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p>Earlier this week the band Bamboo Shoots, and unsigned college band out of New Jersey (finally, something good about Edison), won an MTVU sponsored contest beating out over a 1000 other bands (thanks for the tip Anmol):

Propelled by votes from college students nationwide, the foursome from New Jersey emerged as the top choice of the more than 1,300 unsigned college acts registered on mtvU’s BestMusiconCampus.com. Bamboo Shoots – fusing upbeat, danceable rock, electro and South Asian/Indian sounds – was announced as mtvU’s inaugural “Artist of the Year” via a network debut performance on “Late Night with Conan O’Brien,” a platform which has helped launch countless up- and-coming bands to superstardom. The band will now set out on an unprecedented journey that will see them record a full LP with Epic Records, premiere two music videos on mtvU/mtvU.com, perform on tour dates with top national artists and collect a $50,000 cash advance – all of which will be documented in an original mtvU series premiering in the fall. [Link]

Even though word was out that the group had won the MTVU contest, the official announcement came during their live performance on the Conan O’Brien Show:

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You normally don’t want to call your project something like Reheated Naan & Curry, because you’re setting yourself up for some clever critic (or blogger) to take the reference and turn it into something ugly, along the lines of: “‘Reheated Naan’? Sorry, Just Stale Bread.” (This game could be extended — if you wrote a highbrow novel called Ennui, a reviewer would surely title his or her review something like, “Ennui, Another Name For ‘Boring'”).

In this case, Deejay OM’s new releasee, which is being released this week on the Galapagos4 label, should be safe from “clever” put-downs by the likes of yours truly, because it’s pretty good. People who listen to a lot of retro Bollywood might in fact find the concept somewhat familiar (reheated, if not rehashed), as Deejay OM seems to be mining samples from forgotten scores from old Hindi films, and recontextualizing them with hip hop beats and loops. As such, Reheated Naan & Curry reminds me a bit of the 1998 CD by producer Dan Nakamura, Bombay the Hard Way — but for most people the approach taken by Deejay OM may nevertheless sound pretty fresh.

The standout track on the record has to be “The Arrival,” which you can hear at Deejay OM’s Myspace (if that doesn’t work, the song can also be listened to at NPR). You can also hear samples of other tracks at Amazon.

Of course, this music is just beats, and I’m often left thinking what these tracks could sound like with great rappers or singers on them.

One final thought: in case you were wondering, Deejay OM has no “substantial” connection to the Indian subcontinent — as far as I can tell, he’s an Italian American DJ and producer from San Francisco who is sampling the old Bollywood sound to create a particular effect. (That appropriation mostly isn’t an issue for me, as long as the beats are interesting. Though I suppose one could object to the revealing use of the word “curry” in the title of the CD — the incorrect western term for all Desi khana. And are there readers who also object to the use of the word “OM” in Deejay OM’s name?) Continue reading →

The thing I’ve missed most about L.A. since I left is the live music (and my barber). Seriously, there is no better place to get an introduction to new sounds. I’m especially kicking myself because I didn’t get to see two bands that I really wanted to see live. The first was Goldspot. The second one was Rupa and the April Fishes. An Indian girl that sings in fluent Spanish and French and can stop you from bleeding out if you’ve been shot? That is absolutely hot enough to fry fishes!

As a doctor by day and a singer by night, third-year UCSF internal medicine resident Rupa Marya, MD, is living her dream…

Marya, 30, is an Indian woman who grew up in the Bay Area, France and India. She has known that she’s wanted to be both a physician and a performer since childhood, and has found ways to achieve balance while pursuing both passions.

“My kindergarten teacher asked me what I wanted to be when I grew up, and I said, ‘a surgeon and a ballerina.’ She said I had to choose one. But I couldn’t choose, and now I find I’m a better doctor when I’m an artist and I’m a better artist when I’m a doctor. The passion for both comes from the same source,” says Marya… Previously part of an American folk duo, Marya has gone back to her multicultural roots, tapping into several cultural genres and singing most of the songs in French. “What is created is a living music and lively performance which gives voice to the fluidity of experience moving between different places, a sonic examination of being at the edge of different cultural identities,” according to her website.

The six band members bring together an eclectic assortment of music traditions — mixing French chanson with Gypsy waltzes, Indian ragas, sultry tangos and bossa nova — to create a romantic and lyrical sound reminiscent of bohemian Paris. [Link]

The group’s sound has a Devotchka-esque eclectic-ness to it. Enough talk! Bring out the music:

* une américaine à paris

* c’est moi

* wishful thinking

Their MySpace page has even more music. I especially like the song “Poder.” While I am listening to it I imagine myself kicking ass and taking names in a shady Mexican bar, like Antonio Banderas in the movie Desperado. And then Rupa could come along and heal them all because…ummm…she’s a singing doctor. Okay, maybe that was too much info to put out there.

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No, I am not referring to Sanjaya Malakar, because I wouldn’t want American Idol commentators to think that desi-Americans are monolithic in their support of him (we’re not), and I am not referring to me because well, desi never left my life. What I am getting at is the attempted resurgence of desi influences in mainstream American popular music, and surprisingly (or not so surprisingly depending on how you look at it) the current effort by producer extraordinaire Timbaland to bring desi back by featuring two desi-ish tracks on his latest release, Timbaland Presents Shock Value. The first of the two is “Bombay” featuring British-Asian songstress Amar, and the other “Come Around” with our girl M.I.A., which for some strange reason is only available in the U.S. as an import.

Like much of the album, both tracks are solid. Bombay is a straight up Hindi track, it features Amar’s vocal (rather than simply using it as a hook), its addictive, and makes good use of the “Bollywood of Yore” effect. The track has additional production by long-time Timbaland collaborator Jim Beanz, who recently released a couple of sanctioned remixes of two Nelly Furtado Tracks featuring Amar, Promiscuous Girl and Maneater, both of which are available for free download on Amar’s myspace page. Many of you might remember Amar for her hauntingly awesome vocal on the opening track Jaan of Talvin Singh’s groundbreaking compilation Anokha. On the heals of Anokha, she released a solo album, Outside, produced by Nitin Sawhney, but then seemingly fell off, until Beanz’s remix of Promiscuous started to make the rounds. For now anyway, it seems Amar may be the new Raje Shwari, the singer Timbaland and many others used for their Indian hooks a few years ago (Indian Flute, Bounce, Disco etc.), but hasn’t really been heard from since. I hope things work out better for Amar then they did for Raje.

As for the M.I.A. track, I don’t know, I can’t get enough. It’s got M.I.A.’s grimey rapping style, Timbaland’s typically solid production, and desi beats, incorporating and flipping the hook from a recent indi-pop hit “Let the Music Play.” The only thing wrong with this track is it isn’t on the American release.

Do I think Timbaland can bring desi back? I hope so. He’s gonna need help though, and by the lack of really good records from the desi diaspora over the past couple of years, it is going to be tough. For too long the desi music scene has relied upon British-Asian talent to bring the heat. I love British-Asian music, but its sound has gotten stagnant and it is time for desis on this side of the Atlantic to step up. From the word on the street and from what I’ve been hearing, I’m hopeful.

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