Desh-hop

While we’re freeing Jins from diyas, definitely check out the desh-hop artists who own3d the mike in the hip-hop documentary Brown Like Dat.

First, MC Kabir. The son of Nobel winner Amartya Sen, Kabir is half Italian and lives in Boston. He’s got good flow, an apropos namesake and a solid track in ‘Recognize.’ Kabir tells a great story on screen about freestyling in a dark club and pushing off an overzealous fan who was trying to grab the mike. ‘When I looked closer, I realized it was Wyclef.’ And they jammed. It’s hard to tell the story while looking humble; his lips twitched, but he had it sorted. Listen here.

Also give a listen to the Himalayan Project. Chee Malabar, who showed up to the screening, sported a gaunt frenchie and a serious ‘fro, looking for all the world like a brown Dogg.

The group’s name pays homage to their ancestral roots in India and China — the Himalayan mountain range straddles the borders of both countries. [Official site]

Listen here.

The Little Terrorist

The movie Born into Brothels isn’t the only film featuring South Asian youngsters to get an Oscar nod. So does the short film The Little Terrorist about a boy that climbs over the wrong fence in search of his cricket ball. From The Times of India:

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Ashvin Kumar’s Little Terrorist has been nominated for an Oscar in the Short Film (Live Action) category. “The news hasn’t sunk in yet… I didn’t see the nomination coming but after I received a call from the Academy three weeks back, I thought I might make it,” says Ashvin, son of fashion designer Ritu Kumar.

Little Terrorist is about crossing boundaries and is based on the true story of a Pakistani boy who crosses the LoC after his cricket ball lands on a minefield in Indian territory. “The boy is given shelter by an elderly orthodox Hindu Brahmin and the relationship between them is what my film is about,” says Ashvin, pointing out that though the setting of his film is political, the essential theme is that of humanity. “The film shows how, despite artificial boundaries and barbed wires between people, the basic human instinct to give shelter to an innocent remains — no matter how many lines are drawn between people.”

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Jin and juice

Sajit did a very thorough post about the offensive Hot 97 tsunami song. I wanted to call out the lyrics of Jin tha MC’s reply track. It’s in the finest tradition of angry, political rap, and it’s actually a good track on its own merits. Listen to the track.

You got it all twisted if you think I’m here to cockblock
on a bunch of no-talent, wanna-be shock jocks (nah)
And you say it’s all freedom of speech
Well, you just lost yours, read ’em and weep
Won’t be happy ’til you’re fired…

Fuck the tsunami song and whoever thought of it
Matta fact, fuck the engineer that recorded it…
Anything for ratings, huh? That shit is corporate

That little bullshit statement has gotta be
The world’s most half-assed apology
Thousands are still gettin’ discovered each day
How dare you compare a life to a week’s pay?

HipHopMusic says the station issued a weird, passive-aggressive apology, and Sprint and McDonald’s have pulled their advertising for now:

At 6 AM this morning, Hot 97 announced the Miss Jones morning show is “suspended indefinitely”… Most of the calls they took were in favor of bringing Miss Jones back. Many people have reported to me that when they called to speak against bringing the show back they were screened out…. They’re not saying whether the suspension is permanent or temporary, or whether it is a paid suspension….

They also played Jin’s dis track repeatedly.

Riding the Delhi metro

I rode the Delhi metro the week it opened its first underground route:

Extra-wide cars, fully automated driverless trains, all-electronic fare gates with magnetic farecards and cool magnetic tokens, overhead electric wires that are safer than a third rail, floor-through layout so you can walk from one end to the other without opening doors… this subway system has the finest in Indian, err, South Korean tech. The subway feels and sounds like the D.C. metro. It’s faster and wider than Boston’s, newer and more luxurious than New York’s.

Check out the photos.

South Asian crooners belt it out on “Idol”

I haven’t caught every episode of Fox’s immensely popular “American Idol” over the past three years, but I’ve watched quite a few. During that time, I have not seen a single South Asian contestant on the program. Thankfully, that barrier came crashing down last night with a cataclysmic thud.

For those who haven’t seen it, the show is essentially a massive singing audition, where round after round, contestants are judged by the following criteria: Their ability to carry a tune, espouse plasticity befitting a manufactured pop star, and a complete willingness to kill off any part of their soul that wanted to be a real artist. The first half of the contest is judged by the show’s three stewards, and the latter rounds are voted on by viewers (mostly teenaged girls with cell phones). The winner receives a record contract.

First up was accountant Sundeep Achreja, who is admired at his office because he dressed as a “pimp” (or “punk” — his co-worker really couldn’t get her story straight) for Halloween. His height initially impressed judge Paula Abdul. His rendition of Survivor’s “Eye of the Tiger,” replete with Rocky-esque jogging, did not.

Later in the show, a male with the last name of Mendes (the announcer butchered his first name) performed a song that probably doesn’t really exist. The performance was so hard to decipher, that he earned inclusion on a segment entitled “The Incomprhensibles.”

Finally, there was some good news…sort of. During a montage of various contestants celebrating invitations to the next round in Hollywood, Calif., one of the jubilant singers appeared to be of South Asian descent. Unfortunately, the show did not broadcast his audition or offer a name, so the only thing I’m going on is a brief clip. I suppose we’ll know for sure in the coming weeks.

“American Idol” airs again tonight on Fox at 8 p.m. If you have a dish that carries Sony Entertainment Television, you can watch the Indian version, entitled, yep, “Indian Idol.”

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“Born Into Brothels” earns Oscar nom

bornIntoBrothels200x118.jpg“Born Into Brothels,” the documentary about children of prostitutes in Calcutta’s notorious red-light district, earned a highly-coveted Oscar nomination from the Academy of Motion Picture Arts and Sciences on Tuesday morning.

The critically-lauded film documents the experiences of photojournalist Zana Briski, who supplied the prostitutes’ children with cameras in order to capture a glimpse of their harsh existence.

“Born Into Brothels” has already captured a slew of awards — Sundance Audience, L.A. Film Critics, and the National Board of Review — and has screened in nearly every prestigious film festival around the world.

The Academy Awards telecast airs on Sunday, February 27, on ABC.

Oscars: Documentary feature award nominations
“Born Into Brothels”: Official site
Sepia Mutiny: Kids with cameras

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I’d like to crunch THOSE Numb3rs

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Geez. When did I become such a crass male? That has got to be the worst entry title ever. What inspired such a thought in me? Well, I was watching the premiere of the new CBS drama Numb3rs which happens to co-star former OC actress Navi Rawat. Rawat plays mathematics graduate student Amita Ramanuj who will possibly be a love interest to one of the two Eppes brothers who are the shows main characters. In the show’s pilot, the father (played by Judd Hirsch)of the two brothers, asks math wiz Charlie why he isn’t dating Ramanuj. Apparently he’s her thesis advisor. Damn college ethics. Besides, she replied she was spoken for and made some reference to arranged marriage plans her mother was making. Continue reading

Posted in TV

Racing the Monsoon with Michael Douglas

Michael Douglas, yes Michael Douglas, was in Bombay recently gearing up for his role in the third installment of the action series which includes the “Romancing the Stone” and “Jewel of the Nile” films.

The Indian Express is reporting that Racing the Monsoon , which is being produced by Sahara One Motion Pictures and Percept Picture Company, will be shot entirely in India, mostly in Sahara’s sprawling ultra-luxury Amby Valley township, south of Mumbai. Douglas, also producer of the film, is trying to get the support of the Indian Railways as a major part of the film is centered on a diamond robbery in a train. None other than TMBWITW, Aishwarya Rai, is speculated as being his co-star.

I really hope Douglas isn’t the first man Aishwarya has to kiss on the silver screen. Anyway, turns out Douglas, who has seen only “bits and pieces” of two Hindi films, both of them starring Rai, has some advice for the up-and-coming Indian film industry.

Michael Douglas confesses he’s “hardly a Bollywood expert,” but he has a theory about why Indian films don’t do well internationally. ‘‘I don’t know how you guys will take it, but I think you guys falter on script and structure,’’ said the 60-year-old Hollywood actor, in Mumbai to announce his next film. ‘‘Also, the Indian process that you guys have of actors doing many movies at one time doesn’t really benefit in the long run.’’

Smart guy that Michael Douglas.

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