{"id":561,"date":"2004-10-18T13:35:31","date_gmt":"2004-10-18T18:35:31","guid":{"rendered":"http:\/\/sepiamutiny.com?p=561"},"modified":"2005-01-14T00:48:24","modified_gmt":"2005-01-14T05:48:24","slug":"hemachandra_num","status":"publish","type":"post","link":"http:\/\/sepiamutiny.com\/blog\/2004\/10\/18\/hemachandra_num\/","title":{"rendered":"Hemachandra numbers everywhere"},"content":{"rendered":"<p><P><A href=\"http:\/\/www.livejournal.com\/users\/supplesomething\">Supplesomething<\/A> forwarded me an interesting <A href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=4111253\">NPR piece<\/A> on&nbsp;Manjul Bhargava, 28, a&nbsp;professor of <A href=\"http:\/\/en.wikipedia.org\/wiki\/Number_theory\">number theory<\/A> at Princeton who discusses how the Fibonacci series pops up not just in mathematics but also in the arts.<\/P>\n<P>The Fibonacci series is the set of numbers beginning with 1, 1 where every number is the sum of the previous two numbers. The series begins with&nbsp;1, 1, 2, 3, 5, 8, 13, and so on. They were known in India before Fibonacci as the <A href=\"http:\/\/www.mcs.surrey.ac.uk\/Personal\/R.Knott\/Fibonacci\/fibBio.html\">Hemachandra numbers<\/A>. And the ratio of any two successive Fibonacci numbers approximates&nbsp;a ratio, ~1.618, called the golden section or <A href=\"http:\/\/www.mcs.surrey.ac.uk\/Personal\/R.Knott\/Fibonacci\/fibInArt.html\">golden mean<\/A>.<\/P>\n<P>It&#8217;s long been known that the Fibonacci series <A href=\"http:\/\/www.mcs.surrey.ac.uk\/Personal\/R.Knott\/Fibonacci\/fibnat.html\">turns up frequently<\/A> in nature. The numbers of petals on a daisy and the dimensions of a section of a spiral nautilus shell are usually Fibonacci numbers. For plants, this is because the fractional part of the golden mean, a constant called phi (0.618), is the rotation fraction (222.5 degrees) which yields <A href=\"http:\/\/www.mcs.surrey.ac.uk\/Personal\/R.Knott\/Fibonacci\/fibnat2.html\">the most efficient and scalable packing<\/A> of circular objects such as seeds, petals and leaves.<\/P><!--more-->\n<P>But Bhargava points out that the series also shows up in the arts. Sanksrit poetry, tabla compositions and tango, to name a few examples, use the series to find the number of possible combinations of single and double-length b<A href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=3861881\"><\/A>eats within a stanza.<\/P>\n<P>For example, the eighth Fibonacci number is 34, assuming we number the series starting from 0. There are 34 ways to combine single and double-syllable words in a stanza with eight beats. Similarly, there are 34 ways to combine fast and slow tango steps over eight beats. It&#8217;s classic <EM><A href=\"http:\/\/bonigv.tripod.com\/toc.htm\">Zen and the Art of Motorcycle Maintenance<\/A>:<\/EM> the beauty in logic, the logic in beauty.<\/P>\n<P>If Hemachandra were alive today, no doubt he&#8217;d apply his series to how many Indian bureaucrats it takes to sell a railway ticket. In the first year, one; in the ninth, 55, and so on.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Supplesomething forwarded me an interesting NPR piece on&nbsp;Manjul Bhargava, 28, a&nbsp;professor of number theory at Princeton who discusses how the Fibonacci series pops up not just in mathematics but also in the arts. The Fibonacci series is the set of &hellip; <a href=\"http:\/\/sepiamutiny.com\/blog\/2004\/10\/18\/hemachandra_num\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8,13,16],"tags":[],"_links":{"self":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts\/561"}],"collection":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/comments?post=561"}],"version-history":[{"count":0,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts\/561\/revisions"}],"wp:attachment":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/media?parent=561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/categories?post=561"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/tags?post=561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}