Seen any good plays recently? Yeah, didn’t think so. If you’re like me, you tend to fall asleep during big Broadway production numbers, but small “experimental” theaters leave you cringing with embarrassment or irritation. You know, all that minimalist white (or black) space, with some dudes dressed all in black (or white) rattling off non-sequiters.

Theater – playacting before a live audience – is a quaint and arguably archaic form. But I have to say, when done right, it can leave you feeling deliciously voyeuristic, like you’ve peered into another life with an immediacy that no book or movie could ever provide.

So imagine the excitement then, of theater written by a melange of browns and yellows, about them browns and yellows, for the Bs & Ys (and the people who care for them). I’m terribly late (only 3 days left!) in posting this review, so you should stop reading now and scoot off to buy tix to the Fifth Annual Seven.11 Convenience Theater. The talented folks at Desipina created seven short plays, each eleven minutes long, each set it that haven of desi-ness, the 7-11 convenience store.

Date: March 29 – April 14 [Wednesday – Saturday 8pm, Sat/Sun matinees 3pm ] Cost: Tickets are $18

Location: The Abrons Arts Center. 466 Grand St at Pitt Street, NYC. www.henrystreet.org

If you care to know more, join me as I wear my Ben Brantley hat after the jump. Continue reading →

For me, watching Seven.11 was one of the theater highlights of 2005. It had the sharpest writing and the funniest set of desi and As-Am in-jokes I’ve seen in ages: custom-fit culture in a railroad apartment. The proprietors have done well for themselves behind the counter, unveiling a bigger show in a bigger theater this year:

This year’s line-up includes a kung-fu hustler, run-away teenagers, convenience store surprise reunions, a futuristic free-for-all for Manhattan, and not one but TWO original pop musicals, one of which leaves you questioning, “Who really did kill Mr. Naidu?”

If you’re anywhere new New York between March 30 and April 16, you have to see the musical farce, last year’s was side-splitting. The show’s creative constraint is a gimmick, but it works:

… Seven.11 Convenience Theatre marks its fourth year with a whole new set of seven plays [of 11 minutes each] all set in a convenience store…

The intense, bald and talented Andrew Guilarte returns from last year’s cast. Looking at the list is like watching a star team shed your favorite players (where have you gone, Joe Debarggio, and Lethia Nall, Kavi Ladnier, Anuvab Pal?). You hope the new faces will once again become sentimental favorites.

Featuring the ever-talented cast of Sturgis Adams, Meetu Chilana, Andrew Guilarte, Sean Krishnan, Stephen Tyrone Williams, John Wu, Alicia Ying

They were completely sold out last year, so buy ahead.

Related posts: Reclaiming Apu, Seven chutney squishies, make it quick

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A new off-Broadway play about a desi student’s loss of innocence is running off-Broadway through Feb. 25. Huck & Holden refers, of course, to two iconic characters in American lit (thanks, SD).

Here’s a positive review:

Navin’s story begins deceptively, as a collegiate, slapstick coming-to-America tale about a young man just arrived from Calcutta, who’s as clueless about American literature as he is about sex. But as Navin (Nick Choksi) begins exploring his newfound independence, and his burgeoning feelings for the pretty young librarian Michelle (Cherise Boothe), the story transforms into one of unexpected soul and depth…

And, of course, there’s Kali, fancifully realized here as the embodiment of chaos working to establish order, and dazzlingly portrayed by Nilaja Sun. Her careful steps, strenuously stylized hand gestures, and ugly-meets-beautiful dance to cover Navin and Torry’s fisticuffs make her a hilarious and horrifying joy to watch. [Link]

And one more faint:After discovering Navin with a porn mag called Brown Honey, Torry teaches him how to wax a girl’s @ss

Navin’s introduction to the American way of life is explored almost solely through sex, particularly as embodied in the person of Michelle (Boothe), an African-American library worker who befriends Navin while undergoing a breakup with her tough-guy boyfriend Torry (McClain). There is obvious comic potential in this particular culture clash, but the action coasts entirely on the undignified level of racial burlesque, replete with a contrived scenario in which Torry, after discovering Navin with a porn mag called Brown Honey, proceeds to give the naïve Indian a tutorial in how to wax a girl’s ass…

Michelle receives visitations from the Hindu goddess Kali (Nilaja Sun), incarnated here as a trash-talkin’ mama whose caricature, if borderline offensive, at least breathes some life onto the stage. Still, if you’re not fond of stereotypes, do yourself a favor and read some Twain and Salinger instead. [Link]

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Bombay Dreams the musical is going on a seven-month North American tour, including Toronto, and dholbanger Dave Sharma is going with it. First stop: Costa Mesa, California, on Feb. 21.

Sachin Bhatt plays Akaash

Sachin Bhatt will star as Akaash with Sandra Allen as Rani and Reshma Shetty as Priya in the upcoming tour.. The cast will also feature Deep Katdare as Vikram, Aneesh Sheth as Sweetie, Suresh John as Madan and Christine Toy Johnson as Kitty DeSousa.

The Bombay Dreams ensemble comprises Enrique Acevedo, Tia Altinay, Nita Baxani, Shane Bland, Wendy Calio, Sujana Chand, Tiffany Michelle Cooper, Aaron Coulson, Diane Angela Fong, Monica Kapoor, Namita Kapoor, Stephanie Crain Klemons, Jeremy Leiner, Garrick Macatangay, Kenneth Maharaj, Anil Margsahayam, Skie Ocasio, Desmond Osborne, Christopher Quiban, Kristian Richards, Rommy Sandhu and Marie Kelly. [Link]

Sachin Bhatt… of St. Louis, MO received his B.S. in Vocal Performance with an outside field in Theatre from Indiana University… Sachin will be playing the role of Chino in the upcoming Asian/European Tour of West Side Story… [Link]

Fortunately, the star attraction will be there with them:

The fountain will be featured in the tour… the costumes are from the Broadway production. [Link]

So it was only when I moved to the US (from France) at age 18 that everyone started calling me Sidd, following that American mania of shortening all names to one syllable. I accepted it without thinking, and eventually began using it to introduce myself. At least it spared me the Hermann Hesse questions. But I never felt like a Sidd.

It took me years to accept that the nickname was really bothering me; years more to realize I could do something about it. One day five years ago I sent an email to all my friends asking them to call me any nickname they liked, just not Sidd. It was a profoundly liberating moment. So much so that when I’m called Sidd now, which happens from time to time, it barely bothers me anymore.

But now comes this, and I’m starting to have ugly flashbacks:

SIDD, a new musical based on the novel “Siddhartha” by Hermann Hesse, will begin performances at Dodger Stages 5 (340 West 50th Street) on Thursday, February 23 @ 8:00 PM. With music & lyrics by Doug Silver and direction, book & additional lyrics by Andrew Frank, SIDD will have its official opening on Wednesday, March 22 @ 8:00 PM.

Oh boy. Here we go:

SIDD chronicles the extraordinary journey of a manÂ’s life from his youthful wanderings in his home village, through his many years living amidst the glamour jazz and corruption of the city, his encounter with Buddha and ultimately, his enlightenment that follows. SIDD features a diverse cast of seven accompanied onstage by piano, cello and percussion trio. The musicalÂ’s eclectic score draws on various influences from Richard Rodgers to reggae.

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