M.I.A.: step up to blow up

Abhi blogged M.I.A.’s LA concert in inimitable style, so let me fill you in on the NYC gig last Saturday as best as I can: consider me the B side. And Anna couldn’t make the sold-out concert, but she graciously gave me her unused tickets. Caring, sharing and turning green with envy: it’s the mutineer way.

The concert utterly rocked with audience energy, and Mathangi ‘Maya’ Arulpragasam felt like a star in the making. There was heavy promo in NYC: a staid New Yorker story (talk about hipster buzz kill), the cover of the Village Voice entertainment section, Gawker. And her DJ backup, Diplo of Hollertronix, is popular out here. Her first full album, Arular, is out Feb. 22.

The crowd was a weird mix of spiky-haired Asians, Williamsburg hipsters and Upper West Side liberals with the odd square-jawed, Shannyn Sossamon-like Tamil beauty thrown in. There were very few desis in all, but the show was jam-packed. Most of the crowd already knew and sang along to her songs. I can’t tell you how much Lower East Side angst it inspired in me to find out she’s no longer a ‘discovery’ 🙂

Arulpragasam had great flow, and every single song was good. The tracks she chose were much fresher, catchier and more layered than the mixes I’ve heard online. They call it electro-dancehall and electrogroove, but the moves were deliciously familiar: she and her backup dancers reminded me of early Salt ‘n Pepa. I did find the soldier step a bit precious.

I’ve never rocked out to a desi woman before, that was quite novel. The Village Voice called her a ‘Sri Lankan Tamil hottie,’ a phrase you rarely read in America. But her aesthetic was also intimately familiar: her small-faced, tousle-haired cutenesss resembles my female Berkeley classmates; the South Indian hip-hop fans at Berkeley are legion.

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M.I.A. looked directly into my eyes!

MIA.jpg

Last night I went to the Knitting Factory in Hollywood to check out M.I.A. (who we have profiled here before). Admittedly, I was not familiar with the lovely Maya Arulpragasam’s music BUT I am a fan of live music as well as beautiful women. I was a little bummed before the concert because all my friends had bailed on me and I would be going all alone. I resolved to turn tragedy to triumph by getting Maya to take pity on me and allowing me to be a groupie after the show. On my way to the venue I got a call from my friend Sanjay who was one of those forced to bail on the evening. I told him it was okay and then informed him of my new plan to win her sympathy. Then he told me something that would plant a seed of doubt into my subconscious and eventually ruin my night. Sanjay told me that if I got to meet Maya I should ask her why her website has a link to an organization (TRO) associated with the LTTE terrorist organization. Was Maya a Tamil Tiger sympathizer? “Boy, don’t you know that would completely ruin my game?” What? Could I be like, “Hey Maya…um…I think you are so very pretty and talented and I’d like to get to know you better…umm…do you support terrorism?”

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Bashir ordered to testify in Jacko circus

The judge in the Michael Jackson child molestation trial ordered journalist Martin Bashir to testify as a government witness against the pop singer, despite his attempts to avoid participation.

From the Sunday Mail:

The TV reporter — whose documentary “Living With Michael Jackson” triggered the investigation against the star — has been called as a “necessary witness” in the trial, which starts (Monday).

Bashir, 42, had tried to get out of giving evidence by citing a law that protects reporters from having to testify about things they see while working on a story.

Bashir became the first desi network correspondent for one of the big three broadcast outlets when he joined ABC’s “20/20” in December. His debut story for the news magazine was an interview with BALCO head Victor Conte, who admitted to supplying illegal supplements to some of the sports world’s most successful athletes.

This year’s trial of the century kicked off today in southern California, and the mainstream press is in the process of wetting itself, because there really isn’t anything else of importance going on in the world.

Sunday Mail: Jacko on trial: Bashir in the box
The Smoking Gun: Bashir a government witness in Jacko trial?

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Desh-hop

While we’re freeing Jins from diyas, definitely check out the desh-hop artists who own3d the mike in the hip-hop documentary Brown Like Dat.

First, MC Kabir. The son of Nobel winner Amartya Sen, Kabir is half Italian and lives in Boston. He’s got good flow, an apropos namesake and a solid track in ‘Recognize.’ Kabir tells a great story on screen about freestyling in a dark club and pushing off an overzealous fan who was trying to grab the mike. ‘When I looked closer, I realized it was Wyclef.’ And they jammed. It’s hard to tell the story while looking humble; his lips twitched, but he had it sorted. Listen here.

Also give a listen to the Himalayan Project. Chee Malabar, who showed up to the screening, sported a gaunt frenchie and a serious ‘fro, looking for all the world like a brown Dogg.

The group’s name pays homage to their ancestral roots in India and China — the Himalayan mountain range straddles the borders of both countries. [Official site]

Listen here.

Jin and juice

Sajit did a very thorough post about the offensive Hot 97 tsunami song. I wanted to call out the lyrics of Jin tha MC’s reply track. It’s in the finest tradition of angry, political rap, and it’s actually a good track on its own merits. Listen to the track.

You got it all twisted if you think I’m here to cockblock
on a bunch of no-talent, wanna-be shock jocks (nah)
And you say it’s all freedom of speech
Well, you just lost yours, read ’em and weep
Won’t be happy ’til you’re fired…

Fuck the tsunami song and whoever thought of it
Matta fact, fuck the engineer that recorded it…
Anything for ratings, huh? That shit is corporate

That little bullshit statement has gotta be
The world’s most half-assed apology
Thousands are still gettin’ discovered each day
How dare you compare a life to a week’s pay?

HipHopMusic says the station issued a weird, passive-aggressive apology, and Sprint and McDonald’s have pulled their advertising for now:

At 6 AM this morning, Hot 97 announced the Miss Jones morning show is “suspended indefinitely”… Most of the calls they took were in favor of bringing Miss Jones back. Many people have reported to me that when they called to speak against bringing the show back they were screened out…. They’re not saying whether the suspension is permanent or temporary, or whether it is a paid suspension….

They also played Jin’s dis track repeatedly.

South Asian crooners belt it out on “Idol”

I haven’t caught every episode of Fox’s immensely popular “American Idol” over the past three years, but I’ve watched quite a few. During that time, I have not seen a single South Asian contestant on the program. Thankfully, that barrier came crashing down last night with a cataclysmic thud.

For those who haven’t seen it, the show is essentially a massive singing audition, where round after round, contestants are judged by the following criteria: Their ability to carry a tune, espouse plasticity befitting a manufactured pop star, and a complete willingness to kill off any part of their soul that wanted to be a real artist. The first half of the contest is judged by the show’s three stewards, and the latter rounds are voted on by viewers (mostly teenaged girls with cell phones). The winner receives a record contract.

First up was accountant Sundeep Achreja, who is admired at his office because he dressed as a “pimp” (or “punk” — his co-worker really couldn’t get her story straight) for Halloween. His height initially impressed judge Paula Abdul. His rendition of Survivor’s “Eye of the Tiger,” replete with Rocky-esque jogging, did not.

Later in the show, a male with the last name of Mendes (the announcer butchered his first name) performed a song that probably doesn’t really exist. The performance was so hard to decipher, that he earned inclusion on a segment entitled “The Incomprhensibles.”

Finally, there was some good news…sort of. During a montage of various contestants celebrating invitations to the next round in Hollywood, Calif., one of the jubilant singers appeared to be of South Asian descent. Unfortunately, the show did not broadcast his audition or offer a name, so the only thing I’m going on is a brief clip. I suppose we’ll know for sure in the coming weeks.

“American Idol” airs again tonight on Fox at 8 p.m. If you have a dish that carries Sony Entertainment Television, you can watch the Indian version, entitled, yep, “Indian Idol.”

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An Englishman in New Delhi

I don’t drink coffee, I drink tea, my dear… Sting is giving a concert at Delhi’s Nehru Stadium on Feb. 6th. Be still my beating heart.

On the occasion of his concert, a special Limited tour Edition of his latest album Sacred Love , which contains his rare singles, is being put together. The single, Sacred Love also has an Indian touch since it features Anoushka Shankar on the sitar.

With Sting’s long-standing interest in yoga (he owns a studio in New York) and professed mastery of tantric sex, it’s surprising he doesn’t play India more often. Maybe his Englishness gets in the way.

“… I mentioned to Bob [Geldof] I could make love for eight hours. What I didn’t say was that this included four hours of begging and then dinner and a movie.”

Please don’t label this the highlight of his career:

Sting’s career hit a real high note in ’94, when he, together with Bryan Adams and Rod Stewart, performed All For Love for the film, The Three Musketeers… [ToI]

What a repugnant thought. Sting, like Bono, is that rarest of birds, a thinking rocker with fractal lyrics that unfold. I spent many delicious hours on a bus through the USSR listening to ‘Russians’ and ‘Fortress Around Your Heart.’ U2’s ‘Vertigo’ has bite, but they’ve both been putting out geriatric stuff lately which makes the young’uns look askance when you admit to being a fan. Plus there’s the whole megagroup thing, hipster ammo; screw it, I sometimes drink Starbucks.

Salt ’n peppa yo’ mango, live

M.I.A. is playing NYC on Feb. 5, along with partner in crime Diplo (via SAS). Tickets are just $12. She’s also rockin’ L.A. on Feb. 3. I think I’m having an Arulpragasam.

From the last time she performed in NYC:

… her super-limited debut UK single featured fuzzy, electro-tinged dancehall beats, vaguely political raps, and one of the most unexpectedly catchy hooks in recent memory. Completely modern urban music that didn’t sound the slightest bit forced or space cadet about itself (sorry Dizzee); I was captivated on the first listen…

Check out the ‘Sunshowers’ video and the remix MP3s. Here’s a previous post on M.I.A./Maya.

So, Bruce Springsteen Inspired Rabbi to Make a Sufi Album in Punjabi

Rabbi Shergill.jpg It sounds like a joke right? So, Bruce Springsteen, a Rabbi and a Sufi walk into a bar? Well, I did take some liberties, he’s not a Rabbi, he’s a Sikh (oh, that makes it simpler) named Rabbi Shergill who recorded a song commonly referred to on the web as the “Bulla ki Janna” number (I have no clue, I just found him b/c Mira Nair compared him to Nusrat Fateh Ali Khan.)

Shergill is a crossover fusion artist who combines Western and Eastern music, but the articles I’ve read aren’t precise. Sometimes they say he draws upon Heavy Metal, and othertimes Rock. Sometimes they say he employs Punjabi Folk, other times Sufi Music (which is punjabi, and not classical, but hardly folk either). Here’s his backstory:

Shergill fell in love with music after he went to a Bruce Springsteen concert while at school. Now he has a fan following that includes the likes of Amitabh Bachchan and V.S. Naipaul. [cite]

I like his look and attitude:

But why an album in Punjabi? “Did you know Punjabi is the ninth most spoken language in the world?” is his swift retort before he adds, “It is my pride.” [cite]

He clearly has the ambition to match:

He asserts that he aims big – big stadiums, a large audience and loads of fame. “My father’s anonymity, despite his talent, made him scream aloud. I want to be heard. I use my ego to further my cause.” [cite]

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Documentary on desis in hip-hop

A 34-minute documentary called Brown Like Dat: South Asians and Hip Hop is screening Jan. 15 in Manhattan.

… gives a voice to South Asian MCs, beatboxers, spoken word artists and producers. With hip-hop as its lens… these artists speak on everything from racial profiling post-9/11 to identity in second-generation immigrant communities… Featured Artists: Abstract Vision Humanity, Chee Malabar from Himalayan Project, D’Lo, Jugular, Karmacy, and MC Kabir.

Saturday, January 15th, 5pm and 7pm, Two Boots Pioneer Theater, 155 East 3rd Street (at Avenue A), $9, advance tix strongly recommended (they usually sell out)

I dig Karmacy in particular (disclaimer: one of the guys in the group is a friend). Listen to some tracks. Continue reading