Young Padawan

Star Wars fans were excited to learn today that a new animated film based on the the Star Wars Universe will be released this August:

Star Wars: The Clone Wars makes its theatrical debut as an all-new, computer-generated feature film in August 2008, followed by a television series in the fall.

The new adventures in a galaxy far, far away apparently take place between the second and third Star Wars prequel films, similar to the Clone War series of the same name that ran between 2003 and 2005. Returning characters include Anakin Skywalker – who later becomes Darth Vader – along with Obi-Wan Kenobi and Padme Amidala. New heroes also join to battle familiar villains from the Star Wars prequels, such as Darth Sidious, Count Dooku, and General Grievous.

“I felt there were a lot more Star Wars stories left to tell,” said George Lucas, Star Wars creator and executive producer of Star Wars: The Clone Wars. “I was eager to start telling some of them through animation and, at the same time, push the art of animation forward…” [Link]

One of the major points covered in the press release is that a new female Jedi character will be introduced. She will serve as Anakin’s padawan (the way Anakin was Obi-wan’s padawan). The name of this young Jedi (who will of course eventually be hunted down and killed by Vader) is Ahsoka Tano:

… among the familiar characters like Obi-Wan, Anakin and Yoda is a mysterious new Padawan named Ahsoka Tano.

This young Togruta is eager to prove herself as a worthy Padawan to her bold Master, Anakin Skywalker. Able to wield a lightsaber and pilot a spacecraft with great talent, Ahsoka promises to become a worthy Jedi. [Link]

Tano joins a long list of other sci-fi desi characters. Mysterious is right though, because I can’t find much of a backstory on her yet. The name Ahsoka makes it seem like she is Indian (dot not feather) but the name Tano makes it seem like she is Indian (feather not dot). Or maybe, since this all happened a long long time ago, and in a considerably far off galaxy, ethnically ambiguous is ok. For those of you who like bad-ass ambiguously desi chicks, get your tee-shirt here. For those of you who like your animated warriors more traditional, there is always this.

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Happy Walentine’s Day

I have been saving and saving and saving this post, since it seemed to me most appropriate for Walentine’s Day.

Cheap V- and W-switching jokes aside, as you may remember, I was recently in Singapore. Along with Preston Merchant, photographer extraordinaire, I made my way out to the Sri Senpaga Vinayagar Temple, on Ceylon Road in Katong. This temple, which just may be my favorite temple in the world, is gorgeous. It’s beautifully painted, clean, and welcoming. It’s got a huge collection of different Ganeshas, and all the priests are from Sri Lanka. Ceylon Tamils in Singapore built the temple over a century ago, but now Hindus of all backgrounds worship there. ceylontemple.jpg

There are rules for worship on the wall that detail the kind of clothing to be worn, and the temple pamphlet specifies an order of worship. But the reality of the temple did not hew to the rules as they were written—indeed, no temple I know really does. Women came in dressed for work, toting children; live musicians played nathaswaram; priests served warm paiassam; people worshipped in the order that pleased them (or, at least, I did). They let Preston take pictures. I paid for prayers in my family’s name. The chief kurrukkal loaded me down with books about the temple and gave me a tiny statue of Ganesha, gratis. It didn’t feel like a place with many rules—just a lot of warmth.

The temple also has a store. I purchased many things there: a few Ganesha pendants, a five-faced Ganesha statue, Ganesha keychains, and some books. Among the books: guidelines to funeral rites for Saivite Hindus—and guidelines to marriage for Saivite Hindus.

I pointed at the display case on the wall and told the volunteer running the store that I wanted both.

“Both?”

“I’m preparing for my whole life here,” I said. “Who knows when I’ll come back to Singapore?” Continue reading

Lunchtime Viewing: “The Little Terrorist”

Via Chapati Mystery, a fifteen minute short film called “The Little Terrorist,” which was nominated for an Oscar for best short in 2005. If you have fifteen minutes, you can watch it here (the first 30 seconds or so are black; be patient):

The video appears to have been posted by the production company itself, so you can watch in good conscience. According to the film’s website, it was filmed on location in a rural village in Rajasthan on a shoe-string budget.

Also, you may want to go straight to Video.google.com to view it on a slightly larger screen (especially if you want to read the subtitles).

One minor question to consider might be: what dialect are the villagers speaking? Would we simply call it “Rajasthani”? Continue reading

Mera Farz? How do you say, “A Blogger’s Duty”, in Hindi?

them lashes are real :D Dear ING Direct,

I blog this with a heavy heart.

Earlier today, mastervk submitted a link to a news story which caught my attention; it dealt with gender inequality and speaking out against a regressive advertising campaign in India. Duly noted, I thought, rather sure I was going to blog about it later. I saw the excerpt for this story a few more times throughout the day, but apparently I was not really understanding it, for if I had, the disappointment I suddenly feel would have flattened me earlier.

I didn’t realize they were talking about you.

You, ING, you are the one behind this?

In the commercial, the birth of a girl is followed by what the Delhi government considers as a derogatory statement: Hai To Pyaari Lekin Bojh Hai Bhari (Though loveable, she’s still a burden). “It sends out wrong message,” said education secretary Rina Ray. She has written to National Commission for Protection of Child Rights and Delhi Commission for Women(DCW) asking them to ensure the advertisement is withdrawn and also a public apology is issued by the insurance firm on all channels.
Ray is unhappy with the overall gender bias in the ad, particularly the scene which depicts fathers being weighed down by the financial costs involved in bringing up their daughters and funding their studies so much so that the ground beneath their feet caves in. Ray quotes a hospital scene from the commercial in her letter which depicts girls as a burden.
Ray said: “This is unfair. Parents spend money for a boy’s education too. Then why single out girls, especially when the country is positively debating women empowerment.”
The DCW has written to the insurance company asking them to stop airing the advertisement. “Promoting such biased views on the girl child may have a demoralising impact on women,” said Barkha Singh, DCW chairperson.

The TOIlet paper concludes with this paragraph: Continue reading

Forget Will Smith, Time For Karva Chauth

In the past, I was somewhat snarky when it came out that Aishwarya Rai, before her marriage to Abhishek Bachchan, agreed to marry a Peepul tree because of her “Manglik” status. aishwarya-jodha-akbar.jpg

The New York Times had a story recently (thanks, Jamie), which described how Aishwarya Bachchan recently dropped out of a Hollywood project with Will Smith in order to be home in Mumbai to celebrate Karva Chauth.

For those who don’t know, Karva Chauth is a traditional Hindu festival where wives fast for a whole day without food or water as a symbol of their devotion to their husbands. I have many women friends who object to the festival as regressive, though I also know one or two people who do observe it out of a sense of loyalty to tradition. (Perhaps not too surprisingly, the women I know who observe it are NRIs, not ABDs. Are there any ABDs out there who observe Karva Chauth?)

Here is the quote the NYT gives regarding Aish’s decision to return to Mumbai for Karva Chauth:

Ultimately Ms. Bachchan chose to return to Mumbai and starve with a smile. National television channels covered her first Karva Chauth as headline news. Two months later she shrugged off her loss in an interview. “You do what you have to do,” she said. “Feeling torn and thereby unhappy, confused or guilty is not something I want to feel. So you make your choices and go with it. You get some and some you don’t.” (link)

What to say. From what I can tell, everything Aish does outside of her acting seems to reflect a pretty sincere traditionalism. One has to presume she’s observing Karva Chauth because she really wants to, not because anyone put pressure on her to do so. So, if we accept that the festival of Karva Chauth isn’t inherently sexist (and the case can be made that it is), here I’m inclined to give props to Aish for putting tradition over her career. It certainly beats America’s celebrity culture — which has lately just been depressingly bad, what with Britney losing her mind, and Amy Winehouse smoking crack…

On the other hand, the Indian media loves this kind of thing, so it may be that sacrificing a romantic comedy with Will Smith might actually help her Bollywood career — and she can have both. Jodhaa Akbar, anyone? Continue reading

Saffron Servitude and Kipling’s Unbearable Burden

One of the many standard narratives populating accounts of the desi experience in the US is the difficulty in explaining the vast numbers of ‘servants’ performing a vast litany of semi-skilled labor in homes all over south asia. In the context of the American D.Y.I mentality (definitely eroded by our service economy), it seems incredibly strange to employ somebody for the purpose of cooking or taking one’s children to school–an unjustified expense when one has the time and the means of transportation to complete the task. NPR correspondent Eric Weiner entered this discussion as a result of being posted in Delhi and summarized his interactions with his ‘servant,’ “Kailash” in the New York Times. Cultural relativists, as critics of the post-modern regime in the humanities are wont to remark, do a disservice to academia when they uncritically accept what they see as a ‘cultural practice’ on the grounds of it simply belonging to a culture different from the observer’s own:

A few days later, the servant loped upstairs and reported for duty. He was skinny, alarmingly so, with mahogany skin and sharp features. His name was Kailash, and he was 11 years old. This was a cultural difference that I was not prepared to accept.

Weiner clumsily avoids the relativist’s folly by boldly going where perhaps a million other travel writers have gone, “It’s strange to me and feels wrong, so I can’t accept it.” But, like many before him, Weiner must eventually capitulate:

I started downstairs to confront the landlord, but then hesitated. I rationalized that if this boy, an orphan from a neighboring state, didn’t work for me, he would work for someone else, and who knows how that person would treat him? Washing my hands of Kailash seemed like a cop-out, or so I told myself.

It was at this point that I remembered a similar strain of teeth-gnashing from a writer of yesteryear:

Take up the White Man’s burden– Ye dare not stoop to less– Nor call too loud on Freedom To cloke your weariness;

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Until I saw this, I had no idea …

…that there was a right and a wrong place to do Bhangra.

According to the Berkeley Bhangra team, there actually are some places one should not do Bhangra [via Manish in response to Vinod, below]:

As well as some places where one should do Bhangra (anywhere anytime at Cal) [via Vinod]:

No wonder people looked at me funny when I busted out my best dance moves at TraderJoes …

Related posts: I’m not afraid of Elvis, Old folk can still dance, and many others

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Model Minority Realized

Back in October I posted Kenneth Cole’s casting call for Sikh models. Just yesterday my brother-in-law texted me with a photo of the ad which covers the entire storefront of their 5th Ave flagship store, so the model is almost 20 feet tall. The model in the ad is Sonny Caberwal, a Duke and Georgetown Law grad who runs Tavalon, a high-end hipster tea “lounge” whose opening we covered earlier. Both the ad and the video below are from the Kenneth Cole website.

Here’s the blurb for the ad campaign:

Kenneth Cole, one of the world’s leading fashion designers, has launched a worldwide campaign to mark the brand’s 25th anniversary. The focus of his ad campaign is that “we all walk in different shoes”. [Link]

Most of the reaction to it in the Sikh blogosphere has been … well, positively gleeful (chortle, kvell, rejoicing). The one hesitant note comes from the new Sikh group blog The Langar Hall which wonders:

Something else makes me uncomfortable about this ad. Is something that’s supposed to be a symbol of high ideals, if not sacred itself (a sardar’s appearance), being commodified? If it is, is it inevitable that everything will one day be commodified?… [Link]

To Reema, I reply – ooooh baby, exotify me, commodify me. I can handle it . [And actually, as somebody who has been photographed a fair amount for similar reasons, I will admit it gets weird at times, but c’mon, doesn’t Sonny look fly 20 feet tall in Rockefeller Center?]

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Bolly gets pwned by the Mouse

Bollywood must be reeling from the disrespect paid to it by its smaller cousin in California. It’s not bad enough that the Hindi version of Spiderman 3 broke box office records in India, outgrossing domestic productions with a clear ripoff of Indian cinema complete with Tobey Maguire’s Bollystyle costumes, dancing, and hair acting. But to make matters worse, Disney has been muscling in on Bolly’s home turf, the absurd movie musical.

In an audacious move akin to bringing coals to Newcastle, Disney released High School Musical (1) with songs and dialogue dubbed into Hindi in 2006. The new release involved a few subtle changes that revealed how well Disney understands Indian film audiences:

Consider “Bop to the Top,” the title of a song from the first movie. In India, one of Disney’s most important foreign markets, the phrase was changed to “Pa Pa Pa Paye Yeh Dil,” which the company said roughly translates to “the heart is full of happiness” in Hindi. A Hindi translator contacted by The New York Times said: “It’s sort of like a Duran Duran song. The words sound sexy but mean nothing…” [Link]

The dubbed version of HSM did well enough that now Disney is releasing the sequel, High School Musical 2, with an entirely Indian cast. It’s just one of many versions of HSM2 with local casts – you can see them displayed in this medley of different adaptations of HSM2 from around the world.

Below is the climatic song in the all-desi HSM2, Aaja Nachle, the replacement for “All for One” in the American version of HSM2:

The song is a hit worldwide:

According to Nielsen Media Research, more than 1.5 million children age 6 to 11 watched “Aaja Nachle.” Even in a foreign language, children “can feel what they’re saying,” Ms. Sweeney said. [Link]

The Indian film industry is taking Disney’s blatant neo-imperialism very seriously, and is launching a counter-strike. They have announced that SRK will star in a completely naturalistic biopic of Dalip Singh Saund‘s life to be released for American markets, saying that anything Miramax can do, they can do better.

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Soul Tap’s Nivla and P.Oberoi– Crashing the Superbowl

So…I meant to have this post up last week, but I have pneumonia and my life has come to a screeching halt after one damning chest x-ray. Despite such extenuating circumstances, I feel terrible about the delay, because the video embedded above, for New Yorkers Soul Tap featuring Nivla and P. Oberoi’s “Be Easy (Koi Naa)” is part of a contest sponsored by Doritos called “Crash the Superbowl“, for which voting ends either tomorrow or tonight (I’ve read both dates, so just vote asap).

I’m slightly comforted by the fact that the grassroots outreach on behalf of this South Asian American quartet has been solid, so you probably didn’t need SM to tell you about them (though you may have read about them on our news tab). I’m massively tickled by the fact that Nivla peppers rap with Malayalam phrases like I do my posts, though he is not as consumed with the word “kundi”. Despite that minor shortcoming, when he’s flowin “edi penne…ingota va “, I’m goin’, “HELL YES!”.

Barest of details about the group that is fighting off two Texans for a shot at an Interscope record deal plus sixty-seconds of prime-eyeball time for their video, during the biggest bowl of ’em all: Continue reading