‘Skewed Demographic’ Highlights Bone Marrow Disparity

The online art exhibit Skewed Demographic brings together artists to address the racial disparity in the bone marrow registry. Each piece in the online gallery is being auctioned off with proceeds going towards processing bone marrow testing kits.

Photographers Shirin Adhami and Sunita Prasad curated the show in honor of Photojojo founder Amit Gupta and other South Asian leukemia patients. Adhami first met Amit Gupta when both were undergraduates at Amherst College a decade ago. When Gupta first announced his diagnosis and his need for a bone marrow donor, Adhami was one of his many friends who rallied to action.

“Personally, I was working on doing drives and I was thinking of doing a more symbolic gesture,” said Adhami during a recent phone interview. “How could I reach an audience that maybe couldn’t donate marrow? How could it be more than a request for money?”

Adhami decided to put the call out to her contacts to see if they would be willing to donate their work to the cause. “The idea is photo-based, but the artists are not necessarily all photographers. The inspiration is really from Amit’s photo interest,” she said. “There were times that I have not even realized I was using one of his inventions until much later. He has really affected the photo world with Photojojo.”

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Why This?

I’m not one to follow pop hit music trends in India – but this one is getting a little bit too big to avoid. I briefly peeped the song a few weeks ago, didn’t think much of it. But people can’t stop tweeting about it. Now, Tigerstyle did a Bhangra remix of it, there’s a dubstep remix of it, acoustic covers of it, and my favorite, the soothing soulful R&B remix. There are now over 20 million hits to the YouTube video for this song! Am I missing something? Why this song so popular?

Why This Kolaveri Di (Why This Murderous Rage, Girl?) is an Indian song from the soundtrack of the upcoming Tamil film 3, which is due to be released in 2012… The song was officially released on 16 November 2011, and it instantly became viral on social networking sites for its quirky “Tanglish” (portmanteau word of Tamil and English) lyrics.Soon, the song became the most searched YouTube video in India. Within a few weeks, YouTube honored the track with a Gold Award for getting the most number of hits. [wiki]

 

My favorite to all this is how slapped together the song is – they were looking for a playful love song and wrote this in about twenty minutes. And bhas, sensation!

“When I was writing down the lyrics, I kept in mind all the English words that are used in the Tamil vocabulary. Words like I, you, me, how, why, cow.. I just framed them into sentences and thats how I came up with the song,” said Dhanush, who also penned down the lyrics of the song. [TOI]

 

So here you go – Why This Kolaveri Di to get stuck in your head for today’s #MusicMonday. With enough remixes to last you the month. I’m going to get started on the Banglish remix of this song ASAP.

Traveling with the Dewarists

The hunt for the perfect song never ends and I remember last time I was traveling South Asia, I was trying to connect with local musicians in every city I went. On today’s search for #MusicMonday, I found a online series that wasn’t just traveling and highlighting songs of India, it was documenting that beautiful moment when collaborations are made. The Dewarists is eight episodes in and I’m pretty surprised this is the first I’m hearing about it.

In this latest episode, we take a beautiful trip to Goa where Humble to Poet, Midival Punditz and the host of the series Monica Dogra create a song together, No I.D. Required. If you want to go directly to the song, it’s at 32:15, though the whole show is beautifully shot and I would recommend watching it fully through. I knew that Humble was traveling India, but I had no idea that he was pairing up with legends like Midival Punditz while there. It’s so out-of-the-box to put a hip-hop poet with a legendary electronic/dance duo, but I think it totally worked.

The series pairs Imogen Heap with Vishal-Shekar to sing a Tagore poetic classic in Rajasthan; classical singer Shubha Mudgal with folk rock band Swarathma in Mysore; and  Karsh Kale travels with guitar virtuoso Baiju Dharmajan in Kerala. Funded by StarWorld, this documentary web series is a brilliant idea and I’m excited to see what comes out of this project. Best of all, it’s all viewable on YouTube!

A conversation with Unladylike’s Radhika Vaz

http://www.youtube.com/watch?v=fpWAEPnPIes&

In her one-woman show Unladylike: The Pitfalls of Propriety, comedian Radhika Vaz tackles subjects like “proper” female behavior, modern relationships, and the ubiquity of bikini waxes. Having recently returned from touring India, Vaz will be performing Unladylike at the The Producers Club in New York City on Friday, December 9 (more details below). I recently had the chance to ask her a few questions about the show.

What inspired you to write Unladylike?

I had been doing improv for a really long time and then I started writing monologues. I always wanted to do a one-hour show on my own for a few reasons. I was auditioning for parts and wasn’t getting anything. You know, I am practically 40. I am Indian with an Indian accent, I’m not even an Indian with an American accent, so I wasn’t fitting into any of the roles. Writing the show was what really pushed me out there.

Stories about your husband and family often appear in your work. Have any of your relatives ever told you that something was off-limits?

No, they haven’t. I definitely do believe that I have to at least show them the piece before I post it to my blog. Most of my pieces start out on the blog, I usually post it before it is performed.

I remember I posted something once and my husband was like, “You really should have shown me this before you posted.” If it is something related something like alcohol abuse or anything embarrassing, I show it to them. When writing about my friends I change names a lot.

Do you consider Unladylike to be a feminist show?

I hope it is. I am certainly not the first person to talk about these things, but I definitely hope that people look at it that way. To elaborate a little bit, I definitely think that I speak a lot about the wide disparity in the way that men and women are viewed.

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Q&A with Bikram Singh: “Bhangra… Keeps Me Sane”

If you’re a student of bhangra – you already know Bikram Singh from his work on the Where’s the Party Yaar soundtrack and his hit single, “American Jugni/Kawan.” But even the most fervent of bhangra aficionados may not know that in addition to breaking it down on stage, Singh has a second career – as an esquire. In celebration of his third full-length album, BIK I AM, which released on Thanksgiving Day, SM asked Singh a few questions.

How does your lawyering help your bhangra-ing and vice versa? There is a creative aspect and business aspect to music. Lawyering helps the business aspect of music. Bhangra helps relieve any stress lawyering may have caused over the week! It keeps me sane.

Explain to me how you balanced your music during law school. It required a lot of hard work. I often briefed my cases on the plane. Law school is not necessarily hard in terms of the content. It is the voluminous amount of material that you have to manage in a very limited amount of time. I had to become better at time management. Whatever time I had, I had to use it wisely. I also slept very little. Continue reading

Ear Blasting Beats for the Pyar

I love when “world music” actually fuses into transnational worldly sounds that blend together melodically and intensely. This week’s song does that. Today’s #MusicMonday is a DJ Rekha & Dave Sharma (of Sub Swara) remix original – “Pyar Baile.” Though the single has been making the rounds since last year, the remixes (there are four) dropped in an EP form on Itunes a couple of weeks ago, which you can download here.

The single features Zuzuka Poderosa & Meetu Chilana and samples “Pyar Karne Wale” from the Bollywood movie Shaan. Twitterverse shows that DJ Rekha spun this at the Brooklyn Bowl this past month. I’m really digging this kind of a sound and looking forward to hearing more of this new sound from DJ Rekha. In the meantime – I’ll be listening in to DJ Rekha’s weekly podcast “Bhangra and Beyond” for a leak of her next ear blasting tune.

Learning How to Embrace Thanksgiving Turkey

As Thanksgiving 2011 winds down, I thought I’d share this fun piece the playwright Wajahat Ali wrote for Salon about how his family eventually came to embraced that “confounding bird,” the turkey:

Now, I don’t begrudge my parents their position toward turkey. It’s a confounding bird for most immigrants, who are generally more comfortable with the bleats of a goat or a lamb, the squawks of the simple-minded chicken. The turkey was an enigma: a heavy, feathered bird with its “gobbledygook” mutterings, freakish red wattle and vast supply of dry, juiceless meat.     “Do the Amreekans realize it is dry?” ask my still perplexed relatives living in Pakistan. “Where is the masala? The taste? The juices? Why do they eat this bird?”  

 

What did you serve this Thanksgiving? Did you desi-fy your turkey? (Aarti Sequeira has a recipe for tandoori turkey here.) I grew up in a vegetarian household, so no turkey for me, but we did have pumpkin raita and cranberry chutney on the table as a nod to the holiday.

Mad Junglee

I’m a day late for #MusicMonday, I know. But this one is too good to wait for another six days. The track comes from DJ Ben G, a mashup-remix-master that has just signed on to Rukus Avenue. The remix profiled in this video is a tribute to the one and only Shammi Kapoor in a song called, “Junglee.” The video art is the work of our talented friend MadGuru.

MadGuru found 8-bit inspiration for the video from the original film.

I wanted to do something quick, which seems next to impossible in animation, and fun too. I really enjoyed the story of the film and that along with the creative sounds in Ben G’s mix made me think of old 8 bit video games like Donkey Kong and Mario Brothers. It sounded like a mashup of the two and so I thought, why not approach the visuals in the same way. Watch the original film and you’ll recognize many references in the piece. [madguru]

 

Watch the original film Junglee here and see if you can spot the references. The 8-bit video game inspired animation reminds me a lot of Das Racist’s Who’s That? Brooown! video. And of late nights playing Mario Kart in college. Bollywood 8-bit video games, now there’s an idea. How about it, MadGuru?

 

Meet the MetroPCS Guys: Q & A with Ranjit & Chad

The MetroPCS Tech & Talk ads are a long-running series (two years in December) featuring desi characters named Ranjit and Chad expounding upon the evils of contracts and benefits of MetroPCS’s phone plans and features. The characters are not a little zany, dressing up in colonial-style wigs to declare wireless independence, playing an intense guitar-riff set off by fireworks and using “Holy shishkabob!” as a catch-phrase, to give a few examples.

As I noticed in retweets about the ads posted by the characters @ranjitmetropcs and @chadmetropcs, some people found the ads hilarious, declared themselves fans of the duo, and wanted to dress up like them for Halloween. Others writing for business and tech sites found the ads cringe-worthy, racist and/or in poor taste.

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