Category Archives: Arts and Entertainment

Best South Asia Books of the 2000s

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The 2000s were a great decade for books related to South Asia in western publishing. Earlier it seemed that there was a very limited quota for South Asia related material in American publishing — but that’s ended.

I took some heat from readers for the narrowness of some of my earlier polls, so for these polls I decided to open up the voting with longer lists. I think a non-South Asian writer could potentially write as well about South Asian life as a desi, so I decided to open the lists up to non-desi writers who have made a mark, especially folks like William Dalrymple.

I also felt that it would be unfair to put new novelists, whose names might not yet be familiar to a lot of people, in contest with established Big Name authors. So I divided the fiction list into two — one for established writers (who were either not writing their first books in the 2000s, or whose first books were runaway successes), and one for “up and comers,” who did publish first novels in the 2000s. Doing it this way also allows me to point to a number of Sepia Mutiny reviews and Q&As that my co-bloggers and I have have done over the past few years.

Below I’ve put some comments, where I have something to say about a particular book. There are a few books on the polls I haven’t actually read — so I refrained from making any comments. There are also a few books I have read where I decided not to comment. However, even if there’s no comment below, the books might still be on the poll; my silence should not be taken as an attempt to influence the vote.

Finally, I’m sure I still missed many names that readers might find important, especially on the “up and comers” poll. Unfortunately the way this free poll service works, it’s not possible for me to go back and change a poll. However, I can always amend the text of the post itself if need be. Please mention other titles or authors in the comments. Continue reading →

Did someone “Indian” help the Nigerian bomber in Amsterdam?

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I left work later than I intended to tonight, and this concerned me because I’m in the middle of a rather difficult move from one apartment to another here in Chocolate City. Moving. Ugh, right? Anyway, while worrying that I now had even LESS time to sort and pack my crap, I overheard something important on NPR. “Maybe I was meant to run late”, I mused to myself…maybe, indeed.

What I ended up listening to had me riveted to the news [though it wasn’t quite a driveway moment— that would be challenging here in the city :)]. NPR’s All Things Considered co-host Robert Siegel was interviewing a Michigan-based attorney named Kurt Haskell; Haskell was aboard Northwest flight 253, along with Umar Farouk Abdulmutallab, the Nigerian man who attempted to blow it up on Christmas day.

While all of you are aware of this horrifying incident, a few of you may be unaware of some disturbing additional information pertaining to that attack. On NPR, Haskell described a scene he witnessed with his wife prior to boarding that ill-fated flight home to Detroit. He recalled seeing terror suspect Umar Farouk Abdulmutallab escorted to the gate by a “well-dressed Indian man”, who tried to intervene on Abdulmutallab’s behalf and browbeat an airline employee in to overlooking the fact that the wanna-be martyr lacked a passport. WTF? Who gets to board anything without a passport, these days? And also, uh, INDIAN? I think he meant South Asian, because if Mr. Haskell is anything like me, he was born here and probably can’t tell the difference between a Pakistani and a Sri Lankan from a mere glance.

Let me perfectly clear: I did not come out of semi-hiding to write this post for the purpose of moaning that now “we” look “bad”, nor am I digging in my heels and protesting this “slur” against all good Yindians from Yindia. Continue reading →

Bollywood Breakdown

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Merry Christmas readers! Err sorry, Ennis. Happy Holidays lovely readers! I hope you were able to enjoy this break with friends and family. As for myself, I’m still not done making lists. No, not Christmas presents. That headache is over and I have the paper cuts to prove it. I’m referring to the lists I made this past semester – lists of books, movies, and TV shows I intended to catch up on during December/January. One of those is a list of Bollywood movies I’ve been hoping to watch in the next few weeks. (See Boston mutineers, I promised you a Bollywood post. Here it is.) I came up with a rough compilation of movies I hope to see these next few weeks and I’m selfishly hoping you can help me hone it. Because if you’re going to spend three hours watching a movie, it had better be worth it!

  • 3 Idiots was released Christmas Day, and from what I can tell via reactions on Twitter, it’s already got fans. Based on the novel Five Point Someone by Chetan Bhagat and directed by Raju Hiran, the movie stars Aamir Khan, R. Madhavan and Sharman Joshi as three engineering students at one of Indian’s top colleges. Plot-wise, there are the usual college-boy hijinks and romances. (By the way, the film will be available three months from now on YouTube, ostensibly to discourage piracy.) There’s no particular reason I want to watch this film. I’m not a huge Bhagat fan, but I figure I can’t go wrong with any movie Aamir Khan chooses to act in…

    Continue reading →

End of Decade Polls #2, #3 #3A: Sports and Cinema

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The results of poll #1, on the most influential Desi musician of the 2000s, are pretty clear — with about 200 votes cast, A.R. Rahman wins by a significant margin, with M.I.A. as the second most influential Desi musician of the 2000s.

The topic of the next poll was strongly suggested by the comments following the first one — sports. I tried to use what the commenters were suggesting to guide my choices.

While I am at it, however, I am also doing a poll for the best Desi film of the 2000s. Here, it seemed wrong to put artsy “diaspora” films up against commercial South Asian cinema (Bollywood, Tollywood, etc.), so I created a poll #3 — for commercial cinema — and a poll #3A — for specifically South Asian diaspora cinema.

Choosing the films for the commercial cinema category was challenging, and I kept finding that certain films had a natural pairing (for instance, Lagaan, by Ashutosh Gowariker, goes with Swades). I also realized that some of the most influential commercial films were known not for their directors, but for writers and producers; Vidhu Vinod Chopra, whose name was associated with both Munnabhai films, only wrote the first one. Similarly, Karan Johar’s name is associated with several important films he produced rather than directed. And the directors for many Yash Raj Films are unknowns, but the films have a certain “stamp” to them. So I used the idea of the “filmmaker,” which could be the writer, director, or producer.

I’m sure my approach will seem a little unusual to some folks, but hopefully it’s coherent enough, and you see something there you want to vote for. (At the very least, my approach solved the problem of how to pick just 10 commercial films from over the entire decade.) Finally, people who really know regional cinema might want to create your own “Best Of 2000s” lists in the comments — I simply haven’t seen very much Telugu cinema, for example, so I don’t have any Telugu filmmakers listed here.

All three polls after the fold. Continue reading →

Desi Women of the Decade: Poll #4

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Back in my younger mutinous days, when I was the youngest in the bunker, I wrote this post on “cool” desi women under the age of 30. I wrote it because I wanted to highlight other Desi American women in my age range who were “doing something”. A list like that didn’t exist then. We have since had many more young folk added to the mutinous blog roll in the bunker and there are even more Desi women than ever doing amazing things.

I too am jumping on the ’00 decade list making band wagon. In the past decade, I went from being a nascent 20 year old to a pseudo-mature 30 yr old. But more significantly, I think of how in 2000, as a desi girl in the U.S., I didn’t have any South Asian American females that I could turn to – as role models, as women breaking barriers, as women in the media. It was alienating and isolating, to not see Desi women breaking glass ceilings. I didn’t realize that there were things that desi girls could do outside of the “model minority job list” – I had no one really to look towards. In these past ten years, the South Asian American community has grown with leaps and bounds. Strong desi women have coming out of the wood works. They are on big screens, on the shelves of major book stores, and profiled in the news. Desi women are running for office, going to space, starting and directing non-profits, and running companies. I am so proud of to be a Desi woman of this decade, to be a part of a community giving the next generation of Desi girls role models to look up to.

So here is my mutinous list of the top 20 most influential South Asian American Women of the Decade (in alphabetical order). Please vote on the woman that you feel has been most influential to you in the poll at the bottom of the post. Continue reading →

End of Decade Poll #1: Desi Popular Music

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It only just hit me that this is the end of the 2000s decade — the “aughts,” as they are sometimes called, though mainly in meta-journalism articles about what the decade should be called. (Most people I know simply say “the 2000s,” and don’t think twice about it.)

Critics have begun posting their “best of” lists for the year and the decade, and I’m thinking that over the next two weeks we’ll do something similar (see ex-SM blogger Siddhartha Mitter’s “Best World Music” album of 2009 here, for instance). Only, I’m not so interested in explaining how great I personally think certain people are; I would rather hear opinions from readers. It’s a blog; we can do that. (To be clear, I don’t have anything against critics’ best of lists.)

The first poll is music. In the next few days, we might do: most influential desi novel, best desi film, most overrated celebrity, and most influential desi politician. (Suggestions for other polls?)

In the comments, please feel free to ‘write in’ the names of people who ought to be on the list but aren’t, or to discuss why you voted as you did.

Poll is below the fold. Continue reading →

Kumail’s Hijack by the Accidental Racist

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Earlier this week, Amardeep introduced us to the hilarious Desi comedian Kumail Nanjiani. Little did I know till dinner conversation last night that Kumail had recently been comedy hijacked by the Accidental Racist (via Angry Asian Man).

The story goes like this – Kumail was scheduled to do a comedy set at the Slipper Room a couple weeks ago, when John Mayer (the musician) showed up unannounced to the show and jumped on the mic for an unscheduled five minute comedy performance… that turned into an awkward twenty minutes. Mayer’s comedy bit on the mic ate into Kumail’s scheduled performance time. Allright, fine. A famous musical douchebag takes the mic, and feels entitled to hog a comedy stage. To be expected, I guess. But then, he turned into a racist douchebag.

To hear Nanjiani tell the story, he was somewhat rattled after having had his set time cut by John Mayer, but things got awkward after Mayer referred to the Pakistan-born Kumail as “Kabul.” Whoops! Making matters even worse, Mayer apparently then began heckling Nanjiani onstage, telling him that “he looked like a brown guy but sounded like a white guy.” Double whoops! [vulture]

Check out an interview with Kumail below. They refer to John Mayer as the accidental racist at the 4:25 point.

Comedians say racist remarks all the time doing stand up. But I think what sets this apart is that, well frankly, Mayer isn’t a comedian and he hijacked a comedy set with pompous entitlement. Secondly, he interupted Kumail’s set to heckle him with racist comments.

In the words of Angry Asian Man, “Thinking you can be an actual standup comic is one thing, but interrupting another comic’s set, then making jokes about the Brown man? That’s racist! Stick to the music, Mayer (if you must).” Continue reading →

Are vigilant parents the first line of defense?

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In case you missed it this morning, it was announced that five young Muslim men from the Virginia suburbs were arrested in a jihadi safehouse in Sargodha, a city in northern Punjab. Trying to get in to Al Qaeda is kind of like trying to get in to the mob it seems. If you don’t have someone to vouch for you and you don’t know how to act the part, then you may be shit out of luck:

The men contacted extremist organizations, including two with links to al-Qaeda, and proudly told their Pakistani interrogators that “We are here for jihad,” said Usman Anwar, the local Pakistani police chief whose officers interrogated the men, all Muslims from the Alexandria area.

Anwar said police recovered jihadist literature, laptop computers and maps of different parts of Pakistan when the men were arrested near Lahore on Tuesday. The maps included areas where the Taliban train. The men first made contact with the two extremist organizations by e-mail in August, officials said, but the groups apparently rejected their overtures because they couldn’t find people to vouch for them. [Link]

Also,

They were rebuffed in both places because of their Western demeanor and their inability to speak the national language, Urdu, an investigator said… [Link]

The Washington Post identifies the five men:

The men, who range in age from 19 to 25, were identified by Pakistani officials and sources close to the case as Umar Chaudhry, Waqar Khan, Ahmad A. Mini, Aman Hassan Yemer and Ramy Zamzam. Chaudhry’s father, Khalid, was also arrested in Pakistan and is being questioned, authorities said. [Link]
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Man Builds Shed

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Everyone (well every guy I know) seems to be talking about the Walden-esque profile of former TARP Czar Neel Kashkari in Sunday’s Washington Post. The article/profile is a thing to behold. More a short story than article really. It is difficult to ascertain whether the author is satirizing an Icarus-like fall from grace with her ridiculously over-the-top description of Kashkari’s self-exile into the woods, or whether she is being earnest. If the former, “bravo” I say. You have brilliantly portrayed our South Asian male, 30s-mid-life-crisis angst. If the latter, then…well, where to begin? The stubble would be a good place. A man’s stubble, more often than not, has a good story behind it:

He wears no coat though it’s freezing, shines no light though it’s near midnight, carries no shotgun though he’s tramping on the pine-needled tracks of black bears….

The moon hits his stubble, which is six days old. And the sweater he hasn’t changed in three or four days. His BlackBerry — he can’t kick it — rang once today. A year ago in D.C., it buzzed every few seconds. All night, he’d roll over to its bluish glow. His Treasury Department assistant slept with hers, powered up, on her pillow. [Link]

The article goes on to describe a young and gung-ho aerospace enginerd, who first goes into the heart of Wall Street, and then on to Oz (a.k.a. Washington D.C.) with his powerful mentor. They had me hooked at the aerospace enginerd part. Kashkari is a man we can all get behind. He is the everyman in a $700 billion story. But our hero begins to learn that Oz is nothing but a shimmering illusion and all the knives are soon drawn upon him:

Congress savaged him. Wall Street Journal editorials doubted him. His home-town buddies urged him to use the money to buy the Cleveland Browns and fire the coaches. His wife spoke to him so rarely, she described them as “dead to each other.” He lost sleep, gained weight and saw a close adviser, Don Hammond, suffer a heart attack at his Treasury desk. On May 1, after serving seven months under Presidents Bush and Obama, he resigned. [Link]

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A New Slant on Life

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Last month, the hard rock band Slant dropped their second self-titled album on to the scene. Based out of Southern California, Slant is foursome band with two Bengali guys (Fahim – lead singer, Munir – guitars) and two Russian brothers (Ilya – bass, Andrew – drums). I’ve seen the incredible growth of Slant over the years, from when teenage Fahim used to play guitar in his mother’s living room to seeing him perform on stage years later at the world famous Roxy on Sunset.

In the latest album, you can hear the maturity to their sound – the musical composition is richer sounding than their first album, and the hard rock sound is soulfully anthem-ic without sounding narcissistic. You can read a detailed album review here. I’m not much of a rock music fan (unless there’s a punk in front of it) but I do appreciate Slant’s latest album, particularly the song Beautiful Angel, a song about a family friend of ours that was brutally murdered a couple years ago.

You can download both Slant’s first album ‘A Thin Line’ and their second self-titled album off of iTunes or CDBaby now. But, exclusively for Sepia Mutiny readers, the first person that responds in the comment section with the name of three cities in Europe that Slant has performed, will get an autographed copy of their latest album (don’t forget to leave your e-mail).

I spoke with lead singer Fahim Zaman and guitarist Munir Haque about dropping their second album, the inspirations and their journey to making this album. You can read it below!

For those that don’t know Slant, who are you guys?

Fahim: We are a hard rock/alternative/progressive group made up of two Bengali guys raised in Southern California and two Russian brothers raised here, that are attempting to bring forth and change the world with our “slant” on rock music 🙂
Continue reading →