Category Archives: Arts and Entertainment

Extra Terrestrial Mission (ETM)

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President Thomas Whitmore: I saw… its thoughts. I saw what they’re planning to do. They’re like locusts. They’re moving from planet to planet… their whole civilization. After they’ve consumed every natural resource they move on… and we’re next. Nuke ’em. Let’s nuke the bastards.

The above quote is one of the most poignant soliloquies in film history, and many of you may recognize it from 1996’s Independence Day starring Will Smith and Bill Pullman. Well at least one person isn’t as stirred by these words as you and I. He is quite enraged. Veda Naik has been seething for nine years and he ain’t gonna take it no more. From Sify.com:

An NRI film scriptwriter has dragged Hollywood studio giant Twentieth Century Fox to the Supreme Court [Indian] for allegedly stealing his script to make the mega blockbuster Independence Day (ID).

Veda Naik has moved the apex court against a Karnataka High Court judgement refusing to direct the Los Angeles-based studio to pay damages for infringing the copyright of his film script Extra Terrestrial Mission (ETM).

Extra Terrestrial Mission (ETM)? Geez, with a name that bad it deserved to be stolen. Continue reading →

Jetting to Bangalore

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Jet Airways, the leading private airline in India, is far more luxurious than American ones: brand-new Airbus jets, hot face towels, nimbu pani and watermelon juice, coffee candies, sumptuous red and orange linen napkins bound in velvet rope, a choice of North or South Indian meals (ever had hot idli sambar and utappam on an airplane?), and a never-ending stream of tea and coffee. And all this on short-haul domestic routes rather the overseas ones served by Singapore and Virgin.

The Indian government will now allow Jet and Air Sahara to fly international routes, although it continues to shelter the lucrative Middle Eastern routes from competition. The airlines are presumably on their own for buying landing slots.

Indian airports are also in dire need of investment. On a recent trip, I could get wireless Internet access at the Delhi and Bangalore airports. However, they otherwise still resemble small regional airports in the U.S.: open-air gates, buses instead of jetways and a vanishingly small distance from gate to parking lot. They’re like the old terminal at San Jose before the tech bubble.

But with an astonishing 20% annual growth in air traffic, India just signed off on a plan to upgrade 80 airports throughout the country, including brand-new airports for Bangalore and Hyderabad. They’re partying like it’s 1999.

And in the tech-heavy cities, it pretty much is. Driving through Bangalore, I saw buildings that looked exactly like U.S. tech campuses, though smaller. Intel, Dell, Oracle, Accenture and Macromedia buildings abound; on one corner, with a shock of recognition, I came face-to-face with a company started by a friend. I couldn’t help but feel late to the party. With the number of South Indian programmers already working at Oracle, why not hire ’em straight from the motherland 🙂

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The boob tube

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Just a reminder: A 12-minute segment on Aishwarya Rai, entitled ‘The World’s Most Beautiful Woman?,’ airs tonight at 7pm on 60 Minutes (CBS). Here’s Apul’s post on the interview.

The press release is incredibly disingenuous, asking the questions usually done by trashy film mags:

Rai’s first movie kiss, should she do it, will be a minor scandal among her fans, especially in India… The country that gave the world the Kama Sutra, one of the oldest known sex manuals, isn’t prudish, just not into public displays of intimacy… Rai… dances delicately around the subject of screen sex. “We’ll cross the bridge when we reach it,” says Rai of the inevitable love scene in her American film future.

Kama Sutra reference, check. Desperate bid to boost viewership, check. Aishwarya’s ever-so-precious virginal mugging for Stardust, Filmfare and Cineblitz, check.

A 31-year-old actress/model will have done a hell of a lot more than a public kiss, and more power to her. No matter how much fans may confuse reel life with real life, the Britney Spears impression isn’t necessary, discretion works fine. But the fault probably lies more with the interviewers than the actress. It’s the kind of tissue-thin softball usually tossed underhand by Baba Wawa.

Update: Watch the first 2:45 of the video: mirror 1, 2; torrent. Aishwarya seemed extremely nervous, her humor strained, this is her big U.S. launch. Her answers seemed unrehearsed and forced, her giggling a touch shrill; she was like a liquored-up Cameron Diaz on Craig Kilborn, truly cringeworthy. The interviewer spent a third of the segment on ‘you’re so hot,’a third on explaining Bollywood (pretty decent — they clipped her best films) and a third on ‘why won’t you kiss on screen?’ Ahh, hard news — I thought I’d escaped the Hindustan Times, but 60 Minutes dragged me back in.

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‘Bombay Dreams’ closes today

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As I type these very words, Bombay Dreams on Broadway is finishing up the final performance of its eight-month run. Its closing unleashes a horde of desi actors with Broadway experience. May they find their way to productions far beyond these comfortable shores.

Richard Corliss of Time analyzes Bombay Dreams’ short run:

[Meera] Syal, a writer and performer on the Anglo-Indian sitcom Goodness Gracious Me, could assume that the London audience would be knowing too — they’d be familiar enough with the genre to get the jokes poked at it. Bollywood films get a fairly wide release in the U.K., often making the weekend box-office top ten. Because the South Asian community is proportionately larger in Britain than in the U.S., the Bollywood culture more deeply permeates the official culture. Indian films can gross millions in the States and not be seen by anyone outside the subcontinental diaspora…

Essentially, he had to write a primer on Bollywood: explain the genre, then rack some jokes about it. Most of Syal’s best lines vanished. The show became soft and lumpy. The New York Bombay Dreams was a desperate, failed reworking of the London version… The Indo-American audience wasn’t large enough to keep it afloat, and it didn’t attract the idle non-Desi curious.

The outreach to critics was a disaster for this straightforward, unironic ’50s-style show. The London show had a better book and more physically striking actors, though the New York version had stronger singers and a slicker production.

And what is the sound of one critic’s heart breaking? Corliss has found his guru, and it’s the show’s composer A.R. Rahman:

Rahman is not just India’s most prominent movie songwriter… but, by some computations, the best-selling recording artist in history. His scores have sold more albums than Elvis or the Beatles or all the Jacksons: perhaps 150 million, maybe more.

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New channels put Disney’s mouse in the house

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The Walt Disney Company launched last week their first two channels in India, hoping to stake a claim to the country’s 100 million children under the age of 10.

The multi-genre Disney channel and the animation-led Toon Disney are being broadcast in three regional Indian languages apart from English.

The channels will target different age-groups at different times.

The two channels will be available in English and Hindi in northern Indian and in Telugu and Tamil in the south.

They join a fast-expanding marketplace for children’s programming in India, which has welcomed three additional channels this year alone.

BBC News: Disney launches India TV channels

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Posted in TV

19 great free tracks

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BoingBoing directs our attention to David Boyk’s sweet Bollywood site, “Bollywood for the Skeptical“. It includes 19 classic tracks and a good basic primer about Bollywood for newbies.

My favorite part of the site is David’s list of “Words that Show Up a Lot in Bollywood Songs” It’s like a Berlitz for Bollywood; once you learn these, you should be able to understand almost anything in a Bollywood song. That assumes, of course, that the song makes sense in the first place. [Thanks to ME-L for the link]

Controversy Erupts Over SASA Hotel Choice

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One of the rites of passage for many college-aged desis in North America is the annual conference of the South Asian Students Alliance, more commonly known as SASA. The conference, this year being held in Los Angeles from January 13-16th, seems to be drawing the ire of workers rightsÂ’ and other activists concerned with a boycott/strike being endorsed by almost 3,000 hotel workers against nine luxury Los Angeles-area hotels over an ongoing contract dispute with the owners, according to NBC4.tv. Labor groups including the AFL-CIO, The Los Angeles Coalition to Support Hotel Workers and the Los Angeles hotel worker’s union UNITE HERE Local 11 are boycotting the hotels located throughout the city, including the official SASA conference hotel, The Wilshire Grand.

The Coalition said 3,000 hotel workers have been without a contract since it expired in March. Workers are demanding increased wages, health care benefits, a contract through 2006 and a national voice to ensure a fair contract. “They don’t respect us,” said Donald Wilson, banquet chef at the Century Plaza Hotel, one of the other hotels being boycotted. “They say they treat us like family, but when it comes to contract time they treat us like stepchildren.” Wilson said he had worked at the Century for 26 years, and until their contract ran out this year employees always had free health care. A $40 monthly co-payment is now required, an amount many employees with families cannot afford.

In all fairness, according to a story in USC Daily Trojan, a spokesman for the Los Angeles Hotel Employer Council said a contract currently being offered by the hotels offers free health care along with a 20 percent wage increase over a five-year contract period.

The Hotel Employer Council spokesmen alleges however, that “workers don’t want to accept it because it is a five-year contract” and the workers “want a two-year plan so they can join up with other cities for a 2006 national labor action.”

Anyway, to promote some kind of action from the South Asian student community, a group, known as the South Asians for Change is calling for the organizers of SASA to either change the location and show solidarity with the workers, or for students to boycott SASA altogether.

“Behzti” dishonored

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Over the weekend in England, a play about improprieties at a Sikh temple took a violent turn as reported by the AFP and several others:

A black comedy that triggered a weekend mini-riot because of its references to rape in a fictional Sikh temple has been cancelled, the playhouse in the English Midlands that was staging the play said.

The Birmingham Repertory Theatre said that, after consultations with police and Sikh community representatives, it was lowering the curtain on further performances of “Behzti” (Dishonour).

The piece, by Sikh actress turned playwright Gurpreet Kaur Bhatti, had sold out its entire run, but it upset Sikhs enough to prompt a series of peaceful demonstrations which turned violent on Saturday.

Three men were arrested, five police officers hurt, and the audience of some 600 evacuated in the melee, in which up to 400 protesters stormed the Rep, damaged doors, set off fire alarms and damaged backstage equipment.

The violence was apparently due to the same type of sanctimonious logic that we see displayed in so many other religious traditions.

…Sewa Singh Mandha, chairman of the Council of Sikh Gurdwaras in Birmingham, said “Behzti” offends on the grounds of falsehood.

“In a Sikh temple, sexual abuse does not take place, kissing and dancing don’t take place, rape doesn’t take place, homosexual activity doesn’t take place, murders do not take place,” he told BBC radio.

“I am bringing to the attention of the management of the theatre the sensitive nature of the play, because by going into the public domain it will cause deep hurt to the Sikh community.”

Let the Top 10 (or whatever) lists begin

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Of course as the year draws to a close, we are all bound to be pummelled with numerous top whatever lists. USATODAY, in one of the first lists, has created its own for the top 100 people of 2004. At 78, is none other than Kal Penn. From the lists profile.

Even if it weren’t for Neil Patrick Harris’ cameo, Harold and Kumar Go to White Castle still would’ve been a good movie. If you don’t believe me, some further proof: Penn, aka Kumar, has no fewer than five movies coming out in ’05.

IMDB confirms that Penn will play the lead in Mira Nair’s adaptation of The Namesake (due out in 2006), and lists the other five projects as Vegas Baby (starring Kathy Griffin), Man About Town (Starring Ben Affleck and Ling Bai), A Lot Like Love (2005), Son of the Mask (starring Jaime Kennedy), and Dancing in Twilight (Starring Mimi Rogers).

Also listed, and a significant amount higher I might add, is one of the stars of ABC’s silent success, Lost. From USATODAYs commentary…

I don’t have a problem with all these articles about Evangeline Lilly being the breakout star of Lost— I just kindly disagree. I find Andrews, who plays tortured and complex Sayid, by far the most compelling character. Let’s hope he makes out of this season alive.

Here is a link to a post I did on lost back in August, and here is one and another from SM.

Abhishek Out, Could Kal Penn be in?

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Rediff.com is reporting that Abhishek Bachchan has officially bowed out of Mira Nair’s upcoming film effort translating Jhumpa Lahiri’s The Namesake onto celluloid. Bachchan, who was slated to play the lead in the film, may now be replaced by Kal Penn, whom the BBC has reported “will play an important character.” The film is also slated to include Nair’s New York gang–Gabriel Byrne, Natalie Portman, Chloe Sevigny, and Steve Buscemi, among others, according to the BBC story.

This film, if done well, has the potential to place Nair in the top tier of directors, and also will hopefully go quite far in presenting certain aspects of desi-American culture to mainstream America.

The story also notes that Nair has turned down the offer to direct the next Harry Potter film, Harry Potter and the Order of the Phoenix.