‘Kumars at No. 42’ ad campaign rolling out

As I posted earlier, the hit British Asian comedy series The Kumars at No. 42 is now showing on BBC America.

I ran into the lead, Sanjeev Bhaskar, at Bombay Dreams on Broadway soon after its premiere. He’s a great sketch comedy guy who first made his name on Goodness Gracious Me.

So, it was mighty strange to turn a corner next to my apartment and see his big mug staring back at me 🙂 Apparently the Beeb is putting a few pounds behind their debut, and this desi comedy is one of their flagship programs. Very cool!

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IndeBleu opens in D.C.

A new, high-end French-Indian fusion restaurant, IndeBlue, just opened in Washington, D.C. with two tandoori ovens, a wine bar and a lounge. The chef, Vikram Garg, was formerly the head chef at the Leela Kempinski Palace in Bangalore.

The style sounds fusion rather than the Indo-French cooking of Pondicherry, as exemplified by London’s La Porte des Indes. Quick, we need a food scout from the lowland swamp. DCist went and made me even hungrier:

Coldren told us in October that Garg is a master at “controlling spices” and the menu marries the best of French and Indian cuisine. Some examples: Petite Provencal naan with sundried tomato chutney; wild mushroom dosa… with bleu cheese gratin with white truffle oil; scallops scented with cumin on a bed of braised chicory; and veal-stuffed gnocchi served with chanterelles and infused with a fenugreek-chardonnay sauce.

More from the WaPo’s Tom Sietsema (any relation to the Village Voice food critic?):

One quiet thrill follows a request for saffron-and-cardamom-flavored ice cream. A waiter shows up at the table with a potato ricer filled with the cold stuff; a powerful squeeze of the ricer’s handles pushes it through dozens of tiny holes, creating a plateful of creamy noodles.

It’s definitely not a traditional restaurant — beef samosas, anyone?

It was perhaps one of most lavish non-political parties Washington has seen in quite some time… at least one woman, painted as a forest nymph, walked about the place in A Midsummer Night’s Dream-esque fashion.
Of the dishes, the beef samosa was the most interesting. Since using beef is traditionally prohibited in Indian cuisine, the combination tasted rather novel… we only had a chance to sample the lychee and mango martinis. Both were worth the wait…

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Happy Diwahanukwanzidmas

Virgin Mobile’s latest promotion is a fine example of South Asian-inspired surrealist kitsch. Not to mention the visions you had the morning after the New Year’s party. No, Virginia, those weren’t sugarplums dancing through your head.

For art that so prominently features a Hindu motif, it sure is strange to extirpate Diwali from the name (Chrismahanukwanzakah). So, I’ve re-christened it, so to speak.

Happy Diwahanukwanzidmas, and watch the animation!

Related posts: A very Om-ly Christmas, Krishna for Christmas, The peacock, The tao of Manschot, Blood brother, Kitsch Idol, Blog bidness, Kitsch-mish, Camping while brown, Wild Bollywood art project, Indian kitsch: Artist does Indian theme for Diesel, TV ad satires on India, Hinduism as kitsch, Warmth and Diesel: The selling of Indian kitsch

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Wes hearts Waris

Director Wes Anderson did right by Sikhs in his latest film:

I saw The Life Aquatic last night, a hilarious, laid-back Jacques Cousteau parody… The director was very respectful of the handsome, turbaned actor / fashionista Waris Singh Ahluwalia: it was not a token role, the Sikh was a bona fide character. He had an American accent. He had a real name, Vikram Ray (though Ray is a Bengali name, perhaps a play on Satyajit). He was addressed by name several times, he had plenty of lines, he was an integral part of the crew. He even had three glamor shots in the submarine scene at the end, close-ups with light reflecting off his eyes. There was an Asian-American on the crew as well, and assorted Europeans; the casting was like the Star Trek bridge minus the aliens…

On the flip side, the marketing campaign cropped Ahluwalia out. It’s a shot of the submarine scene, where Ahluwalia was seated at far left. On the U.S. poster, the guy in the turban and the black guy are missing.

In this particular case, it’s probably because Ahluwalia… isn’t a recognizable star. However, in many movies (e.g. Sandra Oh in Sideways), minorities don’t figure in the marketing campaigns, even if they have substantial roles… The kinds of people you’ll see [featuring minorities] are producers at the top and the bottom: those who are either already successful enough to take the risk, such as Wes Anderson and his cult of fans, or so indie that they don’t care.

Read the full piece.

Bombay Dreams Epilogue

04dream4.jpgAs Sepia Mutiny mentioned, the NYC run of the London hit musical Bombay Dreams closed this past weekend. Rediff reports, however, on an interesting, far more long-term development within the cast –

As Manu Narayan, Tamyra Gray, Sriram Ganesan and Anjali Bhimani joined 34 of their peers in Bombay Dreams to take the final Broadway bow on New Year’s Day, at least one actor was taking home more than memories and an impressive resume. Aalok Mehta, part of the ensemble cast, is now engaged to Anisha Nagarajan who played Priya, the idealistic movie director, in the musical for about six months.

Some interesting financial info & hope for a Bombay Dreams road tour –

Most among the cast of Bombay Dreams are hoping to join the road tour that could start this summer, provided the producers, who have lost about half of their $14 million investment in the Broadway production, are able to raise fresh investment and get good backing from regional promoters.

Harold and Kumar: Uncensored

Yep, that’s right. The DVD all you sex-crazed ignorant South Asian men have been waiting for has arrived, and it’s dirtier than ever…or is it? From The Houston Chronicle:

Now’s your chance to catch up on ketchup hounds Harold and Kumar. The only question is, do you get the film’s “Extreme Unrated DVD” or its original R-rated theatrical cut?

In truth, it hardly matters — just as it didn’t for The Girl Next Door and Eurotrip. Like Harold and Kumar, each came to DVD in R-rated as well as unrated versions, with the latter suggesting more raw and revealing material. Yet in each case, it was tough to tell the difference.

The fact is, Mary Poppins would be “unrated” if Disney added several more seconds of kids flying kites and didn’t resubmit the altered film for a new ratings review. “Unrated” doesn’t mean the equivalent of an NC-17. It just means unrated.

In Harold and Kumar’s case, it means a bit of incidental footage was added to a film already riddled with sex and vulgarities. But unlike Harold and Kumar, we don’t need to gorge.

More enticing are the unrated edition’s unique bonus features. These include another commentary track, a music video and more outtakes.

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Gheri Dosti

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Playbill.com has a preview of Gheri Dosti which is a series of five short plays with a “South Asian bent,” opening tomorrow in NYC:

The red-hot issue of same-sex marriage became a sticking point during the past election year in the United States. It’s no secret, however, that this controversial topic extends well beyond American soil to even the most remote reaches of the planet. Circle East, a New York-based company, will present Gehri Dosti, a collection of five short plays exploring same-sex relationships in South Asia, beginning on Jan. 6.

Playwright and director Paul Knox has conceived the work, which had its world premiere last fall at Harvard University’s Leverett Old Library. Prior to that production, the individual sections that comprise Gehri Dosti: 5 Short Plays with a South Asian Bent had been developed in festivals the world over, from New York to Cape Town, South Africa. The Harvard production represented the first time the pieces was combined to form a full evening of exploratory theatre.

With the AIDS epidemic spreading exponentially through developing countries, Gehri Dosti is as much about spreading knowledge as it is about civil rights advocacy. In addition to serving as Circle East’s executive director, Knox is the co-founder of the Tides Foundation’s India Fund, an organization that facilitates community building efforts and educational initiatives among South Asia’s gay groups. He has also conceived and co-produced Mela: A South Asian Festival of performances on the Indian subcontinent. For his work with the Russian Academy of Theater Arts, Mr. Knox has been a co-recipient of the United Nations Society of Writers Award.

Documentary on desis in hip-hop

A 34-minute documentary called Brown Like Dat: South Asians and Hip Hop is screening Jan. 15 in Manhattan.

… gives a voice to South Asian MCs, beatboxers, spoken word artists and producers. With hip-hop as its lens… these artists speak on everything from racial profiling post-9/11 to identity in second-generation immigrant communities… Featured Artists: Abstract Vision Humanity, Chee Malabar from Himalayan Project, D’Lo, Jugular, Karmacy, and MC Kabir.

Saturday, January 15th, 5pm and 7pm, Two Boots Pioneer Theater, 155 East 3rd Street (at Avenue A), $9, advance tix strongly recommended (they usually sell out)

I dig Karmacy in particular (disclaimer: one of the guys in the group is a friend). Listen to some tracks. Continue reading

Science Fiction as Prophesy

The great science fiction writer Sir Arthur C. Clarke (Rendezvous with Rama, 2001: A Space Odyssey) is perhaps the most famous foreigner living in Sri Lanka. Long considered a visionary for his works, Clarke published a book about Sri Lanka in 1957 titled, The Reefs of Taprobane. As noted in the Hindustan Times:

In an open letter sent to his friends, the British author says that in Chapter 8 of the book he had described a tidal wave attack on Galle harbour in 1883, following the eruption of Krakatoa, in roughly the same part of the Indian Ocean as the epicentre of the December 26, 2004 sea quake, namely, off Sumatra in Indonesia.

The loss of life in Galle harbor is nearing 8000 and is one of the worst hit areas. Another claim in the article is the following:

In more recent times, he is said to have predicted, in one of his numerous science-fiction/futuristic writings, the Al-Qaeda attack on the United States on September 11, 2001.

This quote is not backed-up however, and I can’t think of which work they might be referring to. If any reader knows, then please comment.