Chai Egg Creams?

The Grey Lady lets us know that desis have crossed a new frontier, with desi cooks infiltrating older ethnic food establishments in different parts of New York:

Exhibit A: the egg cream. For New Yorkers of a certain age, this was the nectar of a Jewish neighborhood, and Gem Spa was the drink’s sacred temple, certified as such by magazines and travel writers. Gem Spa is still there, still turning out egg creams at its narrow patch of a soda fountain in the East Village. But the person who owns the store and taught the staff to make this curious concoction of seltzer, milk and chocolate syrup is Ray Patel, a 62-year-old immigrant from Gujarat state in India.

He learned the recipe, including the secret stirring motions that create a frothy head resembling beaten egg whites, from the previous owner (Italian), who learned it from the old owner (Jewish).

“People try to learn new things in a land of opportunity,” is Mr. Patel’s elegant explanation for how an Indian came to make a drink that is considered exotic west of the Hudson River, let alone in Gujarat.

I’ll bet they wrote the same article 30 years ago when the guy behind the counter was Italian. Gujarat is now as exotic as Sicily used to be, so the story becomes interesting enough to retell. What they miss is how little has changed. The owner may be a bit darker, but he’s still named Ray.*

However, don’t look to Ray to spice up the old standards. Ray’s probably a purist,  but somewhere there is a young Jewish foodie who’s hybridizing the old Egg Creams with desi flavors. Cultural appropriation goes both ways. Continue reading

Shazia Deen / Dancing Queen

Indian-American model Shazia Deen recently starred in a music video for the Marc Anthony song ‘Ahora Quién.’ In cascading ringlets, silk scarf and trenchcoat, she’s dressed as an old-time starlet and looks like a million bucks. Watch the video.

Shazia was born in India, her father being part British and Punjabi and her mother born and raised in Delhi. She moved to California when she was three… she has gone on to make 15 national commercials and Ad campaigns for such major companies as Skechers, Kodak, Nike, Hanes, Payless, Diet Coke… She has been studying acting in Los Angeles for 4 years and has guest-starred on TV shows like the Andy Dick show… She has also just finished a two and a half year course in Ayurvedic medicine… [Link]

Deen may be part Anglo, but that jawline is classically Punjabi. From her demo reel, she also seems to have played Latina and Iraqi. Racial passing is actually more interesting in real life than the pixelated vacuity of the image biz. It’s part hidden talents, part undercover spook: The Bourne Identity, The Long Kiss Goodnight.

The postracial premise is interesting, I’ve lived it, meeting someone attractive who unexpectedly turns out to be desi… it’s the unfolding of hidden wings… Even funnier is when someone you meet seems fairly whitewashed, then, months later in the right context, totally busts out with a tender oldie from, say, Umrao Jaan, with flawless pronunciation and full-bore eyelash flutter. It’s a hell of a bender. [Link]

Passing was also one of the most fascinating things about Bollywood/Hollywood, a parody in two parts: a charming and very meta first half, a leaden and inept second. Casting the half-Polish Lisa Ray as Sue/Sunita, the non-desi desi, was clever on too many levels to parse. The flick proved men do make passes at a girl who passes.

Bolly/Holly also had that thrilling, swing version of ‘Mera Naam Chin Chin Choo’ and its shapeshifting singer. Sanjiv Wadhwani belts the filmi standard in a bad Amrikan accent, but he’s just playin’, dawg. He morphs into fluent Hindi and again into jazz vibrato. So hot. The song plays over the closing credits; über-grandma Dina Pathak and wrestler Killer Khalsa boogie with a drag queen (Ranjit Chowdhry) wrapped in geisha. I forgave the bad acting for this scene alone. Watch the clip.

‘Ahora Quién’ (‘Now Who’) is on Marc Anthony’s Amar Sin Mentiras (To Love Without Lies), released last year. Anthony proves the market for elegiac cheese, like a fondue pit, is bottomless.

Here’s my review of Bollywood/Hollywood. Hear more desi-Latino collaboration here.

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The Burghers of Harlem

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One of the two young girls picked up by the government (on suspicion of terrorism) re-appeared in her Harlem neighborhood in May. Sixteen year old Guinean immigrant Adama Bah was released by the Feds without explanation (and she’s under court order not to talk about it). Her friend Tashnuba Hayder was deported back to Bangladesh. Her classmates missed her and let her know recently via an impressive art exhibit they prepared to tell her story. The New York Times reported a few days ago (tip from Priya):

When Adama Bah’s schoolmates decided to make a public artwork project about her case last spring, she and another 16-year-old girl were being held by the federal government after it had identified them, without explanation, as potential suicide bombers.

“We didn’t know if we would ever see her again,” said Kimberly Lane, who was then an art teacher at the school, the Heritage School in East Harlem, where many viewed Adama’s detention as unjust and incomprehensible. “This was a way for the students to use art to speak out at a time when a lot of people, including adults, were afraid to do anything.”

The result towers over anything that most people would expect high school students to produce. At Columbia University’s Teachers College, where the work is on display through Thursday, the director of art education, Prof. Judith M. Burton, says it reminds her of Rodin’s “Burghers of Calais.”

Life after being thrown in jail without explanation isn’t easy on a poor immigrant family as you can imagine:

“I asked the students why are they doing that,” Adama recalled. “They said they just wanted to let my story be heard and help me out.”

These days, Adama acknowledges that her family is in difficult financial straits. The telephone has been shut off and her mother stays late at her trinket stand in Brooklyn, trying to earn enough to buy groceries for Adama and four younger children. But Adama was bubbling over about her summer job, reading to children at Bellevue Hospital Center.

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Posted in Art

Tinted Tilly

The August 1 issue of the New Yorker is la vie en sepia. It covers Charlie and the Chocolate Factory star Deep Roy, M.I.A.’s spinner Diplo and the Sri Lankan civil war. Roy is hilarious — I’ve never before seen an uncle in leather bellbottoms doing a KISS impersonation:

Inscrutable hybrids of Punjab and Marvin the Martian, their hair sculpted to resemble chocolate kisses, Roy’s Oompa Loompas are the film’s comic engine… As the Loompas, he sings, disco-dances, smashes guitars, and swims synchronically; he’s a chef, a barber, a shrink, a secretary, and exactly one hundred and twenty-one other things…

It took six months of fourteen-hour days to complete the filming of Roy’s four song-and-dance extravaganzas… Eugene Pidgeon, an actor and writer turned labor activist for dwarf performers [said]… “For every Deep Roy, there are a hundred and fifty of us who are forced to do wacked-out shit on ‘The Man Show…’ ” [Link]

Pop will eat itself:

[Wesley Pentz, aka Diplo] produced “Bucky Done Gun” for the British artist M.I.A.–it appears on her current album, “Arular”–and it consists in large part of chopped-up bits of a song called “Injeção,” by the Brazilian singer Deise Tigrona, which was recorded in da Matta’s studio. Both tracks incorporate a tiny sample of the horns from Bill Conti’s “Gonna Fly Now,” the theme from “Rocky,” to create a stabbing, jittery effect that is both thrilling and irritating… “Bucky Done Gun” … has now been remixed by da Matta himself… [Link]

The baile funk infection spreads. All your remix are belong to us:

Pentz cued up his own remix of Gwen Stefani’s “Hollaback Girl.” The song was already great–sharp-edged and minimalist–but Pentz had made it better, embellishing it with cantering, syncopated drums to create a swinging dance track. Under Stefani’s vocals, you could also hear snippets of baile funk–from “Feira de Acari,” a festive track that happens to have been produced by da Matta… [Link]

The Sri Lankan war article is not online yet, but it has a useful thumbnail summary of the war: The population split between the Sinhalese and Tamils in Sri Lanka is approximately 75%-25%, with Tamils concentrated in the north and the east of the island. Jealousy of the prosperous Tamil minority led to institutionalized discrimination: politicians reserved jobs and education for the majority and enshrined Sinhala and Buddhism as the country’s official language and religion. Tamils went from 50% of the medical and engineering students in the ’60s to 20% by the end of the ’70s. Discrimination against a prosperous minority is commonplace; in the Philippines, it’s erupted as a high rate of kidnapping of the ethnic Chinese, while we all know what happened to desis in Uganda under Idi Amin.

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8 Things About Bollywood You May Not Know

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[Note: the following post is a kind of indirect response to Turbanhead, from a couple of days ago]

Writing about Bollywood is incredibly difficult for an amateur fan. Many people are mainly interested in the latest filmi news and gossip, and watch current films to see whether they liked the heroine’s outfits. Rani Mukherji’s colorful outfits are scrutinized closely, but the quality of the film in which the outfits appear is somehow overlooked.

Then you have the retro-hipsters and nostalgists, who note the decline of the industry from its golden era in the 1960s and 70s, when both actresses and actors were impressively plump, and everything was fabulous, in that kind of “Amitabh’s pants are way too tight, but the sequins on his orange vest are oh so bright!” kind of way. Yes, I concur: dishoom, dishoom.

Some retro-bollywood fans will even argue that in the old days the films were actually objectively better, which doesn’t seem terribly plausible to me. There were of course some things that were better in the high-class productions from the old days. In particular there were beautiful song lyrics (many of the writers were professional Urdu poets) and the language -– one thinks especially of ‘courtesan’ movies like Pakeezah — but often it was just as bad as it is today, and for the same reasons it is often bad today: very low budgets, hurried shooting, and the privileging of star-power and profit over artistic integrity.

That said, there have been some interesting changes in the Indian film industry in the last 10-15 years, which are in my opinion worth noting and appreciating. The industry is still far from perfect, but it is evolving. Continue reading

Enjoy The Show

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Some kids wanted to be Bollywood stars. I on the other hand wanted to be the location scout and production assistant. Even though “exotic” locations and sets are de rigueur in most Bollywood films today, the location scout and PA positions still look appealing to me.

I can picture it now; some fat cat producer and a sweatshop of screenwriters churn out the same old pap then decide to inject some excitement into the plot when the hero/heroine/villain decides to train/prance/meet somewhere other than India.

“I want skyscrapers! Lots of them, and maybe some bridges, they have railings that come in handy for the dance sequence. Get me some damn railings!” says the director.

“And cars, sleek fast sports cars – convertibles, they have to have the top down for the song sequence!” Get me some fast convertible cars dammit.” (IÂ’m picturing the Indian version of the 1940s Hollywood executive here barking these in Hindi)

This is when a producer usually chimes in since he has a good chunk of change invested.

“Can we get some gardens or amusement parks in the sequence?”

“Yeah, get me some g**damn amusement parks!! If we need to reserve Six Flags in New Jersey for a whole week, just do it!” Continue reading

The cult of the “strong man”

I’ve been musing about the cult of the “strong man” and how we think of masculinity. Two examples, a personal anecdote, and some thoughts on the subject of what it is to be a man.

In Gujarat, history textbooks that praise Hitler were re-issued this year:

A Jesuit priest and social activist, Cedric Prakash, says the books contain more than 300 factual errors and make little mention of the holocaust. In the chapter entitled “Internal achievements of Nazism,” one textbook quoted by AFP states: “Hitler lent dignity and prestige to the German government within a short time, establishing a strong administrative set-up.”

The Gujarat government has dismissed the charges as baseless. [BBC]

Similarly, in Kanpur, a Hindu manager at ICICI-Prudential decided to use OBL to motivate his employees to sell more insurance:

A branch manager and staff of ICICI-Prudential in the city of Kanpur allegedly dreamed up the scheme to sell 275 policies in three days. Staff were told of Osama Bin Laden’s “focused determination” and would be rewarded glass tumblers for “kills”. A police official in Kanpur, in the northern state of Uttar Pradesh, said the staff organised a sales promotion meeting last week, putting up banners and posters on the wall. A flag of Pakistan was also allegedly used in the show. The promotion was called “Mission Jihad”.

But as the initiative attracted media publicity, staff panicked and tried to burn the publicity material. Police searching the company’s premises say they found a half burned banner and a few posters containing slogans such as “Mission Jihad: kill one enemy and take home a beautiful crystal glass. Kill more, take more.”  [BBC]

As Americans, we are often puzzled by the way in which America’s enemies often show up as folk heroes abroad, even in countries that love the US. Osama T-shirts sold well in Thailand, a hedonistic paradise that idolizes America. Despite our head scratching, it’s not all that hard to understand. Everybody wants to be a badass; everyone wants to emulate the alpha-male.

In 1999, I was travelling in a very pro-American Third World country and would get incensed when locals would call out to me “Hey, Gaddafi! Hey Bin Laden!” The sister of a close friend had died in Lockerbie, and OBL had already attacked the WTC once and killed many in Tanzania and Kenya. I was not amused.

To paraphrase Cool Hand Luke, what we had here was a failure to communicate. The guys on the street thought they were complimenting me. To them, Gaddafi and Bin Laden were strong men, and that was good in and of itself. Might makes right, after all. Continue reading

The Gray Lady, with a sprinkling of ‘Stardust’

So the NYT runs one of those stories explaining Bollywood to Upper West Siders (thanks, Yamini). Normally they’re highfalutin’ expositions on cult film theory. But this one’s just hilarious:

Sonia starts to undress him, whispering, “Show me you are an animal.” When he refuses and walks away, she screams: “I’m not asking you to leave your wife. I just want a physical relationship. If I don’t have an objection, why should you?” The actress Priyanka Chopra had a difficult time playing this scene… Ms. Chopra broke down and cried. The directors… had to spend a few hours convincing her that she was only playing a character. [Link]

First they print a piece by a Bombay film reviewer more suited for a filmi gossip rag. Then the story tries to pass off the idea that a global beauty queen has a nervous breakdown at the merest hint of fictional sex. Oh, her delicate ears! This is the same Miss World who apparently last posed as a member of the Divinyls.

I’m all for educating film hipsters, and far be it from me to to sound like a fanboy razzing the shamans of popularization (‘Everyone knows the Human Torch didn’t get his powers that way. Duh, it’s in issue 16!’). But come on, nobody’s gonna buy this wampum.

Then we get this tidbit:

Ms. Sherawat made her leading-lady debut in 2003 with “Khwahish” (“Desire”), which grabbed headlines for its 17 kisses… (For Ms. Sherawat, it also has a downside: She says her father refuses to speak her.) [Link]

Maybe it’s not about the canoodling, maybe her dad just hates bad acting

At least I have a new bedroom line, delivered in a thick desi accent: ‘Show me you are an animal, boss.’ It’ll go great with my disco ball, mirrored ceiling and leopard-print sofa.

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Fareed-peat

After the London bombings, Jon Stewart summoned Fareed Zakaria back to The Daily Show to explain ‘his people.’

In this clip, Zakaria edges away from the neocon thesis that democracy alone can end terrorism, since the British bombers were born in a democracy. He claims the fundies have very low support throughout the Muslim world, pointing out the fundamentalist parties got under 5% in Indonesian and Malaysian elections (but he ignores the provincial elections in Pakistan).

Zakaria says the disaffected youth in Europe don’t feel socially integrated and are latching on to the ideology of the moment; today’s Islamic fundies would have been Marxists or Maoists 30 years ago. But he thinks the core of fundie support is gone in the Muslim world, and the virus will take some time to die out in Europe. In contrast, in the U.S. he says Muslims have done well economically and are much better assimilated.

Zakaria is right that the fundies have little public support, but only if you exclude some mighty key regions, such as Pakistan. And lack of support for fundamentalist political parties is not the same as lack of support for bin Laden or terrorist tactics.

Watch the clip.

Previous posts: 1, 2, 3

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NBC goes Deep

SM tipster Chaina alerts us to the fact that we may have an heir apparent to Raj Bhakta. NBC will soon debut its new reality show, cleverly titled The Law Firm:

Real lawyers. Real cases. Real consequences. Executive producer David E. Kelley (The Practice, Ally McBeal) brings a real legal drama to television. Trial attorney and legal analyst Roy Black will manage 12 actual lawyers competing against each other while trying real court cases with judges and juries, resulting in outcomes that will be final, legal and binding. Each week, one legal eagle is eliminated and the top attorney will receive a prize of $250,000. With plenty of drama inside and outside of the courtroom, the result is riveting entertainment.

The compelling cases range from First Amendment issues to neighbor disputes to wrongful death. Distinguished judges will decide some of the cases, while a jury determines the others. In the end, the top attorney will win a prize of $250,000.

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Meet Deep Goswami. This UT graduate will look to fix his horns on the competition.

Why do you think you are a better lawyer than the other associates?
I would consider myself a better lawyer than the other associates because I have more passion, drive, and sincerity in the courtroom, which allows me to better connect with juries. IÂ’m willing to do whatever it takes, within the ethical boundaries, to win the case, and I genuinely care about my clients and their cases. More importantly, IÂ’m much more entertaining in the courtroom than the other associates – I donÂ’t put people to sleep when I argue a case, which some of the others are guilty of doing.

What’s your verdict on reality TV?
Reality shows are guilty beyond a reasonable doubt of turning average Joes (no pun intended) into quasi-celebrities who will do anything to ride out their 15 minutes of fame. I hope to be able to count myself among such an esteemed group of individuals.

What, in your opinion, is the biggest misconception people have about lawyers and why is it a misconception?
The biggest misconception about lawyers is that they are lazy and donÂ’t care about their clients. Unfortunately, for the most part, itÂ’s true, which is why IÂ’ve dedicated myself to challenging these stereotypes when IÂ’m in the courtroom, which you can see for yourself when you see me in action on the show.

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Posted in TV