Small hands are cute

It has been a while since we’ve received any Badmash in our inboxes. That’s because the Badmash crew has gone on a semi-permanent hiatus (as each of them moves on to other endeavours). Two Sundays ago anyone watching King of the Hill may have noticed that the lead writing credit for the episode went to former Badmash-er Sanjay Shah. The plot involved Hank Hill as the protagonist hooligan in a Grand Theft Auto-style shoot-em-up game called Pro Pain. Only fans of the show (living in Texas this is required viewing) will get why the title of the video game is so funny.

Badmash, however, isn’t the only example of a periodic desi comic strip. Readers of India Currents might also be familiar with a strip titled Small Hands, inked by Bay Area artist Nidhi Chanani. Here is an example of her cute strip:

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Bring Me the Head of Nina the Infidel!

So, towards the end of my essay on acceptance, a commenter thoughtfully asked me to clarify what I meant by mentioning the fact that Nina Paley had lived in Kerala more recently than I had even visited it. Here’s what I said, which prompted her inquiry:

Nina has been to Kerala far more recently than I have; my last visit was back in the dark ages of 1989. In fact, she lived there, which is something I’ll probably never be able to claim. Who the hell am I or anyone else for that matter, to pull rank over that?

Did Nina’s stay in my parents’ home state give her carte blanche? No, of course it doesn’t. When I said that I wasn’t going to “pull rank”, I meant that I was going to acknowledge that others, even white others, might be more familiar with what everyone expects me to be an expert on, and because of that, I especially loathe the idea of playing the race card, i.e. I am desi, therefore I know more about (and/or get to restrict the unbrown from) my culture. If you read my post, you’ll know that I have a very intimate and poignant reason for why the part I italicized resonates with me.

I appreciate that Nagasai and Amitabh both opened a respectful dialogue about how they feel about Nina’s art but I also am known to be a fan of keeping threads on-topic, so I thought I’d spin this discussion off in to its own separate post, because the issues at play here are fascinating and significant.

What does Nina’s artwork mean to you?

What role does race play in all of this– how many of us would have the same issues we do if her name were Nina Patel vs. Nina Paley?

And how far do these “rules” go? Do some of you have a problem with the fact that I’m writing this post (i.e. that I’m a Christian, commenting on the appropriateness of Hindu imagery in art)? Inquiring and potentially bored mutineers want to know! Continue reading

Superman is not Hanuman

Red-white-and blue, flying across the sky with his underwear on the outside … it’s hard to think of anything more American than Superman, right? Manish alerts us to an interesting claim made in an article by the “IndiaFM News Bureau” that Superman is nothing more than a Kaavya’ed Hanuman:

Word is that, that the original creators Joe Shuster and Jerry Siegel were inspired from none other than the Indian mythological hero Hanuman and that is how Superman got his flying powers. [Link]

Sure there are some similarities between the two fictional characters: neither is human, they’re both super-strong, they can both fly, and both have names than end in -man. But that’s it, really. Much as I would love to claim Superman as desi, this claim makes as much sense as the claims that Vedic civilization had both airplanes and atomic weapons.

People (scholars even) have written a lot on the origins of Superman.You can find entire articles on this topic in the highly obscure internet source Wikipedia:

Because Siegal and Shuster were both Jewish it is thought that their creation was partly influenced by the Jewish legends of the Golem, a mythical being created to protect and serve the persecuted Jews of 16th century Prague and later revived in popular culture in reference to their suffering at the hands of Nazis in Europe during the 1930s and 1940s. Another influence could be Hugo Danner, the main character of the novel Gladiator by Philip Wylie. Danner has the same powers of the early Superman (as do many other pulp characters of the twenties and thirties)… However, the sources sited by Jerry Siegel himself were Edgar Rice Burroughs’ John Carter of Mars and Tarzan, Johnston McCulley’s Zorro and E.C. Seegar’s Popeye. He also appears to have been influenced by Jack Williamson’s “The Girl From Mars.” [Link]

See – no reference to Hanuman made, ever. While it’s impossible to prove a negative (I cannot show definitively that they were not influenced by Hanuman), how would two Jewish kids in the 1930s know about Hanuman anyway? [And why would they need to know about Hanuman to come up with the idea of a flying hero? What, nobody in the west had ever thought of flying people before? This is after Peter Pan, for crying out loud.]

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A brown Justice League?

All of a sudden the desi comic book scene seems to be blowing up. It has led me to pose the timely question, “is the world ready for a brown Justice League?”

Let’s meet some of the candidates. First we have Sonic. No, not the hedgehog. This one is all woman as you can see. Sonic is featured in the new comic book series titled Guardian Heroes by Kevin Grevioux, who was one of the folks behind the movie Underworld.

There are three questions that immediately came to mind:

1) Does this woman workout at Manish’s gym in Mumbai?
2) What are the tunes she be spinning from those long fingered hands?
3) Does the oversized bindi have any special powers associated with it?

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Dancing, not shuffling (updated)

A new Cartoon Network series, Minoriteam, aims to be a sendup of racism. But it’s not clear whether it’s mocking stereotypes or just profiting off them. I’m going to assume the humor just doesn’t come across well in print:

‘By chutney, you’re right!’

Created by Adam de la Peña, Todd James and Peter Girardi — all alumni of the ribald Comedy Central puppet series “Crank Yankers” — “Minoriteam” is a provocative animated show that sends up bigotry. It makes its debut tomorrow night on Cartoon Network’s late-night “Adult Swim” block of animated shows…

Non-Stop is the alter ego of Dave Raj, an Indian, former professional skateboarder turned convenience store clerk who is incapable of being killed by firearms. After having been shot 235 times during various attempted robberies, his skin is saturated with lead, which serves as a bulletproof armor of sorts; when necessary, his skateboard morphs into a flying carpet. [Link]

If you’re keeping score at home, we have one half-naked, turbaned Indian convenience store clerk on a flying carpet, one Chinese laundry owner with a thick accent, one Mexican gardener who can’t speak English, one angry, promiscuous black man and one avaricious Jew. How subversive.

The team’s leader, Dr. Wang, is an Asian, wheelchair-bound mathematical genius with a freakishly large brain. He speaks with a heavy Chinese accent and is in the laundry business…

Landon K. Dutton, a black man awkwardly teaching women’s studies at Male University, turns into Fasto, the world’s fastest man. His extreme rage propels him to travel at breakneck speeds. When not fighting crime he spends his time “studying” the opposite sex; during one episode, it takes him only seconds to satisfy a roomful of Thai prostitutes.

Richard Escartin, a Mexican oil baron, trades his tailored suits and silk ties for a giant sombrero and a leaf blower when he becomes El Jefe, Minoriteam’s hardest working member. El Jefe’s blower is no ordinary garden tool. It can suck and blow with deadly force and rip holes through time and space. His kryptonite? Tequila. “I think a lot of people can relate to that,” Mr. de la Peña said.

Neil Horvitz may be a wimpy mail clerk in his early 20’s, but his alter ego, Jewcano, is a muscle-bound 62-year-old who sports an XXXL yarmulke and has all the power of the Jewish faith and a raging volcano. Watch him shoot molten lava from his wrists (move over, Spider-Man)…

Surely someone will be uncomfortable watching a Jewish superhero get aroused while chasing a giant glowing nickel, they said. “But who exactly will it offend?” Mr. de la Peña asked. “I have no idea…” [Link]

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‘Applegeeks’

Applegeeks is an anime-style Web comic drawn by two desi students at University of Maryland, College Park, Mohammad ‘Hawk’ Haque and Ananth Panagariya. They got a shout-out in last week’s Newsweek for a potential book deal:

Haque

Panagariya

As a sign that they’re settling in, some of the parents of these twentysomethings are beginning to see that prestige can be measured in more than M.D.s. “In the end, if you do excel, you’re going to succeed in your field,” [Arvind Panagariya, an economics professor at Columbia University] concedes, referring to his 22-year-old son, whose Web comic Applegeeks is in negotiations to be published as a book. [Link]

It’s lushly drawn with mostly geek humor, but Haque occasionally throws in references to Islam and discrimination:

Mr. Squirrely – The squirrel with mysterious powers and the ability to communicate with Hawk. Possibly a delusion brought on by Hawk’s Ramadan fasting…

Jayce torturing Hawk during Ramadan. Ramadan is a Muslim holiday which calls for fasting. Hawk follows this tradition and during it, Jayce often teases him by eating immense portions of food. Mr. Squirrely’s first appearance is during one of Hawk’s fasts. [Link]

UMD is also the alma mater of Liberty Meadows creator Frank Cho. That’s at least three Asian-American cartoonists from one campus — must be something in the water. But both strips’ obsessions with cartoon vixens is classic geek.

Related post: Smashing icons

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Secret Angry Asian Men

From time to time, Ennis and Vinod remind me of the awesomeness of the Secret Asian Man comic strip. They’re drawn by Boston artist Tak Toyoshima, and although only a few are specifically about desis, there are tons of parallels.

Jet Li and Aaliyah in ‘Romeo Must Die’

If Secret Asian Man hooked up with Angry Asian Man, we’d have Secret Angry Asian Men. And where you find Secret Angry Asian Men, mutiny hangs thick in the air. (Whereas around Fat Happy Asian Men, you find muttony hanging. Very different.)

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The Danish cartoon controversy: A contrast in protests

Here at SM headquarters we have quite an intricate system for vetting which stories make it to our website. Most of our stories are unearthed by the army of ex test-monkeys (retired from military, space, and medical research) that we house in our basement. They are the ones who scour the internet all day and feed important stories to our bloggers, while we spend most of our time at our full-time jobs. We also have the tipline, by which dedicated readers send in tips. Later, in our conference room, we ask ourselves three main questions about a prospective post:

  1. Can I do this story justice/am I knowledgeable and interested enough to write about it without sounding ignorant?
  2. Does the story have an angle highlighting South Asians?
  3. Does the story have an angle of interest to North Americans?

The reason you haven’t seen us post on this topic before is because not all of us were convinced that we could answer yes to all three questions. After attending the SAAN Conference this past weekend (which will be summarized in my next post), I have become convinced that we have missed the relevance this issue has to our community, and that the answer to all three questions is yes. I am speaking of course of the controversy surrounding a Danish newspaper’s decision to publish a picture of the Prophet Muhammad with a bomb as his turban.

Arab foreign ministers have condemned the Danish government for failing to act against a newspaper that published cartoons of the Prophet Muhammad.
At the Arab League conference in Cairo, they said they were “surprised and discontented at the response”.

Islam forbids any depiction of Muhammad or of Allah.

The Jyllands-Posten newspaper published a series of 12 cartoons showing Muhammad, in one of which he appeared to have a bomb in his turban. [Link]

I see great irony in this situation that doesn’t seem to have registered in the press (as far as I know). Muslims around the world are protesting this cartoon (often violently) because it is forbidden in Islam to depict the Prophet, especially in such a vulgar manner as this. Muhammad, in his boundless wisdom, wanted to make sure that his image would never be used or treated as an idol, and that men would never worship him as one. In Christianity for example, many most sects now worship Christ as God, instead of seeing him as only a mortal prophet. It was the message of Islam, and not Muhammad the man, that was to better the world. By violently protesting this cartoon, it could be argued that Muslims around the world are acting as if an idol has been desecrated. Using violence to protest this “desecration” legitimizes that which the Prophet cautioned against in the first place. He has become an idol to be defended and avenged in the eyes of many. Continue reading