Trolls and orcs and balrogs, oh my

The province of Ontario is subsidizing the Toronto Lord of the Rings musical with a $2.5M (U.S.) loan. As posted earlier, A.R. Rahman is composing the music, his theater sequel to Bombay Dreams. It promises to be the most expensive theater production ever:

Ontario’s officials – on behalf of their 12 million citizens – have signed on as investors for the show, which is expected to be one of the most expensive ever… the provincial government will contribute some $2.5 million of the show’s $23 million budget… The stage version’s $23 million price tag would make it more expensive than any show on Broadway. “The Lion King,” by comparison, cost Disney some $20 million…

Air Canada has donated more than $1 million worth of airline tickets to help the creative team – which includes… an Indian composer, A. R. Rahman; and a Finnish folk music group, Värttinä – commute back and forth to Toronto…

Press materials circulated for the show call it “the biggest and most ambitious theatrical production ever staged,” promising a three-and-a-half-hour event that starts even before the curtain rises. (Hobbits are to prowl the aisles as the audience enters.) [Link]

The one fiscal conservative left in Canada was outraged:

… eight of every 10 Broadway shows fails to earn back their money… “This government is certainly creative when it comes to spending taxpayers money, but not when it comes to saving it…” Kheiriddin noted that the province dropped $1-million to get popular American talk-show host Conan O’Brien to host a week of TV shows in Toronto last year.

But Bradley said… $4.6-million in grants offered by the province following the SARS outbreak generated some $50-million for Ontario’s tourism industry. [Link]

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Let’s get that damn Wererabbit

I have been a die-hard Wallace and Gromit fan for years now.  Ever since I saw A Grand Day Out on PBS in the 90s, I’ve been hooked.  In that movie the clumsy inventor Wallace with his faithful and cerebral dog Gromit, go to the Moon to look for cheese (which they have run out of).  There was no movie that I was looking more forward to seeing this year than Wallace and Gromit: The Curse of the Wererabbit (well except for one maybe).  I will probably go this weekend to watch it.  For the last month in fact I was desperately searching for a desi angle on the movie so that I could bring this dynamic duo to the attention of SM readers.  Manish emailed me this morning about our old friend Turbanhead’s latest post.  It seems there is a desi character in the new movie.  So who is this South Asian character, and how does he fit into the film?  Turbanhead tells us:

Towards the end, the “Indian” character is the one who improvises a stand that sells pitchforks and torches to an angry mob.

Ha!  Well…I mean someone has to provide weapons to an angry mob…err, right?  May as well make a buck off of it.  Those damn wererabbits need to be hunted down anyways right?  You could say he is an exemplary citizen.

Footnote: Bad news. Let’s hope the desi character didn’t provide the torches for this one. Continue reading

Transglobal Trade Transparency

Isn’t that title just thrillingly trillable? So is the notion that consumers can use information to purchase products supporting their tastes in environmentalism and social justice. “October is Free Trade Month,” a billboard reminded me at the Berkeley BART station–also reminding me that dhaavak owes me a tip on a Rajasthani fair trade NGO.  Taking up where the beloved Cicatrix left off, let us examine the possibilities for a mutiny of the wallet.

Cotton is crucial: ever since Megasthenes told Seleucus of  “there being trees on which wool grows” in Indika, it’s been one of the subcontinent’s great exports.  For many diasporic desi dads, soft cotton wifebeaters are a must-not-forget purchase on trips back to the homeland. From Gandhi’s spinning days, the ties between social justice and khadi are apparently enshrined in a requirement that the Indian Flag be made only from khadi. Socially conscientious clothing is a constant work in progress, at home and abroad:  ETC India.org  and Dutch development group Solidaridad have announced that they will collaborate to create a Fair Trade Organic Cotton Supply Chain, connecting individual farmers, mills, clothing factories, and markets:

So far, 405 farmers have been enrolled in the programme, who are producing organic cotton in an extent of 1,352 acres of land spread over five rainfed districts in the Telangana region of Andhra Pradesh and two rainfed districts in the Vidharbha region of Maharashtra. . .He said that Rajalakshmi Mills of Kolkata was currently supporting farmers by purchasing cotton and marketing it in the US and Europe. Last fiscal, over 100 tonnes of lint cotton was sold at a premium of Rs 200 to Rs 250 per tonne over the prevailing market rates. (Link)

It’s the kind of support that’s vitally necessary to small famers whose plight has been highlighted by a plague of suicides.

Raise your hands if your parents usually have a giant bag of rice sitting in the kitchen. Basmati is a key ingredient in making our home away from home, and TransFairUSA now certifies fair traded rice from India, Thailand, and Egypt,:

Traditionally, these farmers have sold their rice to local middlemen rather than developing relationships with exporters. The low prices they receive often do not cover their costs of production, leaving them unable to repay the loans they need to buy seeds and fertilizer and further impoverishing their families. Fair Trade certification ensures that rice farmers receive a fair price for their harvest, creates direct trade links between farmers and buyers, and provides access to affordable credit. Through Fair Trade, farmers and their families are earning a better income for their hard work – allowing them to hold on to their land, keep their kids in school, and invest in the quality of their harvest.

There are three licensed west coast distributors of this fair trade rice, including this supplier of organic basmati rice. Consider taking contact information to your local grocer next time you go shopping.

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Reminder: Brooklyn meetup Sunday

Meetup reminder: Come by Arzan’s place for a home-cooked Parsi lunch. Arzan lives in the Clinton Hill ‘hood in Brooklyn by the Manhattan Bridge. We’re meeting Sunday, Oct. 16 at 12:30 pm.

Sunday afternoon is traditionally the time when every Parsi household in the world has dhansak. It’s a dal and rice dish. Brown rice with a masala daal which has a lot of different ingredients. It’s accompanied by mutton kebabs and chilled beer.

Please RSVP [disabled] for directions, because his living room space is finite. First come, first served. Let him know whether you’re vegetarian.

Previous post here.

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Amrikan Gothic

Apart from Kal Penn’s little brother’s five-minute Goth phase in the movie Where’s the Party, Yaar?, South Asian Goths seem to be largely absent from the desi cultural landscape.  While doing some extensive research on the topic, I learned that a Google search for “South Asian Goths” yields no results, that “Indian Goth” leads largely to porn links, and that half of Google’s “Desi Goths” results point to some guy’s profile on RateDesi: the Desi Hot or Not.  (His average rating is a 7.7393.)  But there’s also this guy:

Shumit Basu designs custom corsets and other items for his label Underground Aristocracy, which has been “hand-crafting corsets for the discerning corset enthusiast since 1997 using a range of materials from fine silk to leather.”  Basu studied at the Art Institute of Chicago and the London College of Fashion, and has been designing for over ten years. Underground Aristocracy currently offers a large selection of corsets for sale, and also promises that more items including bridal wear, accessories, skirts, and cats (?) will soon be available online.

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The Toral is Unleashed

I’ve been working like a dog the past few months & one of my few connections to pop culture has been my beloved TiVo.  So, after a day of conference calls & meetings, I decided to vege a bit and watch last week’s Apprentice and check out how Sepia Mutiny’s friend Toral Mehta was doing.

Now, in contrast to Raj who dished up the drama almost from the outset, Toral’s been disappointingly flying beneath the radar and laying low.   No longer – last week her fangs were unleashed and my-oh-my what snobby, elitist, east coast fangs they were.   A few choice quotes –

“I’m from Wharton …we’re really here to demonstrate work ethic and that’s a different style of thinking from those individuals who have not been trained by large corporate institutions

“I would have to say that there are a group of women here [pointing at a gaggle of laughing blondes] who have banded together based on the fact that they have no work experience.   I like them all on a personal level, I think they’re cute people if I had a secretary job or an administrative job, I’d happily hire any of these people”

Oh Boy.   Now that’s a good way inspire folks.  Note to The Toral, it’s one thing to not forget the little people as you rocketship takes off.   It’s a different thing to tell ’em they’re little before your ship has even left the ground. 

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Breaking the Girl: IIPM’s Virtual Thugs Bully Rashmi Bansal

This post is about IIPM‘s deplorable, misogynistic, retaliatory attacks on Rashmi Bansal, a female blogger who runs a magazine (JAM) which gave IIPM, a B-school in India, a less than stellar review. If you’d like, you can skip the Red Hot Chili Peppers lyrics and vignette below them; Rashmi’s story commences right before the jump.

:+:

Twisting and turning
Your feelings are burning
You’re breaking the girl
She meant you no harm
Think you’re so clever
But now you must sever
You’re breaking the girl…{rhcp}

:+:

After I finished my last degree, my next step–like every other desi who didn’t feel like going to medical school or being an engineer– was law school…or so I thought. I took Kaplan, took the LSAT and took obscene amounts of time filling out applications and writing essays, like everyone else who applied to be a 1L during the 2001-2002 school year.

My heart wasn’t in it.

I refused to go unless I was accepted at a school I loved because frankly, Mr. Shankly, I didn’t need to be a lawyer (and $100k in debt) that badly.

Out of the blue, I got a scholarship to a school I had no interest in…my Mom forced me to keep an open mind and at least visit it with her when she came east for my graduation.

“Fine, Mummy. For you, I will”, I said.

The materials made the campus sound fantastic; the truth was, ’twas a hole. I didn’t really hold it against them though– we all bullshit a little bit to make reality seem more fabulous. I’ll accept that proclivity– within limits.

Exactly a year later, when I was tending to my interns, I told them all about my experience with the law school suitor I had rejected. I felt like it was the right thing to do; almost half of them were in the process of applying themselves and a guest speaker who had graciously enriched their time with a speech was an Alum of the school I had found so hole-y. As I tried not to wince, he talked it up ridiculously. If I had had the time to blog during the summer of 2002, when I was working 70+ hour weeks, I would’ve told the world my story, in an honest, unflinching way. Aside from potentially getting flamed via comment, I wouldn’t have had anything to worry about, after posting my opinion.

Lucky me.

:+:

Rashmi Bansal, the blogger behind “Youth Curry” runs Just Another Magazine or JAM. JAM did brown youngsters in the Amma-land a favor by discussing B-schools, a topic which must be quite popular judging by my daily updates from Rediff.com, which inevitably include an article on the subject.

Here’s what JAM had to say about IIPM, a somewhat controversial school that reminds me of that sleazy guy at the bar who talks a good game– i.e. they’re full of shit. The bar-scum doesn’t have a porsche and IIPM isn’t a 10 ten school which is better than IIM, in fact IIPM has been removed from B-school rankings for misrepresenting itself. Though I’m a St. Thomas Christian, I don’t have to go to a sleazy garage to place my hands in the hole where the ultimate daily driver should be nor do I have to visit one of the “plush” IIPMs to tell you that they lied, too. Some things, you just know are true. Continue reading

Water Is Finally Here

I blogged awhile back about the imminent release of the last film in Deepa Mehta’s elemental trilogy, Water. The film, whose shooting was forced to relocate secretly to Sri Lanka, stars Lisa Ray (Bollywood/Hollywood), Seema Biswas (Bandit Queen), and Bollywood hearthrob (and Peta Spokesman) John Abraham. It is finally making its way through the film fest circuit, recently playing to a full house at the 30th Toronto International Film Festival, and appearing at Washington D.C.s recent SALTAF. The preview screenings, and the audiences reactions’ to the film must have been great because it turns out the film will be distributed in the in the U.S.by Fox Searchlight (MongrelMedia has Canadian distribution and is set to release the film on November 4), the house that distributed wildly successful Bend It Like Beckham. What does this mean for us, the audience? We’ll actually be able to see the movie without having to travel far and wide to find the one theater in our state showing it.

View the trailer for the film here. Incidentally, those of you lucky enough to have access to Canadian Bravo will have the opportunity to catch two special episodes of Scanning the Movies, which will focus on the making of Water with part one airing on October 28 and part two on November 4.

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All the World’s A Stage

There I was, shivering in the winds of the great plains, trying to figure out how, exactly, the Mutineers were going to haze me. Downing a glass of sweet and salty lime water to calm my fluttery stomach, I tried to imagine the worst. Would Abhi race me in rappelling down the face of the North Dakota headquarters? Perhaps Vinod and Manish might make me read aloud from the works of Ayn Rand while standing on one leg? Might Anna challenge me to a literary write-off?  Could Sajit make me play some hyped up diasporic version of the Filmigame? Perhaps in the mountain headquarters’ darkened corridors, Ennis would torment me with a tantalizing, mirrored glimpse of a single eye, stirring up Sepia speculation about the rest of his mysterious visage. 

Somehow, all these were not so scary. The Ig Nobel prize post, however, reminded me of last year’s peace prize–and the dreaded combination of Karaoke and Antakshari. What could possibly be worse than being made to perform in public like that?

Except, I suppose, that’s what blogging is. Hey, look at me, I’ve got something to say. Well, might as well make it an entertaining group activity. If I had to describe the culture of the South-Asian American community in a single sentence, I might very well hit on this: We’re very supportive–perhaps too supportive–of our children’s performance-related self-esteem. It only takes two or three Diwali shows with a hundred klutzy butterballs bouncing around the stage, adorably off-beat, to realize that we start drinking in theater with our mothers’ milk. This season brings a fresh batch. 

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“Forsaken Land” Forsaken

Sulanga Enu Pinisa (The Forsaken Land), the Sri Lankan film that won the prestigious Camera d’Or at the Cannes Film Festival, has apparently been withdrawn from screening in Sri Lanka (second article down).  The film opened on September 9, but was removed from Sri Lanka’s five main theaters by the National Film Corporation of Sri Lanka on September 20th.  The director and producer of the film then requested that the movie be withdrawn from the country’s remaining theaters in protest. 

While the Film Corporation claims that the film was withdrawn due to poor box office performance, the director of the film, Vimukthi Jayasundara, argues that it is a form of “unofficial censorship.”  According to the BBC Sinhala Website, the film was criticized by a senior officer of the Sri Lankan Navy:

Rear Admiral Weerasekera on September 25th in an article in the Sunday ‘Divaina’ has said that film producers should be labelled as terrorists and hanged.

The Sri Lankan media watchdog Free Media Movement additionally claims that Army officials made veiled threats against Sri Lankan filmmakers critical of the ongoing ethnic conflict:

An article published in an English language daily on 14 September 2005 indicated that films by prominent directors such as Asoka Handagama, Prasanna Vithanage, Sudath Mahaadivulwewa and Vimukthi Jayasundara have been labelled “new terrorism” and “foreign funded cinema” in statements attributed to a military spokesperson.

Articles written by military and political leaders criticizing anti-war films as propaganda for separatist Liberation Tigers of Tamil Eelam have started to appear in mainstream newspapers.

In a meeting between two of the filmmakers and high military officials that took place subsequent to the publication of these articles, where they were asked whether they were willing to make films for military propaganda, the filmmakers were told that if war breaks out again they will face repercussions.

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