Stigmata

Singled Out [by New Light Productions] will be an hour-long documentary exploring… [the lives of] single South Asian thirtysomethings in North America… To many elders… that many not-so-young people are remaining unmarried is puzzling, worrisome, and even scandalous… Singled Out will… examine the… anxieties and coping mechanisms of this often stigmatized group.

South Asian Singles Research Survey

We wish to capture the experiences of single, never-married South Asian Americans from 30-49. Jumpin’ jehoshaphat, you’re old. Here, have a Prozac.

1. As a single person, are you looking to meet people for dating or marriage?

Yes
No
What is this ‘dating’ you speak of?

2. Do you feel pressure to get married?

Yes
Yes

3. If yes, where is this pressure coming from?

My S.O.
My psycho ex
Sad fatty aunties
Gay marriages
Circus clowns

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Ivy jive

Good taste becomes him

Yale has an entire course this semester dedicated to South Asian lit. And we didn’t even have to donate a million bucks for a South Asia chair destined for a non-South Asian Not even As-Am torchbearer Berkeley had one of these back in the day:

FALL 2005: ENGL 347a, CONTEMPORARY SOUTH ASIAN FICTION
William Deresiewicz

Contemporary fiction by writers of South Asian birth or descent… Authors include V.S. Naipaul, Salman Rushdie, Amitav Ghosh, Hanif Kureishi, Rohinton Mistry, Arundhati Roy, Bapsi Sidwa, and Jhumpa Lahiri. Average reading load: 250 pages/week. [Link]

Sure, it’s 250 pages/week — if you leave out A Suitable Boy Why is the prof fascinated with these themes?

William Deresiewicz is the author of Jane Austen and the Romantic Poets… [Link]

The redcoats are coming

Ah yes, soap operas with Victorian morés, a perfect match. It’s that blasted Pride and Prejudice again. After jonesing for Bridget (twice) and Bride of Gurinderstein, the new Keira Knightley version seems superfluous. The horse has not only been beaten, it’s died and been reincarnated as a hack. Ennis has been pitching me the book, but I’m in sucrose overdose.

· · · · ·

Deresiewicz talks smack about Jhumpa Lahiri’s work:

Interpreter of Maladies… exhibit[s] a high degree of competence, but it’s the kind of competence that makes you want to call for the abolition of writing programsIt’s the kind of competence that makes you want to abolish writing programs… The pieces in Interpreter of Maladies are crafted–no, machine-tooled–to within a millimeter of their tiny, calculating lives; their writing-handbook devices–the inciting event, the governing symbol, the wry turn, the final epiphany–arrive one after another, exactly on time, with the subtlety of a pit bull and the spontaneity of a digital clock. Lahiri has since published The Namesake, a dull, studied, pallid novel that says remarkably little about the immigrant experience while elaborately fetishizing the consumption patterns of the liberal upper-middle class. [Link]

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The heat of Night

Director M. Night Shyamalan went retro last week by slamming the idea of putting out new movies on DVD at the same time they’re released in theaters. Perhaps that’s to be expected from a director who works in old-fashioned, well-crafted films which pay homage to Hitchcock.

Film studios make a huge chunk of their profits on DVD sales and are chafing at having to duplicate marketing campaigns, one for the theaters and another four months later for the DVD. Customers are asking why they can’t buy a movie when and how they want. Directors like Steven Soderbergh (Sex, Lies and Videotape, Ocean’s Eleven, Traffic) and entrepreneurs like Mark Cuban are banding together to experiment with the new biz model:

Soderbergh… announced last spring that he planned to make six high-definition movies for simultaneous release in theaters, on DVD and on pay cable… “The film business in general is using a model that is outdated and, worse than that, inefficient.” [Link]

Manoj don’t play that:

“When I sit down next to you in a movie theater, we get to share each other’s point of view… That’s the magic in the movies… If this thing happens, you know the majority of your theaters are closing. It’s going to crush you guys… If I can’t make movies for theaters, I don’t want to make movies… I hope this is a very bad idea that goes away.” [Link]

Actually, what we share is the top of your big freakin’ head blocking the screen and the Goobers the kid behind me keeps throwing into my lap. Sure, opening night at a blockbuster is fun, but otherwise, not so much. The movies are great, it’s the moviegoers I could do without.

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East is East, and West is West

And maybe one day the twain shall meet and produce a decent film.  I’m not holding my breath, though.  The Hindustan Times reports on a recent spate of Bollywood/Hollywood joint ventures.  First up is Mumbai-based Percept Pictures, which recently announced plans to co-produce Ram Gopal Verma’s first “exclusively American” film, entitled Within:

The English-language film will reportedly be set in a Manhattan apartment peopled only by American characters.

Within will obviously be a significant first for RGV, but it is likely to be quickly followed up with Ek, a sweeping espionage thriller featuring Amitabh and Abhishek Bachchan with a clutch of Hollywood actors. [link]

A Manhattan apartment peopled only by American characters?  Do they have to pass a citizenship exam to enter the building?  According to Verma, “Within will revolve around the fear factor that is present within each one of us, while Ek will be based on nuclear terrorism.”  I personally had no idea that a “fear factor” was present within me.  I hope it doesn’t make me eat cockroaches or something.  Verma said that casting has yet to be finalized, and did not name the Hollywood actors involved.  Will he be able to land a Hollywood heavyweight like Ali Larter? Continue reading

One Woman. Two Men. One Bed

SM tipster “Sirc” sent us the Village Voice review of a documentary that has been around for over a year, but seems to finally be opening to a larger audience (Oct 19, 2005 NYC, Nov 11, 2005 LA).  The film is titled ‘Three of Hearts: A Postmodern Family.’  From the review:

This well-told doc follows nine years in the lives of a gay couple and the woman they invited to share their relationship. When we meet this happy threesome–Sam, Steven, and Samantha–they’re trying to get pregnant. In winning interviews spliced between suspenseful EPT tests, the assertively bourgeois strivers chat about their setup, their decision to marry, their spa business, their mix-and-match sex (“There’s never a feeling of being left out!”). Actress hopeful Samantha explains how her traditional Indian family absorbed the news.

Ummm.  Wow.  Trinogamy.  I just imagined the sound of several desi parents dropping dead of heart attacks.  Hell, I almost suffered a heart attack when I saw the trailer.  That “horror-movie feeling” descended upon me.  You know, it’s like when you watch a character on-screen with your eyes half covered saying, “Don’t do it.  Don’t go in there.  You are going to get knifed.  Ooooh, they went there.”  The “monkey wrench” in this case is the birth of a baby.  How will it change the dynamic given that only one man is the biological father? In a perfect world without human insecurities a relationship like this could probably work.  There is unfortunately no such perfect world.  I don’t know how it turns out but I am pretty curious.

The filmmaker gives her quick take on the film and its coincidental political overtones:

We began filming “Three of Hearts” in August 1996, the night of Samantha’s 30th birthday party. When I got home from the first night of filming my boyfriend at the time, and later husband David Friedson told me that the senate had passed the Defense of Marriage Act that day, defining marriage for purposes of federal law as the legal union between one man and one woman as husband and wife. David pointed out that the love story I had elected to tell was highly political. And as we premiered in Toronto, the whole issue was exploding in San Francisco, Massachusetts and around the country. So even though our film is not overtly political, we take pride in the fact that it does have political overtones.

We thank Sam Cagnina, Samantha Singh and Steven Margolin for their courage in sharing with us eight years of their journey.

The reviews of this film are glowing.  Here is screening info.

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‘Looking for Comedy’ trailer

Abhi posted earlier about a new Albert Brooks comedy, Looking for Comedy in the Muslim World. The trailer is now out (thanks, Kiran). Sheetal Sheth apparently gets jiggy with the actor, who was born during Partition and was last unseen as the voice of the paterfish in Finding Nemo. From the trailer, the movie seems to have a reasonably light touch for the genre.

Congrats, Sheetal — it’s her biggest film yet. Her Indian accent isn’t too bad either, considering the competition. Some second-gen actors make such a hash of it, they’re crying out for an accent coach. (Imagine that dinnertime conversation: ‘You did vat? You paid someone so you could talk like me?’)

Watch the trailer. The movie comes out on January 20th.

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Shopguy

The other day I was reading a rather ho-hum review of the new Steve Martin movie Shopgirl when this sentence caught my eye:

Tweely narrated by Martin (not as Ray), directed with a dose of barbiturates by Anand Tucker, underscored with a plaintive cello and piano, this is among the most noneventful romantic triangles ever committed to celluloid.

It appears that Shopgirl, that seemingly whitest of whitebread romantic dramedies, was directed by an international jetsetter with desi roots:

Tucker, the son of an Indian father and German mother who was born in Thailand, grew up in Hong Kong and has lived in London since he was 18.

Rediff features a recent interview with the director, who is probably best known for directing the art-house hit Hilary and Jackie.  Tucker (his father changed his last name from Thakkar) has also been tapped to direct a big-budget adaptation of The Golden Compass, the first book in Philip Pullman’s His Dark Materials trilogy.

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Third I’s Third San Francisco International South Asian Film Festival

Soon it will be time to get your filmi on–Third I, the Yay Area’s own promoter of South Asian independant film–has put Third I San Francisco International South Asian Film Festivalout the schedule for it’s third film festival, bringing desi masala, fine art, and social commentary to The Roxie and The Castro. Here are some of the descriptions that grabbed my interest:

Junoon's Salman Ahmed: It's My Country Too

What does it mean to be an American Muslim? This revealing and engaging documentary follows Pakistani American Rock star Salman Ahmed of Junoon, as he explores stories from a community as diverse as the progressive “Allah made me Funny” comedy troupe, to a prominent family that founded the “Muslims for Bush” campaign. (Link)

Komagata Maru and Indian-Canadian Immigration

On May 23rd, 1914, the Japanese shipping vessel Komagata Maru, chartered by Sikh businessman Gurdit Singh, arrived in Canada’s Vancouver Harbor. Aboard were 376 migrants of Indian origin, citizens of the British Empire who believed it their right to move and settle freely within its domain. Upon anchoring, however, the passengers were prevented from disembarking by local Canadian officials, whose decision reflected a growing nationwide resistance to non-white immigration. (Link.)

This documentary explores the little known ethos of neighborhood photo studios in Indian cities, discovering entire imaginary worlds in the smallest of spaces. Tiny, shabby studios that appear to be stuck in a time warp turn out to be places throbbing with energy. As full of surprises as the people who frequent these studios are the backdrops they enjoy posing against and the props they choose – affording fascinating glimpses into individual fantasies and popular tastes. (Link.)

And of course there will be some Bollywood—our man Shah Rukh in a really big turban: Continue reading

Hottest Brown Blogger EVER?

cineblitzaug05.jpgSadly, no mutineer can claim that distinction now that this Bonny lass is blogging.

Like Gogol before her, Bipasha has found a new way to concomitantly combat boredom and promote her new flick. I know, I know. It’s not a “real blog”. It’s a PR stunt. Still, her first post received 186 comments. Watch out darling Ennis, your record may not stand… 😉

Being a star is HARD:

In the past, IÂ’ve had some very ugly experiences in Jaipur — people wanting to touch, wanting to be physically nearÂ…
IÂ’m very scared of the mob-like mentality of the people.

Good thing she didn’t have that problem while making this phill-um. Another problem she didn’t have? A sore kundi from sitting in the makeup chair for hours. Continue reading

Rub a Dub Dub

One of my goals in life is to figure out a way to get paid to watch Bollywood movies and yell at the TV screen.  According to an article in Salon by Sumana Harihareswara, someone (actually four someones) has beaten me to it:

“Uncle Morty’s Dub Shack,” which just finished its first season on the ImaginAsian cable network, is the “Mystery Science Theater 3000” of bad Asian films, and like its predecessor with the then-unknown Comedy Central, it could help put the obscure iaTV on the map. The conceit of the show is that four loser friends — Trevor, Aladdin, Jimbo and John — earn a little extra cash dubbing martial arts, action and Bollywood films into English at the Dub Shack, run by an old crank named Morty. Uncle Morty doesn’t have the translated scripts, so the friends turn the movie scenes into sketch comedy. For those of us who didn’t warm to MST3K, “Uncle Morty’s” is easier to love, because it’s only half an hour long (the films are significantly, and mercifully, edited down), and the writers create believable alternate narratives for the flicks instead of merely smirking at them.

Unfortunately, iaTV is not offered by my satellite provider, so I had to make do with the clips on Uncle Morty’s website.  (Of the Bollywood clips, I enjoyed “Goatman” and “Chicken Members” the most.)  The episode guide lists Dushman Duniya Ka, Dand Nayak, and Soch among the cinematic treasures given the Dub Shack treatment.  (The channel has also been airing the intriguingly-titled Duplicate Sholay.)

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