Category Archives: Arts and Entertainment

Twisters on Twitter

Posted on by

Author Arjun Basu of Montreal got on Twitter last fall and published a handful of “typically banal” tweets. Then inspiration hit and he created his first Twister. That’s what he calls his short short stories of 140 characters. Since then he’s written over a thousand Twisters and become a popular source for readers seeking a regular fix of micro-fiction.

Arjun_01_normal.jpgAs a child he delivered newspapers. As an adult he delivered bad news daily. Because he was a negative person. And the world’s worst surgeon 5:34 AM Apr 29th


Micro-fiction is not new to the web, as those of you who contributed to Sepia Mutiny’s flash fiction Fridays know. The shortest of the form might be six-word memoirs like the ones found at Smith Magazine. Links to more micro-fiction on the web are welcome in the comments. Continue reading →

“I hope you feel better soon!” (Hello from Ireland)

Posted on by

We’re in Ireland for a little holiday. Some of it is a little bit of long overdue (for me) literary tourism around Dublin, but we also spent several days in some of the beautiful western counties, doing some cycling and hiking, and checking out live music in village pubs. For the most part, there’s nothing very desi going on out there — there’s a sizeable South Asian population in Dublin, but rural western Ireland remains much more ethnically homogenous. A lot of little villages have Indian restaurants, but that’s about it.

Our best night in terms of live traditional Irish music was in a town called Clifden, in County Galway — and it was also the night where we had what you might call a ‘desi moment’. Continue reading →

SM featured artist: Namita Kapoor

Posted on by

A while back we asked for artists to submit their work to SM for inclusion in our new site redesign. We have decided to dedicate the header area of our website to feature South Asian American artists (up-and-coming or well established). Within the next month our website administrator Chaitan will be integrating the artwork of two artists, the first of whom is Namita Kapoor. As luck would have it, Kapoor’s exhibit is opening in San Francisco in just a couple of weeks:

…Kapoor draws from her backgrounds as a South East Asian and American. “I use imagery from Indian myths, Bollywood posters, and vintage commercial advertisements and abstract them with a variety of materials such as sari fabric and appliqué, henna prints, silkscreen and acrylic and oil paint.” Kapoor works her way in and around these various materials, infusing a dance between mediums that explodes off the canvas in a rhythm of brilliant colors. In these paintings, remnants of traditional Indian iconography contrasts with her expressionistic modern brush strokes, creating new environments for her dual cultures to co-exist, thematically and stylistically.

LOCATION: BoConcept: 101 Townsend, San Francisco, 94103

EXHIBITION DATES: June 27-July 31, 2009

OPENING RECEPTION: Saturday, June 27, 6:00-8:00 PM

VIEWING HOURS: Monday through Friday 10am-7pm; Sun 11am-6pm

You can view some of her additional work here. If you want to go to the reception with other SM readers then you guys can use the comments area to plan. Please forward to your friends in SF.

Continue reading →

Dispatches from Kriti: What to Read

Posted on by

Here I am in the desilicious town of Chicago, which today is so rainy it’s practically imitating Seattle. I’m here to attend the third Kriti festival… a celebration of South Asian authors and writing organized by Mary Anne Mohanraj and Desilit.

This morning’s keynote panel, “What’s Not to Like?” featured Romesh Gunesekera, Amitava Kumar, and Bapsi Sidhwa. The three of them read from the work of writers they particularly admire. Continue reading →

Cooking It Up at the Indian Culinary Center

Posted on by

I was intrigued, but slightly skeptical when I signed up for a cooking class at the newly-opened Indian Culinary Center a few weeks ago. What could I, a vegetarian who has been cooking desi food pretty regularly for the past couple of years, learn that was new and interesting in an Indian Vegetarian Delights Class? A lot, it turns out.

The ICC is run by Geetika Khanna, a former psychologist and graduate of the French Culinary Institute who has been charting a path in the food industry for the past 10+ years. I really felt like I was walking into another world when I rang the buzzer of 131 W. 23rd St., which turned out to be the Chelsea Inn, a cosy bed and breakfast whose ground floor industrial kitchen turned out to be the cooking school of the now-defunct culinary arts program of The New School, where it turns out, Khanna used to be an instructor.

On this particular Tuesday night, nine of us had signed up to spend the evening learning how to cook with Khanna, a tall, relaxed, and skilled instructor who weaves anecdotes about her family in with technique tips and practical approaches on how to make Indian cooking a part of your culinary repertoire, instead of something exotic and inaccessible. For those like me, who generally cook at least one or two Indian meals a week, it was the practical tips like how to clean your spice grinder — run a piece of bread through it — and the ease and humor with which Khanna made cooking a six-course meal seem doable (from scratch, using mostly fresh ingredients) that was the tipping point. Plus, I enjoyed her running commentary on colonialism, the evolution of the Indian “curry,” and the Food Network –and she gave me the courage to fry my first pooris, a big deal for a gal who has always had a fear of deep frying. There were also a few surprises along the way, like the fact that she uses cayenne pepper in her masala dhaba. [Click on the narrated slideshow above for a walk-through of the class and a look at our full menu.]

The three and a half hour class cost $55, and was followed by a delicious six-course meal. A pretty good deal for an evening out in NYC where you’re learning, eating, and meeting a bunch of interesting people. (Other NYC cooking classes range from $100 to $200 per person).

At present, Khanna offers classes every month, and has plans to invite other chefs of Indian cuisine to teach at the ICC. With all the regional variations of Indian food (Indian Chinese, West Indian, and Indo-French, as well as the wealth of Indian chefs in the New York area, I’m sure there are many more yummy lessons and treats to return to at the ICC. I’ll definitely be going back.

Oh, and if anyone is interested in interning with Khanna, she’s looking. Drop her a line. Continue reading →

The Monkey Man Cometh

Posted on by

In between favorites like WWII documentaries, Modern Marvels, and Gangland, the History channel occasionally dabbles in supernatural themed programming. Normally, shows like Monster Quest make me change the channel about as fast as Designing Women. This time however, History will be taking on one of the more colorful incidents of desi-themed hysteria in recent times – no, not Sanjaya but close, the New Delhi Monkey Man –

Engrained in the history and mythology of India are tales of a ferocious creature, half-man, half-ape. It has been dubbed the monkey-man and headlines across the world have told of the vicious nocturnal attacks that occurred in India’s capital, New Delhi. The city’s population was gripped with fear of a violent creature described by eyewitnesses as having sharp claws, fangs and dark hair. After three people died and dozens were hospitalized fleeing the creature, 3,000 police officers were tasked with capturing the animal, but came up empty handed…

Wednesday, June 10 09:00 PM
Thursday, June 11 01:00 AM
Sunday, June 14 02:00 PM

Should be interesting… Razib pointed out the wikipedia entry for the Monkey Man including some tragic cases of mistaken identity –

A four foot tall wandering Hindu sadhu was beaten up by an angry mob who mistook him for the Monkey Man.

On May 18, a van driver was set upon and sustained multiple fractures in another case of mistaken identification as Monkey

To prevent future cases of this ilk, Delhi Police have provided this helpful sketch so you can ID the real Monkey Man should you ever run into him – Continue reading →

Posted in TV

In Argentina, Turbans=Maharajas?

Posted on by

If you want royal treatment at nightclubs in Argentina, maybe you should consider investing in a turban!

While playing golf in Buenos Aires recently, R. Viswanathan, the Indian ambassador to Argentina, Uruguay and Paraguay, had an interesting experience: the Argentinian players asked him where they could buy a turban and how to wear it. When the ambassador probed the reason for their interest, they pointed to a home within the country club complex and said:simmarpal2.jpg

‘Here lives an Indian maharaja. He looks handsome with his turban. When he goes to the night clubs, he gets premium service and gets it free because they think he is a maharaja.’

When Viswanathan tried to explain that turbans do not equal maharaja status, the Argentinians asked him to shut up and not reveal this secret at the night clubs.

Turns out the “maharaja” they were speaking of is Simmarpal Singh, the “peanut prince of Argentina,” an employee of Olam, a 5.6 – billion dollar NRI company and a leading global supply chain manager of agricultural products and food ingredients!

Singh cultivates 12,000 hectares of peanut farms and another 5000 hectares of soya and corn in Rio Cuarto area in Cordoba province, about one thousand kms from Buenos Aires. His target is to take his company Olam among Argentina´s top three peanut players in the next few years. When he came to Argentina in 2005, his company was 28th in ranking in peanuts and he has already made it as sixth this year.

Viswanathan’s story, which profiles Singh’s work, ran in various Indian papers, including the Hindustan Times Punjab and The Asian Age, this past week. It examines the farming industry in Argentina and its potential to assist agriculture in India which is going to face shortage of land and water in coming years. Read it in full here.

Continue reading →

Swami Sotomayor

Posted on by

Our party is in free fall. How do we attract more minorities to the conservative movement? I have a brilliant idea!

Ramesh Ponnuru, I pray you did not have a hand in this. I ask you to meditate upon this to ask yourself if this is truly the path to Nirvana and out of the ocean of suffering. The slanted eyes were a nice touch.

Continue reading →

Review: “Global Bollywood: Travels of Hindi Song and Dance”

Posted on by

Global Bollywood is an academic anthology, but it contains several essays that might be of interest to lay readers who are fans of Hindi films and filmi music. There are, admittedly, a couple of somewhat jargony essays in the collection, but they can be avoided for readers allergic to that sort of thing. Accessible essays that take on specific subjects, and present new and helpful information about them, dominate the anthology. As a result, I can recommend it alongside another book I reviewed some time ago, Tejaswini Ganti’s Bollywood: A Guidebook to Popular Hindi Cinema.

Defining “Bollywood”

Sangita Gopal and Sujata Moorti’s thorough introduction to this volume is a pretty definitive survey of much important scholarship on Hindi cinema. Given my own background and interests, the sections from which I learned the most were probably the somewhat more ‘marginal’ sections, where Gopal and Moorti provided overviews of some slightly more obscure topics, such as the influence of 19th century Parsi street theater on the emergence of the Bollywood acting and musical style (they cite Kathryn Hansen’s work on this subject; also see Hansen’s translation of Somnath Gupt’s book).

Still, here is the definition of “Bollywood” with which Gopal and Moorti begin:

Frequently remarked upon by insiders and always remarkable to outsiders, song-dance occupies the constitutive limit of Bollywood cinema. It determines – perhaps unfairly but invariably – the form itself even as it frequently escapes the filmic context to inhabit other milieus. (1)

One could object that it’s not just the song-dance that is distinctive about commercial Hindi cinema, but the particular stylization of the acting, which seems over-the-top and melodramatic to many viewers acculturated to the values of European art cinema. Certainly, it wasn’t just song-dance that Satyajit Ray rebelled against starting in the 1950s – or, more recently, Aparna Sen, or Mira Nair. These art film directors were also interested in more naturalistic characterization, and in finding beauty in the everyday. Continue reading →