Category Archives: Arts and Entertainment

Mohsin Hamid Media Coverage

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Mohsin Hamid’s new novel, The Reluctant Fundamentalist, is getting quite a lot of publicity this week. I’ve been an admirer of his first novel, Moth Smoke, which I think of as giving a fresh, entertaining image of the changes occurring in urban Pakistan in the globalization era. It also has an irreverent, off-beat style, somewhat reminiscent of Upamanyu Chatterjee’s English, August. When I’ve taught it in courses on South Asian literature, I’ve found that students really tend to latch onto it — often more than writers like Ghosh, Rushdie, or Mistry.

Initially, I’ve been less than enthused about picking up Hamid’s new novel, along the lines of: do I really need to read another book about the tension between fundamentalism and modernity? This ground has been covered so many times already — starting with The Satanic Verses — that one doesn’t expect to be surprised. But the more I hear about the novel, the more interested I’ve become.

A good place to start might be the 20 minute interview Hamid did this week with Terry Gross, where (among other things) they spent a fair amount of time discussing how having or not having a beard affects how you’re perceived, in both Pakistan and the UK/US. Apparently this is a major theme in the novel as well; as a dariwalla (bearded person), I approve. I gather that Hamid’s point here is, if you want to grow a beard, grow a beard — don’t shave just because others might perceive you as a religious extremist. Continue reading →

Interpreting Indian restaurant art

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Earlier today Boing Boing blogger David Pescovitz wondered out loud about this picture he saw hanging on the wall of an Indian restaurant:

My friend Mike Love and I saw this print hanging on the wall of an Indian restaurant in Palo Alto. The composition makes it look like that woman is about to smash the guy’s head with a sledgehammer. [Link]

I thought SM readers could have a little fun with this. The person who provides the best back-story or conversation interpreting this picture wins!

Continue reading →

The Education of Dana Parsons

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Dana Parsons, the Los Angeles Times columnist whose recent column Naina critiqued last week took notice of her post on Sepia Mutiny, as well as some of your comments that followed. He decided to use more print space to defend himself against comments from some foreigners that bruised his ego. In the old days, “the good ol’ pre-blogosphere days,” pompous columnists could say whatever they wanted without being called out, unless the editor of the paper decided it was ok. Parsons is waking up to the fact that this isn’t the case any longer. Let’s take a look at part of his rebuttal to Naina’s post. The column was titled “Write locally, insult globally:”

Readers in Newport Beach complained years ago because I let a local resident sound off on his town…

In another column, I upset Stanton residents with some chippy remarks, all meant in good fun. Was it a cheap shot to call the city “the Gateway to Garden Grove?” Yes, but we’re all friends here.

The point is, I expected to be ripped in Newport Beach and Stanton. After all, this column runs in Orange County. They’re part of the local audience.

But those were the 1990s, the good ol’ pre-blogosphere days.

What I didn’t expect was to be clobbered last week by readers of a blog known as Sepia Mutiny that focuses on South Asia issues. That is not what I normally think of as my target audience, although I heartily welcome them if Orange County news is to their liking.

What upset some of its readers were two columns highlighted by blogger Naina Ramajayan. I’m going to guess the website is U.S.-based, because its homepage says “We work out of a top-secret bunker in North Dakota with a passel of trained monkeys…” [Link]

It is okay to counter Naina’s points but the insinuation he makes here is clear. Parsons is attempting to get his local audience to sympathize with his plight. How dare these foreigners offer their opinion on a local OC matter. In the age of the blogosphere such things are bound to happen, he muses (winking at the audience). In case the xenophobic undertones here aren’t clear, how about the following:

Naina is free to spin the columns however she wants, although I appreciate spin much less when it touches a global audience.

Continue reading →

Mega Malakar Mania– yours for $9.95

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Since a few of you mutineers adore the artfully tressed, usually well-dressed, remarkably unstressed SANJAYA, perhaps one of you would like to create an online shrine in his honor? The perfect domain is still available (but act soon!). Via UberDesi and eBay:

Do you love Sanjaya Malakar from American Idol?? In almost every broadcast Ryan say’s “Malakar Mania” and NOW YOU CAN OWN IT on the WEB!
This URL / Domain name is guaranteed to get 1000’s of hits!
This Domain name / URL has been appraised at over $2,500 due to the popularity of Sanjaya, thanks to Howard Stern and the craze called American Idol!
Bidding starts at ONLY $9.95

Have at it– and don’t say we didn’t get you anything for Christmas/Channukah/Diwali/Eid/Nowruz/Onam. 😉 Continue reading →

The proto-Gogol?

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[Warning: Spoilers!]

People who feel that The Namesake was too unrealistic might have to reconsider now that the “real” Gogol has emerged [via UB]. Vishaan Chakrabarti is a New York City architect. His father was a Professor (at Harvard, the book was set in Boston unlike the movie) and his mother a librarian who became a classical Indian singer. And yes, he had a nickname that he disliked enough that he legally changed his name while in college.

The Namesake’s Namesake?

Chakrabarti … has good reason to believe he’s the inspiration for Gogol, the protagonist of Jhumpa Lahiri’s novel (Kal Penn’s role in the movie). “Maybe it’s just coincidence that nine-tenths of the book is the same as my life,” he says, “but it was my friends who pointed it out. Anyone who knew me well saw the similarity immediately.” [Link]

[NOTE: Chakrabarti wasn’t trying to grab the headlines, a friend of his told NYMag, which then contacted him to inquire further.]

He met Jhumpa because, in real life, she was the proto-Moushumi figure:

He dates non-Indian women, to his parents’ chagrin, and, after his father’s death, shaves his head and lets his mother set him up for the first time with an Indian girl–which is how Chakrabarti met Lahiri. [Link]

However, as Chakrabarti himself points out, there was no grand drama between them, just a set-up that went nowhere:

Chakrabarti … does note many differences between himself and Gogol. Most important, he and Lahiri dated only briefly, not getting hitched and divorced, as in the book. Chakrabarti, who’s now married, says they simply never hit it off. [Link]

In fact, neither of them married Bengalis. I guess just being Bengali wasn’t enough . Continue reading →

Dancing for Chicken

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hammertime2.jpgThen:

KFC Popcorn Chicken using MC Hammer’s “2 Legit 2 Quit”
This commercial ran during the early 90’s on american television. It puts Hammer in a back stage stand-off. Hammer refuses to go on stage for some reason, then someone holds out a box of popcorn chicken to Hammer. Hammer takes a piece, flicks it up, catches it in his mouth and says “Now that’s popcorn”. Hammer then takes the stage performing “2 Legit 2 Quit”.

Now:

An open letter to Sanjaya Malakar:

Congratulations on catching America’s ears…and eyes.

Over the past month, you’ve wowed the world with your original performances. And, your ever-changing hairdos have made you almost as famous as KFC® Original Recipe® Chicken and Colonel Sanders himself.

On behalf of Kentucky Fried Chicken®, I want to serve up to you a tasty offer. If you don a bowl hairdo during one of your next nationally televised performances, KFC will grant you a free lifetime supply of KFC Famous Bowls®. We’re sure America will be as ‘bowled-over’ by your take on this classic look as they are by our KFC Famous Bowls.

From wavy to Mohawk to now the classic bowl – who knows, your bowl cut could start a trend as big as KFC Famous Bowls, which consumers ranked as THE most memorable new product of 2006.

In addition to free KFC Famous Bowls for life – if you sport a bowl cut, KFC will cut a check in your name to Colonel’s Scholars, a charity providing young people with much needed college scholarships. We’re confident that helping students afford college is something that even the toughest of judges would stand and applaud.

Your Fan,
Gregg Dedrick
President of KFC

Join the legacy. [Thanks, tipster Sonia!]

Continue reading →

Boy Can Sing!

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At a time when a desi male singer is in the news for all the wrong reasons, it’s good to remember that there’s such a thing as the art of the song, and nice to come across a desi brother who is honing his craft like a devoted apprentice: slowly, steadily, and with growing success.

vasandani.jpgSachal Vasandani, 28, has been singing on the New York jazz circuit for a few years now: he’s performed with the Lincoln Center Jazz Orchestra under the direction of Wynton Marsalis, and he has a regular early-evening gig at Zinc Bar in Greenwich Village. That’s where Manish heard him almost two years ago now, which resulted in this post; and the fact that it’s taken this long for Sachal to drop his first album, which comes out tomorrow, and that the disc features the same core trio (David Wong on bass, Quincy Davis on drums, and Jeb Patton on piano) that Manish heard that night, tells you a lot about the consistency and hard work and constant plugging away that it takes to develop your sound and make your move in the real music world, as opposed to freakshows like American Idol.

The album is called “Eyes Wide Open” and is out on Detroit label Mack Avenue. It’s really an album of songs, by which I mean, songs with lyrics, verses and refrains, melody and exposition — this is not free jazz, in fact it’s not even what most listeners would consider edgy, and that centrist disposition makes it eminently accessible, perhaps more so than some heads would be willing to cop to liking. Three of the compositions are Vasandani’s own; the remainder divide among standards and covers from sources as diverse as Sade and Iron & Wine.

I sat down with the brother recently for a story that you can find here. It will give you the rundown on his life story and all the usual profile elements. Here’s a little excerpt that will give you an idea of his approach and sensibility: Continue reading →

Amateur! I scorn your weakness.

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Starvation for Sanjaya: 16 Days Later

Going on a hunger strike because you didn’t like Sanjaya Malakar was asinine. Way to make America look even lamer with your priorities there. No, don’t fret about the homeless, the environment or I don’t know, THE WAR. Worry your empty head about a child on AMERICAN IDOL. My contempt runneth over.

P.S. Regarding those whom you “thanked” for starving with you on this pathetic crusade: I cannot believe that there were others who were mentally impaired enough to join you in this foolish campaign against a contestant on reality television. I wish a lack of reproductive success upon the lot of you, so that your alleles won’t create defective little humans who would grow up to pull similarly inane stunts, lest they annoy MY descendants, who, if anything, will be even MEANER and less patient than I am.

P.P.S. Shlok, thanks for the tip.

P.P.P.S. Sanjaya Zindabad!!!! For no other reason than to irk everyone I cursed above. As our favorite teens Hetal and Kapila would eloquently say, FEEL R BROWN WRATH, HATERZZZZ. Continue reading →

55Friday: The “I Feel Fine” Edition

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oh, hell no.jpg Set adrift on memory bliss…

My screen says, “Please replace this generic password.”

Either my kappipaal hasn’t kicked in yet or I’ve got a severe case of Spring fever (perhaps cowbell could cure it?). I can’t focus, let alone devise a password with 12 letters, one symbol, two numbers and an exclamation point. One of my favorite co-workers stops by my desk, with an eyebrow raised.

“You look lost.”

“Can you like, pick a password for me? Like, passwords are hard.”

“Like math?”

This is our favorite inside joke, this reference to Barbie’s great fustercluck of ’92. Still, despite legendary vacuous utterances, Barbie is beloved not just by me but also his six-year old daughter, because as we three agree, them Bratz dollz are slatterns.

“Sure I’ll pick something for you.” He seems serious.

“You like music. Use a song lyric.”, he instructs, before striding in to his office, which is next door to my desk. Then he pops his head back out…

“I used to use ‘It’s the end of the world as we know it, and I feel fine’ as mine.”

“R.E.M. fan, eh?”

He smiles at me in response. We’re nearly the same age; we were both dorky loners who probably spent all our free time between classes with our headphones on, tuning out the world. We both remember how the release of “Green” in 1988, during the fall quarters of our Freshman/Junior year in high school defined a moment, a mood. Continue reading →

Just Say NO to Faux.

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Sanjaya. No.

Sanjaya-kutta,

Why?

You make it so hard to cheer you on, when you do ugly things with your pretty, pretty tresses. It’s just not okay. At all. Don’t you care about the greater desi community? How will THEY be affected by your reckless decision to have bad hair? You represent our hopes and assimilative aspirations– be careful out there. We’re counting on you and if you fail, we will never forgive you. Ever. Unless you go to medical school.

Sanjaya Malakar performed “Bath Water.” Randy Jackson said “Listen, the hairdo is definitely interesting. I like the kind of Mohawk look.” Paula Abdul said “To watch it on stage and not go for it, it’s kind of like we’re going ah, come on.“ Simon Cowell said “I presume there was no mirror in your dressing room tonight.” Sanjaya replied “You’re just jealous that you couldn’t pull it off.” Simon said “I couldn’t I agree. Sanjaya, I don’t think it matters anymore what we say, actually. I genuinely don’t. I think you are in your own universe and if people like you, good luck.” [linkosity]

Still, I wish you only the best– I just do so with my eyes closed, until someone tells me it’s safe to open them again.

Sanjaya zindabad,

A K K A Continue reading →