Blue Scholars’ Bollywood Icon

Ha, ji! Ms. Rani Mukerji is a now a “rap music icon”!

Today’s #MusicMonday comes from Blue Scholars, the hip hop/spoken word crew out of Seattle. The song comes from their just released album Cinemetropolis, available for download on bandcamp. Each song on the album is named after a person, such as Yuri Kochiyama, Oscar Grant, and Anna Karina.

The duo — DJ Sabzi and MC Geologic — say the song ‘Rani Mukerji’ is a big hit at their live concerts. “Rani appears to be a powerful, intelligent woman and a cultural leader. She does a good job balancing her projected image with dignity and without allowing herself to be objectified,” says DJ Sabzi, adding his favourite Rani film is the 2002 hit Saathiya. [hindustantimes]

Hands down, Rani Mukerji is my favorite song on the album. As a Bangla speaker, I must say, it gives me a little thrill to hear feisty Bengali words in the catchy chorus. I expect I’ll be singing these words all week long.

How Will We Remember?

On this day I woke up to images of the twin towers falling on TV, eerily similar to what happened ten years ago at the same time. Deliberately, I’ve avoided the videos over the years, quickly changing the channel, images of people jumping from the building permanently embedded in my memory already. But today, I watched. I needed to be reminded, I guess. Where will we be in 300 years of remembering? This is Chee Malabar & Tanuj Chopra’s interpretation.

The video was created as a DVD insert to the Asian American Literature Review Tenth Anniversary of September 11th issue.

So many of our communities have borne witness to so much over the past 10 years; it behooves us to critically consider the moment and its aftermath—the various political, legal, and civil rights repercussions, particularly for the communities most directly affected, South Asian, Arab, Middle Eastern, and Muslim American. But how can we do so, when so many of the voices of affected communities remain unheard? [AALR]

 

You can order your copy of the AALR special issue online here now.

The Philadelphia Inquirer Covers Indian Americans: Gets it 100% Right

Photo Credit: The Philadelphia Inquirer

Dear Editor Wischnowski,

I am writing today to thank you and the rest of The Philadelphia Inquirer team for your wonderful front-page coverage on the South Asian American community in the Sunday, July 3rd edition. The article titled “Indian population booming in Philadelphia area” certainly constitutes one of the finest pieces of research-driven feature-writing I have seen in quite some time. As one of the 477,586 Sunday readers of The Philadelphia Inquirer, I am thrilled to see that the third-oldest, eleventh-largest daily newspaper the United States continues to maintain its reputation as the Pulitzer Prize winning publication of its yore. With the advent of joke publications, such as The Onion, arriving in this town, it’s heartening to see some hard-hitting news in the Inquirer.

First and foremost, I would like to tip my hat to journalists Michael Matza and Joelle Farrell for their wonderful reporting. To echo the first quote in the article, “Stereotypes be damned.” Such breadth of interviewees! What segues! The software-developer. The dentist groom and the physician bride. The retired chemist. The civil engineer turned motel-owner. The managing partner. The real estate agent. And lest we grow too comfortable in our community’s affluence, the additional video on your website featuring the taxi driver. A moment of silence for this lone unskilled Indian American man who aspires to achieve the American dream. And a hat tip to you guys for featuring him! I bow to your benevolent reporting. Nick Kristof could learn something from you people. Continue reading

A Portrait of 9/11 from the Folks Behind Seven.11

Barriers is the story of a family that lost a son in the tragedy of September 11, 2001. This theatrical production is by Desipina & Company, which also brought us seven years of Seven.11 Convenience Theater. At the Wall Street Journal, Aarti Virani takes a closer look at the inspiration behind Barriers, which was first performed in 2002, and is currently playing through September 18 in Manhattan.

Just days after the 9/11 attacks, playwright Rehana Lew Mirza was heartbroken by what she encountered while walking in New York City. “I saw a flyer of a missing South Asian woman with holes burnt into the eyes and mouth,” she said. It was a seminal moment for the young artist and one that inspired her to pen “Barriers,” a raw look at the struggle of a Pakistani-Chinese family who suffered loss in the 9/11 tragedy. (WSJ)

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Tapped

AASIF MANDVI by Rob Kelly

The years after 9/11, I could have sworn there was a clicking noise whenever I used the landline at my parent’s place. It could have been a bad phone, or it could have been due to the, as Saheli said, “crappy connectivity that year.” I would half-jokingly have side bar conversations with the so-called secret eavesdroppers, letting them know “I know you are listening!” or my thoughts on Dick Cheney.

I was reminded of this as I was reading Aasif Mandvi’s Op-Ed over at Bloomberg just now (h/t Ludovic):

When U.S. troops marched into Iraq in 2003, I, like many Americans, was outraged at what I considered a senseless and unjustified military action. As I spoke to my mother about it on the phone, I noticed that the angrier I got, the more uncomfortable she became.

 

At first I thought perhaps she disagreed with me, that her awkward silences on the other end of the line resulted from her biting her tongue. Had she, like many of her fellow Americans, bought into the claim that Saddam Hussein and Osama bin Laden were simply opposite sides of the same al-Qaeda nickel?

 

When I pressed her on this, she quietly replied, “Perhaps we should not discuss this over the phone.”

 

What do you mean? I said. Why on earth not?

 

Because, she answered, “You never know who is listening to us.” [bloomberg]

 

Read the rest here. Were we out of the realms of normal to think that our phone lines could be wiretapped? I don’t think so. It was THE Muslim Witch Hunt of 2001 – the antiquated version of our modern day Islamophobia. With Homeland Security agents knocking at our door and unmarked white vans parked in front of our house, it was very realistic to think that our line could be wiretapped. Ten years later, it still seems very realistic and in fact it feels that progress has not been made but rather undone. As Mandvi states, “That moment when the world came together and shared a grief that transcended faith, nationality and politics is undone….What I hope for in the next 10 years is a War against Fear.”

It’s Wednesday

No, it’s not Friday. It’s Wednesday!

http://youtu.be/_voojg6RKzs

What would happen if Ice Cube’s Today Was a Good Day took place in the techie days of nowadays? The video stars comedian Hasan Minhaj as the Desi South Bay-esque protagonist. Hasan can also be seen on ABC Family’s State of Georgia and can be heard on his comedy album wittily named Leaning on Expensive Cars and Getting Paid to Do It. Aziz Ansari better watch out now….

The Incredible Kid Drops Thumping Beats

DJ Anjali and Incredible Kid.jpg

I got a beat-thumping BBQ friendly labor day mix for y’all for this #MusicMonday a little early. Coming from The Incredible Kid, the other half to Seattle based DJ Anjali.

soundcloud url=”http://api.soundcloud.com/tracks/21849376″

Beginning with incorporating Asian Drum and Bass, Reggaeton, and Meren-Rap songs into his late ’90s house party sets, The Incredible Kid built his reputation igniting Portland, Oregon dance floors with the incendiary urban sounds of international dance music. In late 2000 The Kid introduced DJ Anjali to the dancing masses, and the two spearheaded the Bhangra and Bollywood scene in Portland through their Andaz night, still running strong since its debut in July of 2002. [anjaliandthekid]

 

If in Portland, be sure to check DJ Anjali and the Incredible Kid. Upcoming shows listed here.

Danny Pudi, Video Vixen?

I wouldn’t call Danny Pudi this decade’s Tawny Kitaen, or a hip hop honey. But like them, he’s got screen time in music videos. Last week I noticed him in Raphael Saadiq’s “Day Dreams.” Now he’s in a new music video from Jones Street Station, “The Understanding”. Both feature him as a quirky, cute, romantic protagonist–cute as in Buddy Holly cute, without the glasses.

In the video from Brooklyn-based folk rock band Jones Street Station, Pudi is photographing while brown in NYC. But no suspicion here, maybe because everyone he snaps in the Big Apple is charmed by him and his tiny camera. 🙂 After he meets a woman played by actress Monica West and gives her a piggyback ride in the park, they end up in a studio jamming with the band.
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30 Mosques 2011

This year the 30 Mosques guys–Aman Ali and Bassam Tariq–continued their annual Ramadan journey that started out in NYC in 2009 and expanded across the USA in 2010. The duo is celebrating Eid after wrapping up their 2011 Ramadan travels that took them to mosques and Muslims around the nation. If you’re celebrating too, I wish you and your family a joyous holiday. Eid Mubarak!

Watch the full episode. See more PBS NewsHour.

In their PBS interview with Hari Sreenivasan, Tariq described the 30 Mosques trip as an opportunity to see how people are living the religion of Islam. Ali highlighted a Muslim community in San Francisco called Ta’leef Collective that impressed him with its inclusive attitudes and “come as you are” philosophy. Continue reading