“Ram Gopal Varma ka Sholay”?

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Oh, dear. Are they fixing what isn’t broken?

His recent hit film starring the Bachchans was an ode to one of his favourite films, The Godfather. Now, filmmaker Ramu is all set to remake one of India’s cult hits – Sholay. “More than The Godfather, Sholay is my favourite film. I entered movies because of the film and owe my career to it. I remember having seen the film 27 times. With Godfather, I did not exactly do a remake. But now, I want to remake Sholay in all its essence,” the filmmaker said soon after procuring the rights for the remake from the Sippys.

Well, she-it…I’ve seen The Sound of Music 92 times, but I’m not about to re-cast the family Von Trapp… 😉

There’s a reason why I loathe cover songs, they almost never measure up to the original. Aside from Dinosaur Jr’s explosive rendition of “Just like heaven“, I can do without remakes, thank you very much. Movies are no different. Sabrina? Pffft. But what do I know? Why buck a trend?

Reworking older hits seems to be the order of the day. After yesteryear hits like Devdas and Parineeta being remade, plans are on to remake films like Don, Teesri Manzil and Sahib Biwi Aur Ghulam.

How do you replace a legend? You don’t. (Or can’t, in my snarky opinion):

…he is unlikely to cast Abhishek Bachchan for Amitabh’s role. “The casting is still open. I do not plan to work with any direct descendant of the Bachchans and the Deols for this movie,” he says.

Well, now that THAT’S decided…book ’em, Dhann-o. Or perhaps just say “no”. To remakes, 😉 that is:

As for the setting of the film, he said, “The new Sholay will be set in contemporary Mumbai and the two heroes will be fighting against Samba, the underworld don. And Basanti will be the city’s first woman cab driver and her cab will be called Dhanno!”
The film will be called Ram Gopal Varma ka Sholay. He signed off saying, “People might say this is the height of arrogance. They might even think I’ve lost my head after my recent success.”

I don’t know about arrogance, but I’d vote for quixotic. What say you, SMers? And has anyone seen the brown Godfather? Continue reading

Why Aren’t US Conservatives Bollywood Fans?

Marginal Revolution (tongue-in-cheek-ly) wants to know

Conservatives love to rant about the evils of Hollywood. Too much sex and violence. Inappropriate for the family. Religion gets short shrift. Fair enough, a lot of Hollywood fare isn’t fit for the 13 and under crowd. Here’s my question: why aren’t conservative media critics rushing en masse to sing the praises of Bollywood films? Michael Medved, where are you?

Consider the following Bollywood film conventions:

1. No sex. If you’re lucky, you might see some wet sari.

2. The films often revolve around finding a wonderful spouse and getting married.

3. The bigger the wedding, the better…

Read the rest. 😉 Continue reading

Selling dreams, door to door

For many in India, their first movie wasn’t in an air-conditioned, terraced, multiplex, or on a TV screen hooked up to a VCR. It was shown to them by a travelling cinema, a truck with multiple aging film projectors bolted to its floor, and a team of projectionists who lived in it.

This was the opposite of a drive-in theater; instead of driving to the screen and watching from your car, the film came to you, but stayed in its vehicle.

Shashwati fondly remembers her experiences with this dying breed of entrepreneurs:

These companies were commercial ventures with ancient 35 mm projectors, they would go to where the audience was, set up a screen and show a movie. When I was in school, that is how films used to be shown to us. Mr. Movie Man (we actually called him that) would come with a projector and usually an ancient Tarzan movie. We would re-arrange our chairs, and take down the partition between the classrooms … 

Once, by mistake, Mr. Movie Man put in a French film, it was fading and probably from 1960. It wasn’t anything special. A woman in a long coat and sunglasses walked into a beach cabin. She sat there, and then a man came in. And he kissed her, on the mouth! After that first kiss, there was either deadly silence or a collective gasp, then the lady took off her clothes, not all of them, but enough for the film to be stopped and reel yanked out. Then we were back to seeing “savages” and a full grown man leaping through trees, something much more salubrious for our tender psyches. [Shashwati]

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Brownout in TO

The Mistress of Spices and Deepa Mehta’s trilogy finale will premiere at the Toronto Film Festival in September (thanks, DesiDancer). Mehta’s filming was blocked by protests, but that’s just Water under the bridge:

Filming on Water in India had to be abandoned five years ago after protests over the pic’s subject. It concerns an 8-year-old child bride, sent to an ashram after her husband’s death, who forces the other widows to question their culture and faith. Pic stars Lisa Ray and John Abraham. The Hindi- and English-language film eventually was shot in Sri Lanka under the name River Moon, a moniker selected for its cheesiness, producer David Hamilton said. An “anti-publicist” was hired to keep word of it out of the media…

Now they say desi artists are picking cheesy titles? Here’s one: Mistress of Spices is exoticism buzzword bingo. And Padma Lakshmi’s cookbook title, Easy Exotic, is exactly the two things which desi women don’t want to be known for.

Also making its world premiere will be Mistress of Spices about an Indian woman (Aishwarya Rai) running a spice shop in San Francisco whose magic fails her when she falls in love. Pic is from Paul Mayeda Berges and Gurinder Chadha, the team behind Bend It Like Beckham…

How’s the art film actor with washboard abs doing? Everybody says he’s fine:

Indian filmmaker Buddhadev Dasgupta’s Kaalpurush will world premiere. [The] pic, starring Rahul Bose, follows a man struggling to come to terms with the memory of his powerful father…
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The Lion, the Witch, the Wardrobe,…and some Indians

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I’m still a little upset that some hypersensitive individuals dared to criticize the Lord of the Rings as being “too white.” In my opinion that is just like saying that the Ramyana is “too brown.” In order to head off a future discussion along these lines I felt as if we should get it all out of our systems now. With that in mind I wanted to point out that the upcoming film The Lion, the Witch, and the Wardrobe WILL have minorities in it, and YES, they will be beasts. Narniafans.com reports:

…several short Indian actors have been casted by Indian based casting director Sameer Bhardwaj for The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.

Bhardwaj had earlier also helped in casting for The Lord of the Rings. The role of these actors is currently unknown, although speculation would lead us to believe that it is for many of the Talking Beast roles in the Chronicles of Narnia.

Well isn’t life a bitch? The casting director is Indian, and we’re still bound to get complaints. Not to fear though. Minorities have yet another chance in a Bhardwaj project (from last year): Continue reading

Giants, dwarves and lemurs

Like that VW ad, NYC sometimes has moments of spooky synchronicity. Like the time two weeks ago when I hailed a cab to SoHo. The fellow who picked me up was an uncle crooning along to Hindi ghazals in the direction of his steering wheel. After crossing the Williamsburg Bridge, we passed a Sikh guy with a black pug and a cute Punjaban walking toward chic bar Mecca. A block later, a group of desi high school kids sounded their barbaric yawps over the sidewalks of the world. The louche lounge turned out all Arabic and Hindi tunes, Turkish lanterns and Bombay tones; ’twas hookahs and wine, you know the kind.

 

Similarly, both major movies released last weekend, Madagascar and The Longest Yard, had desi influences. In the animated film Madagascar, a major character speaks in a comical desi accent mouthed by Ali G. His Julian the lemur king is pompous and faintly ridiculous, though aside from the accent he’s funny in his own right. The sound isn’t exactly Sellers, but this movie confirms the cycle of immigrant visibility: first ignored, then laughed at, then accepted. (And finally The Man? Only in spelling bees.)

 

The hilarious thing is, American movie reviewers couldn’t place the accent. It was clearly a desi parody, though rounded off via the West Indies or just the fertile mind of Sacha Baron Cohen. Reviewers guessed all over the map: Eurotrash, Middle Eastern, Caribbean. Here’s what the director said:

We had this two-line character, Julian, and we got a tape of the show “Ali G” with Sacha Baron Cohen. He came in and he invented this Indian accent. We gave him a couple of lines and he turned them into eight minutes of dialogue. We were just in tears on the floor and thought, “This guy has to be the king.” So that was just a two-line part that he invented and it turned into that role.

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Movies and sausages

Otto von Bismarck apocryphally joked, ‘Laws are like sausages, it is better not to see them being made,’ and we all know what happened to him. So here are snapshots of two yet-to-be-completed movies as they’re fed through the meat grinder.

The Namesake: Kal Penn photoblogs a day of shooting The Namesake at Calcutta’s Howrah Station:

The press had somehow found out that May 29th had been secured as the day we were shooting at the station, and they saw fit to publish that as news. So in addition to hordes of reporters, photographers, and camera crews, we also had a lot of people standing around watching. I don’t mean “a lot of people” as in 80 people on some street corner in midtown. I mean thousands…

See the photos, watch the video.

Life of Pi: M. Night Shyamalan has dropped out of the Life of Pi film project to focus on his mermaid tale. Alfonso Cuarón, who directed the excellent, dark, third installment of Harry Potter as well as Y Tu Mamá También, may now fill the director’s chair (via Anangbhai):

Fox appears to be breaking with Shyamalan over his decision to make his next picture Warner’s Lady in the Water instead of Pi, an adaptation of the Booker Prize-winning bestseller by Yann Martel. Unwilling to wait a year and a half for Shyamalan to finish Water, Fox was happy to take a call from Cuaron’s reps at William Morris offering his services.

I finally got around to reading the religiously syncretic yarn which starts in Pondichéri and stars a piscine Patel. The Booker book is solid, quality writing, though old-fashioned in style. I do like writers who break the rules of language when required, but that’s not the complaint here. The book’s psychotropic island scenes and its entire narrative arc remind me of Jules Verne and other 19th century adventure authors. There’s also a genteelness and reserve which belongs to an era when women wore corsets and men wore fedoras. It’s an oxymoron, a survival tale that’s not in-your-face in any way. Like Shyamalan, it’s Hitchcock in a De Palma age.

Previous posts: 1, 2

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Rambo IV- Holy Wars

Just who is Rambo? From Wikipedia:

The first movie begins with the titular character – John Rambo, played by Sylvester Stallone – returning from the Vietnam War and searching for an old Army buddy. After discovering that his friend had died of cancer, and being escorted to the town limits by the local sheriff Will Teasle (Brian Dennehy) who “doesn’t like his type”, Rambo defiantly walks back into town. Sheriff Teasle arrests Rambo, and brings him to the station where he can be “cleaned up”. During a forced shower with firehose, where he is beaten, Rambo has a wartime flashback of his experience as a POW in Vietnam. Temporarily losing touch with reality, Rambo escapes from prison and hides in the local mountains.

So basically we have a guy with a lot of guns who has lost touch with reality and fled to the mountains (see here for example). Hmmm, where to send him next? Well why not have him shoot some Muslim terrorists, and film it partly in India? From Rediff.com (tip from Punjabi Boy):

The shooting for Rambo IV, also titled Holy Wars, is scheduled to begin in Sofia, Bulgaria, in January 2006.

Filming also scheduled in the US and — you better believe it — India!

…an early draft of Holy Wars, freely viewable online, revolves around a different race-situation, one which Stallone has been alluding to ever since 9/11 happened.

John Rambo, a committed family man, is an environmentalist working at the UN headquarters in New York. Suddenly, the UN HQ is besieged by Islamic terrorists. The sadistic fundamentalists are holding the world to ransom. There isn’t a better man to go after the bad guys than Rambo, but the tale sees a twist because he knows his Afghani-adopted son is part of the terrorist squad.

What the F%ck! The John Rambo I have grown to love could never be a “family man” and an environmentalist working at that sissy U.N. What is this crap? But it gets worse. Who will play Rambo’s adopted Afghani son if the filmmakers have their way? I’ll give you a hint. He has six fingers.

Rambo’s Afghani-American stepson (or his Afghani-adopted son, going by the draft we read) is slated to be played by — hold your breath — Hrithik Roshan!

The treatment note describes the character as similar to Altaf in Mission Kashmir, and calls him ‘in many ways, the Rambo for the twenty-first century.’

Talking about Hrithik, it mentions a resemblance between him and Stallone himself, and talks about how the young Indian stud currently has all the staying power needed to make the first truly big crossover Indian-American film.

Taking things into perspective, it’s important to remember than nothing has been signed yet — there have been no official announcements regarding the cast of the film, with the obvious exception of the inevitable leading man, Sly himself.

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Ismail Merchant passes away (updated)

Filmmaker Ismail Merchant, whose films won six Oscars, passed away today at age 68 (thanks, Paranoid Android):

He died in a London hospital this afternoon, his office said. The cause of death was unclear, but a spokesman said the Indian-born producer had suffered from stomach problems over the past year…

Along with his creative partner James Ivory, he made such acclaimed period films such as Howards End, A Room With A View and Remains of the Day…

Merchant was born in Mumbai, formerly known as Bombay, in December 1936 and educated in New York. [BBC]

Merchant… had been unwell for some time and recently underwent surgery for abdominal ulcers, according to Indian television reports.

Merchant and Ivory, an American, made some 40 films together and won six Oscars — four for best picture — since forming their famous partnership in 1961 with German-born screenwriter Ruth Prawer Jhabvala. [MSNBC]

Merchant left behind his family as well as long-time partner James Ivory. He focused on producing but also directed one of my favorite films, Muhafiz (In Custody). (Has anyone truly lived until they’ve seen Shabana Azmi sing a ghazal Umrao Jaan-style?) His partner and Ruth Prawer Jhabvala helped Merchant churn out a lengthy body of work.

Update: The LAT says Merchant revived his genre:

Merchant not only adapted great books by Henry James, E.M. Forster and V.S. Naipaul, but also helped establish the careers of a new wave of renowned English actors, including Hugh Grant (“Maurice”), Helena Bonham-Carter (“A Room with a View”) and Emma Thompson (“Howards End”)… The Merchant-Ivory model was soon widely imitated, as filmmakers as diverse as Martin Scorsese (“The Age of Innocence”) and Ang Lee (“Sense and Sensibility”) turned their cameras toward classic books.

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