Yay for reader Pallavi, who alerted me to this life-altering news: Sanjaya is back! How’s THAT for some Friday fluff? Via Page Six(sixsix):

No this isn’t a game of: “one of these things is not like the other.” PageSix.com has learned that Sanjaya Malakar and his sister Shyamali are in talks to headline their own variety TV series called The Sanjaya and Shyamali Show! The program plans to showcase a special blend of singing, dancing, comedy and, naturally, their lush manes of hair.

I am glad Shyamali is part of this project. I didn’t really see much of her because she was eliminated from AI and then her brother became this cultural sensation. It’ll be interesting to get to know her better, so that people are aware of more than her occupation.

Sanjaya, who was spotted outside The Groundlings Theater on Melrose Ave over the weekend, was actually at the comedy mecca to cast improv actors for the show, his manager Suzy Sachs tells PageSix.com. “He has a huge following and a background in musical theater,” she says, adding that the duo is currently in negotiations with MTV and plans to film a pilot in early spring.

The Groundlings = teh awesome. Peep their alums and see for yourself, if you haven’t heard of them.

But it gets better Fan-jaya’s! The formerly faux-hawked wonder, who is either the most loved or loathed contestant in the history of American Idol depending on your opinion…

We interrupt this blockquote to declare, loved! Loved! Loved!

…is also prepping to release his first CD. “He’s in rehearsals for a new album,” Sachs tells PageSix.com. Sanjaya is studying with famous vocal coach Seth Riggs (who has worked with artists like Kelly Clarkson, Faith Hill, Ray Charles and Ricky Martin) and is heading into the studio this weekend to begin laying down some preliminary tracks. “He did very well,” Riggs tells PageSix.com of their sessions. “I wish I could have done what he’s doing at 18-years-old.”

In her email to me, Pallavi asked:

Is this the 1st potential live variety show in America featuring Indian-Americans?

I don’t know mutineers, is it? 🙂 Oh, I must prepare! I’ll need puns, and anecdotes and wacky terms of endearment, oh my. This is Sanjaya we’re discussing! That screen-filling smile. That highly-ductile, malleable hair. That bizarre ability to only make one pale, pigtailed-girl cry uncontrollably for the camera…it’s all so…bloggable. Continue reading →

Check out the following video, which is currently in rotation on MTV India:

Who are all these people? I hadn’t heard of any of them: the producer and male rapper calls himself Deep (he seems to be an ABD rapper). The woman singing in Hindi (with the short hair) is Pratichee (she is definitely a DBD). The woman singing R&B style, in English, is Janina Gavankar (who has had a role on “The L Word”; she was also featured in an earlier Sepia Mutiny post by Abhi). And the woman rapping — ferociously! — in Punjabi is Navraaz (could not find any links; I have no idea who she is).

I won’t try and translate the Punjabi rap (any takers?), except to say that the English chorus (Back the **** off me) makes a good summary. (I might also add that the lyrics might make even Ms. Hard Kaur blush…)

Incidentally, the label responsible for this track, IndiAudio, has made an MP3 available for downloading here.

What say you? Continue reading →

Watching the following video (from the Hindi film Johnny Gaddaar), it occurred to me that Hard Kaur is in some ways the British/Desi equivalent of Missy Elliott:

Like Missy, Hard Kaur depends a lot on the producers she’s worked with. In this case, the song wouldn’t be much at all without the ideas and beat from the legendary Shankar-Ehsaan-Loy. In Missy’s case, of course, the wizard behind all of her big hits has been Timbaland. Admittedly, neither Missy nor Hard Kaur could be called serious “auteurs” — but then, they’re not trying to be Radiohead, they’re trying to make money.

Like Missy, Hard Kaur has become a success based on her talent and street swagger, not so much her looks. (Though I really don’t want to get into a “hot or not” discussion of looks if it can be avoided; my point is, there are plenty of pretty pop princesses out there whose careers have gone nowhere, while Hard Kaur is crossing over into Bollywood like a bullet.) Just like Missy, there’s something about Hard Kaur’s rapping that has nothing to do with clever production tricks or computer software; there’s a realness and hip hop confidence (i.e., “hardness”) there that can only come from the street. Finally, both Missy and Hard Kaur have a particular fondness for a) “songs that make you dance,” and b) songs about intoxication (alcohol or drugs).

I’m not saying that Hard Kaur is ever going to make as much money as Missy Elliott, but I don’t think she quite gets the props she deserves for her originality. Is it because she’s too ‘beisharam’ (shameless)? Are people threatened by this Punjabi Kuri who writes songs about getting drunk, and her need for “Sexy Boys” (who should be, as she says, “thora sa lafanga/I need a gangster”)?

In effect, what I’m saying is that I, for one, am a fan of Ms. Hard Kaur — though I concede I may be the only one here. (I also still like Missy, though in my view she hasn’t done anything inspired in awhile.) Continue reading →

People in New York tonight might want to stop by the release party for the Basement Bhangra CD, which is officially coming out today. It’s been 10 years of Basement Bhangra nights at S.O.B.’s — and for all that time DJ Rekha has held it down on the ones and twos. (It’s also, coincidentally, been 10 years since the first ‘Mutiny’ party, and the old gang are coming out of hiatus in a couple of weeks for their own celebration — with guests Talvin Singh, and Shaair and Func.)

Rekha’s approach here is to take some familiar Bhangra anthems (like Lehmber Hussainpuri’s “Tin Cheejha”) and mix them up with solid Bhangra tracks most people probably won’t know (Sunil Sehgal’s “Fakir”). The “Basement Bhangra anthem” that opens the CD is really cool — respect to Wyclef Jean (“Mr. International”) for contributing an original rap, and Queens-based Bikram Singh is as usual great (he was also responsible for the absurdly catchy “American Jugni” song a couple of years ago). Incidentally, you can listen to the “Basement Bhangra Anthem” here.

Many well-known remix masters are represented here, including Panjabi MC, DJ Sanj, Dr. Zeus, and Tigerstyle. There are also a couple of tracks from Hard Kaur, a British Punjabi pop star who has been kind of omnipresent for the past couple of years (see “Glassy”). But alongside some staples there are also some surprises, including a track by the drum ‘n bass influenced Dhol Foundation, as well tracks from producers I hadn’t heard of (Ominous DJs).

I should note that this CD isn’t by itself a “definitive” statement of where Bhangra music is today — but that probably wouldn’t be possible to do in a single hour of music anyway. In the liner notes, Rekha describes it instead as a “cross-section of a living musical culture that connects New York City to the Punjab,” and that sounds about right to me. Some people, including commenters on Cicatrix’s earlier post on this, have criticized the selection of songs here, but I actually think the choices are quite good. Some hard core bhangra downloaders listeners may be tired of “Tin Cheejha,” but I suspect most people — including readers of Sepia Mutiny — haven’t even heard of Lehmber Hussainpuri (though they may have heard his hit song). For them, the Basement Bhangra CD is going to be like a one-hour living room Bhangra party to go.

And doesn’t everybody need one of those every once in a while?

More reviews: here and here. The Basement Bhangra CD is available from Amazon. Continue reading →

Our favorite Sri Lankan world runner played at Terminal 5 in NYC last night, as part of the CMJ showcase. Terminal 5 is cavernous space with two tiers of balconies, a giant bar island, and draconian crowd-control policies. They made you get into lines to go outside for a smoke.

Doors opened at 7pm. So with nothing but a faintly entertaining opening act (“we’re the new Black Beastie Boys!” was probably their best line) that didn’t do much to help kill the time until M.I.A. came on, people got drunk. Finally around 10pm her presence was felt rather than seen – a roaring, sucking noise as people stampeded toward the stage.

I think she opened with “Bamboo Banga,” but I don’t really remember too well. The next 80 minutes flew by in a blur of jaw-dropping energy, radiating charisma, mind-blowing mashups and the surreal spectacle of pretty white girls moaning “ajaa!!” Continue reading →

Madlib is a prolific California-based hip hop producer who normally works with alternative rappers like Talib Kweli. Recently he released an album called Beat Konducta in India, and I finally got my hands on it a couple of days ago. Here’s a track that has been posted at Imeem:

And here’s the YouTube video montage, which is also an album promo:

What do you think? I love the video, but I’m still trying to decide whether I like the album as a whole. I feel like this album should come attached to an hour-long video montage, edited as sharply as the two minute promo above. That way you get the hip hop sensibility and the sense of filmi nostalgia (and kitsch) all wrapped up together. The music by itself is ‘cool’ (like the track ‘Movie Finale’ above; or ‘More Rice’, which you can sample at Amazon); with video, there is something schizophrenic and exiting happening. There is certainly an art to remixing and reworking old music (and Madlib certainly knows what he’s doing on this score), but with film music in particular it seems somewhat incomplete if the video isn’t ‘remixed’ in parallel.

(Or we could just can the whole thing and sit around watching old Rajnikant videos on YouTube all day.) Continue reading →