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A long way from Lake Como |
Syriana is a new film about the oil industry, Middle East politics and Beltway meddling, by Stephen Gaghan and Steven Soderbergh, the guys behind Traffic. It’s also the first major movie I’ve seen which deals with the shabby treatment of desi workers in the Middle East.
The trailer is cut like an action thriller, but it’s actually a thought-provoking, 2Å“ hour-long film on the moral ambiguity of America’s oil dependency. The thrust of the story, based on a nonfiction book called See No Evil: The True Story of a Ground Soldier in the CIA’s War on Terrorism, is that the U.S. uses the CIA to set up pliant dictators in oil-producing countries instead of those who might promote democracy. A Texan oil CEO utters this similarly realpolitik line (paraphrased): ‘The Chinese economy isn’t growing as fast as it could because they can’t get enough oil. And I’m damn proud of that.’
The movie opens with a shot of desi oil workers struggling to get onto a crammed Tata bus. Later in the movie, a shady oil company merger triggers layoffs. A Sikh foreman gets on a megaphone to Pakistani workers, telling them they’ve been fired, they must surrender their badges, and unless they find another job soon they have to report to immigration within two weeks and be deported.
Casting sees desis’ brown skin as closer to the popular conception of a terrorist than light-skinned ArabsThe Urdu-speaking Pakistanis are portrayed as naïve young villagers who just want to make a better life for themselves. Two of the young men become radicalized after racist Arab security guards beat them. They end up in a madrassa limned in sympathy, in stark contrast to the unwelcoming society around them. A striking-looking Arab evangelist preys on their insecurities and inevitably turns them into C4 fodder.
If you think that’s a spoiler, you haven’t been paying attention to desi roles in the movies these days I’m noticing an odd trend at the movies. Like The War Within, they pick Pakistanis rather than Arabs to portray suicidal terrorists. It doesn’t at all fit with recent history as most Pakistan-based suicide attackers have focused on India. They don’t seem as attached to pan-Arabism as, well, Arabs, and 2nd gen idiots in London notwithstanding, they’ve got nowhere near the presence of Arabs in global terrorism. It seems more and more like casting sees desis’ brown skin as closer to the popular conception of a terrorist than light-skinned Arabs. On the other hand, perhaps this casting was driven by simple plot imperative.
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