ARTWALLAH is back- Los Angeles, June 24th

ArtWallah ’06 is now less than a month away in Los Angeles. SM readers have heard me sing the praises of this organization and its annual festival before. I appreciate what they do and what they are about so much that I have been wallahnteering to help run the festival for the past three years. This year I decided to retire and actually cool out to all the artists and just enjoy myself…or so I thought. Just when I thought I was out, they pull me back in. I’m the new “CashWallah.” I will leave it to your imaginations what that job entails.

Last year I decided to entice SM readers to come out to the festival with a little multimedia tour which made it pretty obvious why anyone within a hundred miles of L.A. (at least) should show up. I hyperlinked to some new musicians, artists, dancers etc. This year the ArtWallah Press Team has saved me the trouble and made a detailed program FULL of interesting hyperlinks to artists many of you have never heard of. It took me an hour to click through them all and appreciate what I saw. It was an hour well spent.

…this year’s ArtWallah festival [at the Japanese American Cultural & Community Center] will present the works of over 40 artists through dance, film, literature, music, spoken word, theater, and visual arts – showcasing the personal, political, and cultural celebrations and struggles of the South Asian diaspora (Bangladesh, Bhutan, India, the Maldives, Nepal, Pakistan and Sri Lanka).

Click on “Continued” below for a quick lick.

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The saga continues in Lanka

Things in present day Sri Lanka have been taking a depressing turn of late:

At least 150 people have fled the village of Allaipiddy in the northern Sri Lankan peninsula of Jaffna.

It follows last weekend’s murder of 13 Tamil civilians. The navy has been accused of the killings – they deny it.

Police and international truce monitors have both launched investigations into the incident.

The killings came only two days after Tamil Tiger rebels launched a suicide assault on a naval convoy in which 18 sailors died. [Link]

To take your minds off of the grim reality of the present I feel that I must point you to animator and SM commenter Nina Paley’s website. She has just released the newest segment of the her multi-part saga, Sita Sings the Blues. It is titled “Battle of Lanka.”

A pivotal scene from “Battle of Lanka”

Battle of Lanka was made about a year ago, and is chapter 4 in Sita Sings the Blues, after Hanuman Finds Sita and before Trial By Fire. In this episode, Rama, Hanuman, and the monkey armies cross the sea to Lanka to conquer Ravana and the rakshasas, and rescue the captive Sita. Assisting me was Jake Friedman, the only animation apprentice I’ve ever had. Jake wanted to learn Flash and had excellent animation chops and a good eye, so he came to Brooklyn almost every day for a month. Jake animated much of the monkey-on-demon violence: monkey swinging axe, monkey throwing axe, monkey bashing demon with club, monkey kicking demon, etc. A panorama of Jake’s animation occurs at 1:28, in which I took pretty much everything he’d animated on the project and composited it into a single scene. It’s worth multiple viewings, to catch all his lovingly considered variations. Thanks Jake… [Link]

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15 Park Ave Comes to the DC Metro

Tipster Jenny informs of us of an upcoming screening of Aparna Sen’s 2005 film, 15 Park Avenue. The screening, a fundraiser benefiting the group Chai, Counselors Helping (South) Asians/Indians, an organization that provides education, advocacy, counseling and referral services to the South Asian community about mental health issues in the Baltimore / Washington metropolitan area, will be held at the Laurel 6 Cinemas, this Saturday (May 20) beginning at 1:30 p.m., in Laurel, Maryland. Konkona Sen Sharma (Page 3, Mr. and Mrs. Iyer), Aparna Sen’s daughter and one of the stars of the film will be in attendance for both a question and answer session, and the dinner that follows. More information and details on the screening can be found here.

15 Park Avenue, which stars Sen, Shabana Azmi, Rahul Bose, and Shefali Shetty (I loved her in Monsoon Wedding), is the story of two sisters and their struggle to cope with schizophrenia after a traumatic event triggers a delusional world for one of the sisters and is yet another example of the new cinema coming out of India. Indian film: it’s not just Bollywood anymore.

I haven’t yet seen the film, but from the other work that I have seen, either featuring Konkona Sen Sharma, or the direction of Aparna Sen, 15 Park Ave should be worth your while. Hey, its even been called “hauntingly beautiful.” (link)

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Charlton Heston, libertine

The Beeb reports that Afghanistan’s Supreme Court once criticized godless liberal Charlton Heston for wearing shorts 40 years ago in a movie:

… [Afghanistan’s] Supreme Court sought to ban [a TV channel] for showing the Charlton Heston sword and sandals epic, The Ten Commandments, during Ramadan in 2004. “It showed the prophet Moses with short trousers and among the girls,” Wahid Mujdah, a Supreme Court spokesman, said at the time. “He’s a very holy person and Islam respects him. This is wrong.” [Link – thanks, WGIIA]

And that was when Heston was playing bearded ol’ Moses. I wonder what they’d make of Heston’s other works featuring homoerotic bondage and hot monkey love:

But after a little bronze-limbed tussle, I’m sure the Afghan judges and the former NRA president could have a heart-to-heart about the virtues of widespread AK-47 ownership.

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Satyajit Ray’s Haunting Poetry

If you find yourself a connoisseur of good cinema or have a thing for really good art-house Indie (as in Indian) films, and are in the Washington D.C. area, make sure you try and stop off to see the National Gallery of Art’s screening tomorrow (May 7) of the 1955 Satyajit Ray classic, Pather Panchali, a story of an impoverished family in a Bengali village circa 1919, and the movie that many would say placed Satyajit ray on the international film map. In celebration of the film’s fiftieth anniversary (which would have actually been in 2005), Partha Mitter, research professor at the University of Sussex, will discuss the work of his friend Satyajit Ray. The lecture will be followed by a screening of a 35 mm archival print of Pather Panchali from the collection of the Academy of Motion Picture Arts and Sciences. This event is free, open to the public, begins at 4 PM, and should last around 2 hours and 15 minutes. Amazon.com calls this film an “essential video” in its editorial review, and goes on to say,

“this truly remarkable feat of storytelling is a must-see kind of movie. Ray reveals a gift for presenting stories that unfold gently, one engaging scene at time. This film delivers an amazing emotional punch that will linger in your consciousness for some time, not in spite of, but because of its simplicity.”

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Fun With The Reviewers: Deepa Mehta’s Water

deep mehta water 5 5 06.jpg You might have decided to skip this one, perhaps on the basis of Sajit’s negative review from a couple of months ago. Or you might go with the positive reviews in half a dozen respectable newspapers (and USA Today) as well as the 88% reviewer approval rating on Rotten Tomatoes, and risk your $9.50 to support a highly respected Desi filmmaker. Personally, I will probably go see it.

Meanwhile I’ve been surprised by some culturally clueless and simply inaccurate comments from reviewers.

First, the hands-down most facile, offensive, goofy comment I’ve seen in any movie review this year comes from “Metromix,” affiliated with the Chicago Tribune. At the tail end of an almost laughably abbreviated summary, the reviewer tries to gear up readers for the film with a fashion-oriented tagline: “Bonus: Gear up for that summer ‘do: The widows all have buzz cuts.”

“The widows all have buzz cuts.” Wow. That one sentence couples the triviality of the film review business with a shocking level of ignorance. I know these folks have short deadlines for copy, but could they at least look up something on the subject of Hindu mourning rituals before publishing a review of a film on Hindu widows?

On the other hand, it might be offensive, but at least “All the widows have buzz cuts” is pithy and sharp — the kind of outlandish thing you expect the “naughty” character in a Salman Rushdie novel to say. I’ll leave it to readers to give the final verdict. Continue reading

American Made

My friend (and fellow Michigan Alum) Sharat Raju will have his short film American Made featured on PBS stations across the nation next week. The film, originally shown beginning in 2003 at various film festivals (including Artwallah while I was serving on the film committee), features a Sikh family on the side of a desert road trying to get their broken down car running again.

American Made began with a trip through the desert by writer/director Sharat Raju. While driving along Highway 14 north of Los Angeles, he noticed a car pulled over on the side of the desert road and began to wonder what would happen if no one stopped to help. What if there was someone who looked suspicious? What if it was a family who looked foreign, not American? What does an “American” look like? This internal debate was the seed for American Made, and Raju easily found real-world examples of the xenophobia that swept through the country in late 2001. His Indian-born parents, although having lived in the United States longer than they lived anywhere else, suddenly felt like outsiders in their own home. Although they were American, being “American” now seemed to mean something different, something less inclusive than it had been. This feeling of alienation was not exclusive to a single race or group. One community in particular felt this change in the social climate perhaps the most — the Sikh religion in America. [Link]

Kal Penn (credited as Kalpen Modi for this film even though he was already going by Kal Penn) has a supporting role in the film where his character spends most of the time trying to get his cell phone to work. PBS has been good at featuring stories about South Asians on its nationwide networks. This film is being shown starting on May 9th as part of Independent Lens program. In addition, you can find a slew of South Asian related films on the PBS Frontline page. Hell, last month a PBS show even had me in it (yes, that was an absolutely shameless plug 🙂 .

In any case, I hope SM readers get a chance to check out this film next week. Sharat is also the director and co-producer of the movie Divided We Fall which we have covered before.

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The Dark Mark

No, not the kind Voldemort spreads in the sky in eerie green only to have it dissipate without a trace. We are discussing the kind that sticks ugly in people’s minds and in history. Can-do Canada’s past is no stranger to such impressions, no stranger to xenophobia. In the early part of the last century the Canadian government imposed a head tax on all Chinese immigrants that began at $50 in 1885 and increased to $500 by 1903. Out of the around 80, 000 Chinese in Canada who paid that tax, 15, 000 were working to build the Canadian Pacific Railway and around 4000 of them died during construction. The head tax kept families apart for decades, sometimes for good, and kept them in a state of economic depression while they made it possible for goods to travel across Canada’s enormous land mass.

In April, the Chinese Canadian National Council’s mission to gain a formal apology and remuneration for the estates of Chinese-Canadians who paid the tax came closer to status ‘accomplished’. At the end of Prime Minister Stephen Harper’s throne speech there was mention of an agenda item concerning a formal apology for Chinese Canadians. This type of dialog has prompted hope among many in the Indo-Canadian community of a similar apology, with possibility of redress, with regard to the Komagata Maru incident:

The Conservative government should issue an apology and compensation to Indo-Canadians over the Komagata Maru incident if it is going to give both to Chinese-Canadians over the head tax paid by Chinese immigrants in the early 20th century, B.C. Liberal MP Sukh Dhaliwal said… “If the government is going to apologize to one group of Canadians, they should also have a similar line for other groups of Canadians who have suffered discrimination” [Link]

Harper is said to be “looking into the matter”.

The Komagata Maru was carrying passengers who were Sikh by a large majority but the “white, please” immigration policies of the Canadian government at the time saw only brown. Passengers were not allowed to disembark, were left on board for two months in miserable conditions and were ultimately forced to return to India where they were persecuted by the British as participants in the Independence Movement. All because the Canadian government was afraid of some hardworking brown folk. This episode is as much a part of our history as Indian-Canadians as it is a part of Sikh history. Early immigrants to Canada were largely Sikh but they came here as Indians and they were discriminated against as Indians. Continue reading

I Just Play One On TV

Gone are the days where brown skinned actors are typecasted to play the thick accented T-Mobile kid. These days, if you are brown, Hollywood is looking for you to play the role of a terrorist. United 93, the movie about the plane that crashed in Pennsylvania on 9/11, hits the big screens today and The LA Times did a great article on the men that play the terrorists.

As filmmakers tell a number of stories about Sept. 11 and other attacks both real and fictionalized — a rapidly growing list that includes “Munich,” “Syriana,” “Paradise Now” and Friday’s “United 93” — there’s increased demand for young Middle Eastern actors. But directors and their casting agents must convince those actors that their cinematic cause is more noble than that of directors a generation ago, who routinely depicted Arabs as cartoonish, fanatical madmen.

Mazhar Munir from Syriana

When writer-director Stephen Gaghan was casting “Syriana,” his ensemble drama about the political and personal costs of America’s dependence on foreign oil, he struggled to find a young actor of Pakistani descent to play a suicide bomber… “I had found a couple of terrific young actors who simply weren’t allowed by their families to take the part,” Gaghan said. “One young man’s family said he would be cut out of the family” if he accepted the role. He held casting sessions in Los Angeles, New York, Paris, Damascus, Bahrain, Dubai and Karachi without success before he finally found Mazhar Munir in London.[link]

I haven’t watched ‘Syriana’ yet, and personally, have absolutely no desire to watch ‘United 93’- just watching the trailer makes me queasy. I can only imagine the conflict that these actors feel, especially when it comes to starring in a film about the events around 9/11, a day that impacted so many people in so many ways around the world.

[T]he actors say they are thankful to be rid of the clichéd Middle Eastern villains of the late 1980s and early 1990s (in films such as “Delta Force,” “Navy Seals,” “Iron Eagle”), who were far more likely to be bearded, wear kaffiyehs and shout Arabic insults than resemble a real person. It was precisely those clichéd depictions that made Abdalla so nervous about trying out for “United 93.”

“The reputation of representing Arabs by Hollywood is a stereotype, and it’s an incredibly hurtful stereotype,” says Abdalla, who was born in Scotland to Egyptian parents… “The idea was to put all of those people on the plane and try as best as we can to tell that story,” Abdalla said of his meeting with the filmmaker. “[United 93] wasn’t to be a film about stereotypes.”

#1 Mutineer Crush

[link]

Though playing a terrorist these days tremors actors with trepidation, the role of playing an Iraqi terrorist ex-Republican Guard soldier Lost on an island was one that Naveen Andrews picked. It has served him well as it has now landed him as one of the World’s Most Beautiful People in 2006.

“I feel a sense of responsibility to the Iraqi community and to the Arab world,” Andrews told us…. “I was concerned that the way Sayid was going to be perceived would not be negative or peripheral in any way. The audience is reaching out to the so-called enemy in a way that the government and the media won’t allow them to do.”[link]

If I thought airport security was too constraining for me, I can’t imagine what it must be like for these actors when they go through security. “I’m sorry, officer. But I’m really not a terrorist, I just play one on T.V.”

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