Prison Yoga may be bad for your health

I have long flirted with the idea of attending a Yoga class.  I have heard that once you approach your 30s you should stop lifting weights as often, and concentrate instead on maintaining your flexibility and cardiovascular health.  Plus, everyone says that Yoga is supposed to be relaxing.  Well…not everyone.  Norwegian prison officials have another take.  The BBC reported earlier this week:

A prison in Norway has stopped holding yoga classes after it found that instead of calming inmates, they were actually making some more aggressive.

High-security Ringerike jail near Oslo offered the classes to eight inmates on a trial basis earlier this year.

Prison warden Sigbjoern Hagen said some of the inmates became more irritable and agitated and had trouble sleeping.

He said the prison did not have the resources to treat emotions unleashed by the deep breathing exercises.

Yeah, I don’t know.  Call me a prude but I am not sure it is wise to practice something like a Dog Pose, Spread Leg Forward Fold, or a Bridge Pose in a prison anyways.  I would definitely not want to be on the receiving end of “emotions unleashed.”  I kid, I kid.  A sample of eight prisoners is pretty unscientific to say the least.  Maybe they just had an incredibly annoying instructor.  I have long believed that both Andy Dufresne and the Count of Monte Cristo probably had to perform Yoga in order to remain sane and escape.  Determination to both stay sane and escape will more than likely be my ultimate motivation for dropping in on a Yoga class as well.

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Back that spazz up (updated)

The Daily Show nicks a joke from Sepia Mutiny! Check out their hilarious takedown of the ‘moral controversy’ around Jay Chandrasekhar’s The Dukes of Hazzard.

The clip pokes fun at a stuffy NAACP official, University of Tennessee frat boys and Ben Jones (Cooter), who’s calling for a movie boycott. Bonus: ‘Hava Nagila‘ played in a format you’ve probably never seen before

Watch the clip. Related posts: 1, 2, 3, 4, 5.

Update: The #1 movie in America right now is by a desi director.

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Freedom at midnight

Long years ago I thought a ‘Tryst with Destiny‘ meant hooking up with a stripper.

Long years ago Vinod thought ‘desi‘ was followed by ‘Arnaz.’

Long years ago Anna thought Karsh Kale was a kind of cabbage.

Long years ago Abhi thought Kalpana Chawla was a variety of rice.

Long years ago Sajit thought the Dum Dum Project was an insane asylum.

Long years ago Ennis sprang full-grown from his mother’s forehead quoting Gayatri Spivak. Well, shit, he’s freakishly bright and messes up the curve like that.

In the last year, our scary-smart readers have corrected all those misconceptions and are poised to correct a million more. Once, S/He Who Must Not Be Named confided to me that s/he wanted more comments for his/her posts. ‘Comments?’ says I. ‘You want comments? Post something that’s flat-out wrong. You’ll have 47 comments correcting the error, 47 calling you a commie and 47 calling you a fascist by the time the post button springs back into position.’

So on this first anniversary of the Mutiny, I’d like to confess our little scam. You thought we were writing for your edification (and masturbatory coffee breaks — we know how you use the WiFi.) Suckas! In reality, y’all have been educating us.

Collectively, you guys are some smart mofos. Can I just say? You rock.

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I’ve also taken the liberty of penning my hopes and dreams for Sepia Mutiny’s impact on second-gen culturistas. It’s a weighty political manifesto, so be sure and sit down while you read. Here it is:

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The Ravages of Mutiny

Tonight, at the stroke of the midnight hour, marks the one year anniversary of the launch of Sepia Mutiny.  We would like to thank our readers (especially those who have left insightful comments) for taking time out of your busy schedules to participate.  Loss of productivity at your jobs is our collective gain.  In the past year our website has received just under 1,000,000 visits without a single lawsuit filed against us.  That alone is cause for celebration.

But alas, all is not well.  Fomenting a mutiny in the Blogosphere takes a physical and emotional toll on one, as some of the bloggers who visit our site know well.  I won’t presume to speak for my fellow mutineers, but my own life has fallen into a downward spiral worse than that faced by any heroin addict.  Hours spent attempting to fight the good fight has transformed me much as Mangal Pandey was transformed in his day:

Those who are familiar with blogosphere lingo know that the term “Pajamahadeen” is sometimes used to describe a blogger.  The two pictures below were taken only two days apart.  On the left you see me on August 6th of last year.  On the right is my countenance as it was on August 8th.  Just two days of Mutiny had taken a heavy toll.  I don’t really go out in public anymore, and hopes for a “girlfriend” are quickly fading.  Frankly, you’d be disgusted by my appearance.  What is worse is that the delusions of grandeur I suffer have led me to adopt the name “Mangal Pagal”.  Even my phone bill has that name.  Again, I thank you all sincerely and hope you keep visiting our site.  Please be aware though that blogging comes with a heavy price.  I ain’t pretty no more.

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A man of many talents

Director Wes Anderson, in addition to “hearting Walis,” also has a soft spot for Kumar Pallana.  Why?

Wes Anderson has given Kumar Pallana (Pagoda [in The Royal Tenenbaums] ) a part in each of his movies (with the exception of The Life Aquatic with Steve Zissou (2004)). Pallana used to work at his favorite Coffee shop in Dallas.

Pallana is actually quite a character:

Born in India in 1918, Pallana began as a juggler and singer, performing for small Indian communities throughout Africa. In 1946 he took his act to America, eventually appearing on several television shows, including The Mickey Mouse Show and Captain Kangaroo. Pallana also toured nightclubs in Las Vegas, Paris and Beirut, combining magic, rope tricks, comedy and plate-spinning under the name “Kumar of India.”

Apul informs me that the new video for the song “Clock In Now” by the group The Deathray Davies also features Pallana and some of his tricks.  When I am that old I hope to be nearly that cool.

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How it begins

Editorial cartoonist Sandy Huffaker published this toon today:

Sure, maybe it’s a stereotype, but 9/11 changed everything. We really need to sock it to the bastards.

Well, we’ll do it sensitively. We’ve learned from our excesses.

“If I see someone (who) comes in that’s got a diaper on his head and a fan belt wrapped around the diaper on his head, that guy needs to be pulled over,” [Louisiana Congressman] Cooksey said. [Link]

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The flooding continues…

Just a quick note about the Monsoon induced floods in India in case you missed the note at the end of Amardeep’s updated post.  Two new blogs have recently emerged to collect stories and the latest news from the affected area.  They are in the same tradition (and run by some of the same dedicated people) as the SEA-EAT blog which was a great resource for many during the Tsunami.  The blogs are as follows:

http://mumbaihelp.blogspot.com/
http://cloudburstmumbai.blogspot.com/

Also, on Thursday morning many of us NPR addicts woke up to a poignant essay by commentator Sandip Roy who relates his memories of the rains from his youth.  He describes them in a mixture of both wonder and destruction.

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Another late/lonely night

I am so ashamed of myself today.  I was up late last night watching TV.  As usual I was all alone.  After a long days worth of hard blogging I look forward to consuming several drinks and plopping down in front of the TV to consider my numb state.  As I was flipping channels a commercial caught my eye.  Admit it.  You guys watch these commercials too.  Usually I just change the channel after about 10 seconds, but last night I was just mesmerized.  I actually picked up the phone to order the product.  Someone named Jenny answered.  I realized that it was all a ruse.  I felt so ashamed.  So dirty…

Image from Badmash.org
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Hanif Kureishi and British Multiculturalism

In the August 4 Guardian, the writer Hanif Kureishi weighs in on what British multiculturalism might mean in light of the atmosphere of extreme intolerance that prevails at some of the London Mosques. (Via Locana)

Kureishi’s name has been in the air a bit since it was revealed that the men behind the 7/7 bombings in London were second-generation Brit-Asians. The spread of an ultra-fundamentalist ethos amongst second-generation British Muslims was something Kureishi explored in his screenplay to My Son the Fanatic (which began as a short story in The New Yorker) as well as in The Black Album, a novel responding to the turmoil in the British Muslim community following the Rushdie affair.

But the interesting part of this essay isn’t really its central point about the poison of religious extremism –- which I think any moderate or progressive person would probably agree with. What is more intriguing is actually Kureishi’s unusual use of the word ‘multiculturalism’ in the context of British ‘faith schools’. There’s a lot of confusion about what these schools are and how they work (especially for us non-Brits), and in this post I’ll explore them a little. Continue reading