made of a goat or cow (the meat is to be eaten later and donated), in remembrance of the story of Ibrahim being asked by Allah to sacrifice his son and his son being replaced by a goat.

It was for this reason, my friends and I joked around about how we needed an Eid goat. Easter has the bunny rabbit, Christmas has Santa Claus. But growing up as a Muslim kid in the U.S., we didn’t really have anything equivalent. I was always told Eid was my version of Christmas, but then, why did all the other kids get presents and we didn’t? As we got older, it seemed like the Eid goat would have been the perfect solution.

Thus, I had already goats on my mind when maitri tweeted the following “I Want a Goat” video [NSFW]. It’s promoting a program, I Want a Goat, where you can design and donate a goat to a village in India. The modern twist is that this video has hipster charm splashed all over it.

I realize the tie between this video and Eid is tenuous at best. I found the the song amusing and the cause seems legit. The project was started by a woman Debbie who volunteered in the village for seven months and saw a similar program run successfully in India. For only a $20 donation, you will be donating a goat to a village in Koraput. Why goat?

For tribal people who are landless, raising goats is a great alternative source of income. Families who breed goats can earn a good profit selling the kids in the local market. The extra income provides a safety net for families that can be used for things like medicine, food during lean periods and farm equipment. Continue reading

Pakistani Rock Queried by the NYT

Let’s start with this song by the Pakistani rock group co-VEN, “Ready to Die”:

co-VEN was featured in a recent New York Times multimedia video by Adam Ellick (not embeddable) which can be seen here.

Other musicians mentioned in the Times story include Ali Azmat and the band Noori (identified in the video as the Noori Brothers). To me, Ali Azmat comes across as a blithering idiot in the Times video, but I found the comments from co-VEN more compelling — at least coherent. (For the most part, I agreed with the Pakistani journalists in the Times’ video, not the musicians.)

What was interesting to me was the fact that Ellick, in the Times video, seemed to be putting co-VEN forward as an example of a band that criticizes the west but not the Taliban.

I haven’t heard much of co-VEN’s other music (none of the songs on YouTube seem political) or looked closely at their public statements, but the lyrics to the song above are present in the YouTube video, and they seem more ambiguous than Adam Ellick suggests. While “Ready to Die” does put forward the idea that there is a pattern — and a long history of failure — to western policy in the Muslim world, I don’t necessarily think the song reflects Pakistanis in denial. You can be opposed to the “game of chess” co-VEN is talking about while also being opposed to what the extremists have been doing in Pakistan in recent months. I’m not sure co-VEN is actually willing to go there, but it seems like a stretch to put an interesting indie/metal band next to the more banal pop music of Ali Azmat and Noori, as if they’re all the same.

Oh, and one more thing: it’s a shame that this irreverent and upbeat song, Laga Re by Shehzad Roy, was apparently banned on Pakistani TV. (I wonder whether it might have circulated anyway through the internet etc.) Continue reading

More Naseeruddin to Love and Admire

What the people want, the people get!

(Sorry, Joolz, not Keegan Singh.)

Due to popular demand I’ve got three more segments of the MTV Iggy interview with Naseeruddin Shah. Looking back, I can’t believe we asked some of these questions. He continued to be gracious, thoughtful, and startlingly candid:

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What’s the difference between theater and film? Legendary Indian actor Naseeruddin Shah explains to us why the two should be starkly delineated. “I can’t understand why they remake movies as plays — and then do them exactly like movies!” he says, referring those well-known Broadway plays in which helicopters crash and ships sink onstage. With his theatrical company, Motley, Naseeruddin is bringing back the lost art of Dastangoi, the ancient practice of storytelling in which the end of one story leads to the beginning of the next — bringing theater back to its original intent: one actor, one audience:

Continue reading