Category Archives: Film

Shalini is on The Lot

Posted on by

Go Shalini!.JPG Just a little nudge to remind you that Fox’s “The Lot” is on at 8/7c tonight; I wrote about it last week and judging from the 200+ strong comment thread, you might want to tune in for yourself. It’s an otherwise awful reality show, but its one bright spot is contestant Shalini Kantayya, a filmmaker we’ve received many tips about– and for good reason.

Shalini came to India in 2001 when she made her first feature on the Kumbh Mela. The Fulbright scholar wanted to make a movie that connected her to her motherland. Raised in America by a single mother, she was in search of her roots. She has also just made a film with Nandita Das.
“My love for visual storytelling also became integrated with my love for human rights. I always considered myself a humanist and was always inspired by stories of ordinary people who overcome seemingly insurmountable hardships. Filmmaking is not just my profession; it’s my calling,” [link]

Last week, Shalini created a brief, moving film about a gay South Asian comedian named Vidur Kapur, who is based in New York. His take:

“We filmed the entire short in one day. It was exhausting but we had incredible chemistry working together and a lot of fun,” he says. “She’s very organised and hardworking, yet sensitive and compassionate.” [link]

To me supporting Shalini is about more than rooting for the brown girl in the ring. I appreciate the themes she is moved by:

Vidur is very positive about this film that goes beyond being an entry for On The Lot. “It’s important to generate awareness and acceptance as Asians in the USA. A movie like this is so important to get people to question their beliefs and assumptions,” Vidur adds. “Besides, my manager believes Shalini and I should be nominated for a GLAAD media award for this movie.” [link]

Even if you’re on the fence about her, consider this– wouldn’t you rather see her survive another round? If you’re not impressed at all, I’m not telling you that you should VOTE BROWN; I don’t think anyone on this site is about that kind of blind, unexamined loyalty. But if you’re not sure…what’s the harm in seeing more of what she’s got? Continue reading →

VOTE FOR SHALINI! Now, please!

Posted on by

shalini ROCKS.jpg This is going to be the sloppiest, most rushed entry I’ve ever posted, but that’s because I’m so excited about what I just saw, I want to get the information to you sooner vs. later. I can edit after I publish, damnit.

There’s a show we have received several tips about– “The Lot”. We keep hearing about it because it has a desi contestant named Shalini Kantayya:

ON THE LOT, executive-produced by Mark Burnett and Steven Spielberg, will give aspiring filmmakers from around the world the chance to earn a $1-million development deal at DreamWorks.
Premiering on May 22 and airing twice a week throughout the summer on FOX, this reality-competition series features a cast of undiscovered filmmakers who will compete to win the support of the show’s viewers, as their fate will be decided by a weekly audience vote…
Every week, the hopeful filmmakers will produce short films from a chosen genre, running the gamut from comedies to thrillers, dramas to romance, action to horror. They’ll have access to the best resources the industry has to offer — professional writers, cast and crew, and maybe even Hollywood celebrities. [link]

I usually don’t get home until about now, so I knew I wouldn’t get to watch it and that’s why I promptly forgot about it– until tonight, when I was channel-surfing because I’m sick and on the couch. Once I heard that of the 15 finalists, five would be featured tonight, I stuck around to see if the brown girl would be in the ring…and she was.

Despite being high on codeine and everything else in my virus-wracked system, I sat up for the first time all day because THIS GIRL IS TALENTED. No wonder they plucked her out of a pool of 12,000 applicants from all over the world.

I’m not typing that because she’s brown– she had the BEST FILM OF THE NIGHT and Michael Bay, the guest judge who directed “Transformers”, agrees with me.

Here’s the thing: there’s but a wee two-hour window in which to vote for true awesomeness (dial 1-88-Thelot-05 or click the next link to show your love online). You can vote as many times as you’d like (handy “Vote” button is highlighted in yellow) AND you can view Shalini’s 3-minute clip yourselves– I think once you do, you’ll be cheering her on as effusively as I am, though you won’t sound like a frog while doing it. Continue reading →

Provoked

Posted on by

By now, even the Grey Lady knows about Provoked, the new Jag Mundhra biopic starring TMBWITW as Kiranjit Ahluwalia and Naveen Andrews as her abusive husband. The actual story behind the movie is a horrific one:

Ahluwalia arrived in Britain in 1979 from India, aged 24, following an arranged marriage… Deepak immediately began to abuse her. ” … He would push me about, yank my hair, hit me and drop heavy pans on my feet…” Deepak also raped her frequently, telling her that this was his right.

[After 10 years, in 1989] One night, when she had gone to sleep after cooking Deepak’s dinner, he woke her up and demanded money. When she refused, he tried to break her ankles by twisting them. He then picked up a hot iron and held it to her face. Eventually Deepak fell asleep and Ahluwalia was consumed with the rage she had suppressed for 10 years. Approaching him with a can of petrol, she poured it over Deepak’s feet and set them alight… [Link]

Originally convicted of murder and sentenced to life in prison, her case was taken up by the Asian advocacy group Southall Black Sisters (SBS) who found her new counsel and sought a retrial.

Following a campaign, led by SBS, Ahluwalia’s conviction was quashed on appeal in 1992. The court accepted some new evidence … [and] Ahluwalia admitted manslaughter at the retrial…

Ahluwalia’s successful appeal against her murder conviction set a historic precedent – that women who kill as a result of severe domestic violence should not be treated as cold-blooded murderers. As Ahluwalia says, “I never intended to kill him, I just wanted him to stop hurting me…” [Link]

Ahluwalia became a cause celebre, a household name who was later honored in an unusual ceremony that included both Cherie Blair and Spice Girl Mel B.

As usual with biopics, there is some controversy over the liberties taken in the process of making the movie. The director is entirely unapologetic:

The director ‘Jag’ Jagmohan Mundhra in his defence said “Even if you tell a true story, a true story is never really a true story. How do you define the truth? None of us were really there and obviously the recollections of people who were there have changed now. Ultimately I do have to tell an engaging story. If I can’t tell an engaging story no matter what cause is at stake, nobody will see it…” [Link]

Continue reading →

Hollywood invades

Posted on by

Once upon a time Indian cinema could rest secure in the loyalty of its large domestic base. Even if Indian audiences didn’t always like local movies, they were unlikely to defect to American (or other foreign) movies. However, this is all changing, as Hollywood sets its sights on the domestic Indian movie market:

… only a few years ago, Hollywood films warranted only about 100 prints, and if there were dubbed versions, they were often released after the English-language version finished its run. The tactic made most Indian moviegoers feel like second-class citizens …

The turning point, experts say, was last year, when some 400 prints of the James Bond film “Casino Royale” were released in India – including three versions in Hindi, Tamil, and Telugu – simultaneously with the global debut. [Link]

In 2005, foreign films had only around 5% of the $1 billion dollars in theater tickets sold in India each year. However, Hollywood profits are now growing at 35% per year as they aggressively roll out dubbed movies as part of a global release. Despite Bollywood’s size (more people buy tickets to Bollywood films than Hollywood ones, world wide), it doesn’t have Hollywood’s deep pockets:

Movie tickets in many part of India cost $1, meaning Bollywood’s global revenues are about 2 percent of Hollywood’s, says Mr. Bose. “Hollywood can spend 8 percent of its normal marketing budget for a film and get the same amount of exposure as a top Hindi film,” says Sanjay Ram of BusinessofCinema.com in Mumbai.

The most lavish Bollywood films rarely cost more than $10 million. “Spider-Man 3” is thought to have cost $260 million. [Link]

The new release of Spiderman3 has local moguls scared:

The film opened to Rs 19.17 crore on it’s opening weekend in India, making it a likely contender for the highest earning film of 2007 — Indian or otherwise. [Link]

“Spider-Man 3” has already been blamed for taking the momentum from one of the few major Hindi releases this year, “Ta Ra Rum Pum” (“Don’t Worry, Be Happy”). [Link]

Sequels to “Shrek”, “Pirates of the Caribbean” and “Harry Potter” are all also due out later this summer. Continue reading →

Halal in the Family

Posted on by

sonsacrifice.jpgA Son’s Sacrifice is a 27-minute documentary about a halal slaughterhouse in Ozone Park, Queens, run by a Bangladeshi immigrant and his son, Riaz and Imran Uddin; the film, by Israeli-American Yoni Brook and Kashmiri-American Musa Syeed, who met while studying at NYU Film School, has just won Best Documentary Short at the 2007 Tribeca Film Festival. Beyond the clear Ibrahim/Abrahamic allusion, the title refers to son Imran’s decision, at age 27 and holding a degree in communications from Clark University, to return to Queens and take over the family business. From an article in the Queens Times-Ledger:

The film is not just about a live meat market, according to its makers. It is a metaphor for the immigrant experience. Brook described the proliferation of live markets in and around New York City as an act of defiance against assimilation. It is an opportunity for immigrants to allow their American-born progeny to experience directly the culture of home by witnessing halal ritual slaughter.

I don’t know that I’d call that “defiance against assimilation” — it might just be evidence of a different kind of assimilation or, since the whole idea of “assimilation” is both so imprecise and so loaded, maybe we should just be talking about the constant process of formation of metropolitan culture in the era of globalization. In any event, the film earned an item in yesterday’s New York Times, in which the reporter visits the slaughterhouse: Continue reading →

“Americanizing Shelley”

Posted on by

“When circumstances throw an American country boy and a Himalayan village belle together, the ‘apple pie’ gets a smattering of ‘masala,’ only to prove that ‘You Can’t Curry Love!'”

That’s from the official synopsis of a film called Americanizing Shelley that’s being released this weekend. It’s a production of something called American Pride Films, and stars Namrata Singh Gujral. It had its premiere at the Nashville Film Festival (wonderfully known as NAFF) a couple of weeks ago. Here’s the trailer:

In the video post here, Michelle Malkin endorses the film, describing a scene that is “highly unpopular in HollyWeird” and says that “for once, it will be worth shelling out the big bucks… to support a movie that supports America.” According to this website, the film is “riling the hate-America brigade.” It interviews Singh Gujral, who says she’s “not a political person,” although as Vinod noted here two years ago, she’s certainly been, er, honored in a political setting. As for the early reviews, the LA Weekly calls the film “minor but sweet,” while the Washington Post dismisses it for “embarrassingly low-rent production values.” Finally, although the film appears made for the mainstream U.S. commercial market, Variety opines that “screenwriter and star Namrata Singh Gujral will probably find her most appreciative aud among young Indian moviegoers who want something outside the arthouse.” Your thoughts? Continue reading →

Spiderman 3, Officially Released in Bhojpuri

Posted on by

ravikishan.jpg

Ravi Kishan, Voice of Spidey

Though Hollywood films currently only take a modest slice of the Indian film market, Hollywood studios are working harder than ever to “colonize” Indian film audiences. The latest strategy is to move past Hindi dubbing — and release films dubbed in regional languages as well as Hindi. This is the fruition of a long process of evolution, beginning with the “unofficial” dubs back in the day. Then, as more Hollywood films were being released in India, blockbuster films started getting officially dubbed — the peak of which might have been last year’s hugely successful Hindi version of Night at the Museum (Museum Ke Andar Phans Gaya Sikander, which is actually much catchier than the non-rhyming western title). And the Hindi release of The Incredibles also made waves a couple of years ago, when it was announced that the “dad” character’s voice was going to be dubbed by Shah Rukh Khan. Now, Spiderman 3 is getting the official dubbing treatment — in Bhojpuri. The Bhojpuri film industry is the fastest growing segment of India’s different, language-based film markets. Last year, 76 Bhojpuri films were released, which is still less than other languages (245 Telugu films; 225 Hindi films), but with a captive audience of 100 million+ Bhojpuri speakers in UP and Bihar, the fan base is vast. Here Spidey’s voice is being dubbed by Ravi Kishan (pictured right), a “Bhojywood” superstar responsible for hits like Panditji Batayie Mera Byah Kab Hoi. The budget for the dubbing alone was $250,000 (Rs. 1 Crore), which is about three times the entire budget for a regular Bhojpuri film, and Ravi Kishan says he spent 12 days doing it (on his normal films, he normally does all vocal dubbing in a single day). Kishan seems to have a sense of humor about his dubbing work:
“No, this isn’t a nightmare. I’m dubbing for ‘Spiderman’ in Bhojpuri.”

The last such film from Hollywood to be dubbed in India by a star was “The Incredibles” in which Shah Rukh Khan gave voice to the main character.

“Well they don’t call me the Shah Rukh of Bhojpuri cinema for nothing. I’m doing this because I wanted my Bhojpuri fans to enjoy ‘Spiderman’ in the voice that they love – mine!

“Wait till they hear me saying ‘Hum makad manav hain, ud kar aayab aur tohar tetuwa dabaa deb’ (I’m Spiderman, I’ll fly to you and throttle you).” (link)
Well, at least he’s not shy about it. Continue reading →

Skin deep

Posted on by

Last week I was standing in a bookstore, looking for something trashy and utterly mindless to buy. I picked up Deborah Rodriguez’s “Kabul Beauty School: An American Woman Goes Behind the Veil.” and read the first chapter, which was around all I could handle.

I realize that I was far from the target audience for such a book. I’ve never had a haircut in my life, and I’ve never been to a spa. I’m not a very sympathetic audience for stories about how the women of Kabul felt better inside because they felt more glamorous outside (well, inside their burkas). Furthermore, I am a guy, and this was a tremendously girly book:

When Deborah Rodriguez arrived in Kabul in 2002 as part of a charitable aid mission, what she saw appalled her… It was a land of bad haircuts, poorly applied makeup and no styling gel. To Rodriguez, a Michigan hairdresser with a can-do attitude, task No. 1 was obvious: get these poor people some beauty salons. [Link]

Despite my lack of personal experience with the topic, I was willing to suspend disbelief and work with the book’s basic premise, namely:

…hairdressing … is one of the few truly viable options for would-be female Afghan entrepreneurs. There’s a huge demand for such services, as many Afghan women sport elaborate hair and makeup styles under their burqas. At the same time, it’s work that can be done entirely in female company – a necessity in a segregated society. [Link]

My problem was not the subject but the condescending tone of the book. It was “City of Joy” meets “Steel Magnolias,” the usual story of somebody in the first world who finds their calling “helping” people in the third world, where the only purpose of the poor and unfortunate is to serve as a backdrop to the protagonist’s journey.

For example, the opening chapter tells of “Roshanna,” a friend who had been raped and thus was no longer a virgin. Roshanna was terrified of her wedding night, when eager crowds await a bloody rag — the telltale sign of virginity.

Ms. Rodriguez sprung into action, whipping out nail clippers, cutting her finger, dripping blood on a handkerchief and instructing Roshanna to place it under a cushion. When the time came, she could swap it with another one. The next morning, she writes: “When I rush into the hallway, I see that Roshanna’s mother is wailing for joy. ‘Virgin!’ she shouts at me triumphantly, waving the handkerchief stained with my blood. ‘Virgin!’ “… [Link]

C’mon now. Afghan women have never figured out how to fool their husbands with chicken blood after thousands of years? It took a spunky hairdresser from Michigan with a can do attitude to come up with this? Roshanna’s mother didn’t help her, and was even fooled by the simple deception? As if!

Continue reading →

My yoga is unstoppable

Posted on by

When I was younger, I was always jealous of the other Asian kids. Why? Because they had kick-ass unarmed martial arts. A Chinese kid could say “Hey, don’t mess with me – I know Kung Fu like Bruce Lee!” What was I going to say in response – “Well, I know Ahimsa like Gandhi?”

And it wasn’t just the Chinese kids. If you were Korean, you could say you knew TaeKwanDo. If you were Japanese, obviously you could claim to know Karate. Sure, India does have martial arts like gatka, wrestling, and Kalaripayattu but nobody had heard of those and I couldn’t even pronounce “Kalaripayattu.”

In fact, the physical activity that India is most known for is Yoga. I like Yoga but it’s not very macho, and how on earth are you going to use it to defend yourself?

In fact, this amazingly paneer filled clip from Yoga vs. Kung Fu is the only time I’ve seen Yoga used in a movie to beat somebody up:

[Yes, it’s dubbed into French. IMHO, that just makes it all better.]

Of course, you could always try to sell Yoga as the perfect adjunct to a more bloodthirsty activity, like shooting guns:

You shoot better when you realize that your soul is a leaf falling through time, and that work shouldn’t equal struggle. And yoga never aligns you with the universe better than when your forearm is still tingling from the buck and recoil of a .357 bullpup.
Someone needs to open a combination shooting range and yoga studio. I’m serious. Maybe I should do it. Hose off a few clips of Glaser safety slugs, then see how deep you can go into Warrior II. The murder rate would go down. No, wait — it would stay the same, but people would realize it’s all part of a bigger plan. [Link]

Maybe that’s the best way to make Yoga more effective as a tool for avenging the wrong done to your master – do Yoga softly, but carry a big Dandasana.

Continue reading →

Not Another West Meets East Movie

Posted on by

Turns out there was not just one, but two desi-related films up for the Best Foreign Language Film category at the Oscars this year. I’m talking about Denmark’s After the Wedding, which will be released here in the US next week on March 30 in select cities. Don’t know how I overlooked this one back when the nominees were announced, but the late release date probably explains it.

While many films concerning Westerners in India involve characters going to the motherland to find themselves after going through some sort of a crisis (Shantaram and Darjeeling Limited come to mind), After the Wedding is different. This film deals with the emotional turmoil a Westerner goes through after he leaves India. In After the Wedding, a Danish expat, Jacob, lives in India and runs an orphanage. He also has an adopted son, Pramod, whom he’s raised since infancy. When the orphanage is threatened by closure, Jacob begrudgingly leaves India for Denmark to meet with a businessman, Jørgen, who offers to help keep the orphanage open. Jacob also discovers that a) Jørgen’s wife happens to Jacob’s ex and b) Jørgen’s daughter (gasp!) might actually be his. And so Jacob must now ask himself a difficult question: return to India and his adopted Pramod or stay in Denmark with the biological daughter he’s never known?

You can view the trailer after the jump. Is it just me or does Jacob look like he’s in excellent shape for someone who’s about to face a mid-life crisis? Continue reading →