{"id":4634,"date":"2007-08-07T10:37:51","date_gmt":"2007-08-07T15:37:51","guid":{"rendered":"http:\/\/sepiamutiny.com?p=4634"},"modified":"2007-08-07T08:51:49","modified_gmt":"2007-08-07T13:51:49","slug":"review_new_cd_f","status":"publish","type":"post","link":"http:\/\/sepiamutiny.com\/blog\/2007\/08\/07\/review_new_cd_f\/","title":{"rendered":"Review: new CD from Falu"},"content":{"rendered":"<p><a href=\"http:\/\/www.amazon.com\/Falu\/dp\/B000T4A84U\/ref=pd_bbs_sr_1\/002-9545326-3308033?ie=UTF8&#038;s=music&#038;qid=1186500669&#038;sr=8-1\"><img loading=\"lazy\" alt=\"falu.jpg\" src=\"http:\/\/www.sepiamutiny.com\/sepia\/archives\/falu.jpg\" width=\"150\" height=\"150\" align=right hspace=10 vspace=10 \/><\/a> People interested in Asian Underground music have probably already heard of <a href=\"http:\/\/www.falumusic.com\/\">Falu<\/a>, a singer who first appeared on <a href=\"http:\/\/www.myspace.com\/karshkale\">Karsh Kale&#8217;s<\/a> <em>Realize<\/em> back in 2001. Since then she&#8217;s been featured on a number of <a href=\"http:\/\/www.falumusic.com\/discography.shtml\">other people&#8217;s CDs<\/a>, but today she releases her own, self-titled CD. Rather than going for more in the way electronic beats, here Falu works with a live rock\/desi fusion band, doing a mix of English and Hindi\/Urdu songs.<\/p>\n\n<p>It&#8217;s a strong first effort. Falu has trained in Hindustani classical music with <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ustad_Sultan_Khan\">Ustad Sultan Khan<\/a>, and there are several nice Hindi\/Urdu tracks on the CD. The strongest is certainly her version of &#8220;O Lal Meri&#8221; (aka, &#8220;Dama Dam Mast Qalandar&#8221;); here the music is traditional, and Falu gets to really show off her Qawwali chops. I found Falu&#8217;s version of <strong>Asha Bhosle&#8217;s &#8220;Dum Maro Dum&#8221;<\/strong> less exciting, perhaps because I&#8217;m too attached to the original &#8212; and to Asha Bhosle&#8217;s voice (still, Falu&#8217;s rock\/fusion band seems to be having a good time rocking out a bit here). Also good are &#8220;Rabba&#8221; and &#8220;Poojan.&#8221; Ustad Sultan Khan himself shows up playing Sarangi on two tracks, and he joins in the vocals to &#8220;Copper Can.&#8221;<\/p>\n\n<p>Thus far, I&#8217;ve been somewhat less excited by the English language songs on the CD, though there are some notable exceptions. The lyrics to &#8220;Without You&#8221; are a mix of English and Urdu, and it&#8217;s intriguing to hear Falu do Qawwali-esque vocal trills on the English as well as the Urdu parts of the song. &#8220;Hey Baby&#8221; is entirely in English (albeit with a desi musical touch), though from listening to the lyrics it occurred to me that Falu is replicating in a secular, English, rock idiom the themes that are also prevalent Qawwali music: longing, desire, and the inaccessibility of the beloved. The difference, of course, is that in Urdu the longing is for God, while in English the longing is for a lover. (Note: you can listen to &#8220;Hey Baby&#8221; on <a href=\"http:\/\/www.myspace.com\/falu\">Falu&#8217;s Myspace page<\/a>)<\/p>\n\n<p>You can get this CD <a href=\"http:\/\/www.falumusic.com\/merch.shtml\">at Falu&#8217;s website<\/a>; it&#8217;s also available on Itunes and at Amazon. Readers in the New York area might want to hit the <strong>CD release party<\/strong> at Canal Room tomorrow (more details <a href=\"http:\/\/www.myspace.com\/falu\">here<\/a>). I won&#8217;t be able to go; perhaps Falu and her band will come to Philly sometime&#8230;<\/p>\n\n<p>[<em>Disclosure: the folks at Press Here music sent me a review copy of this CD.<\/em>]<!--more--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>People interested in Asian Underground music have probably already heard of Falu, a singer who first appeared on Karsh Kale&#8217;s Realize back in 2001. Since then she&#8217;s been featured on a number of other people&#8217;s CDs, but today she releases &hellip; <a href=\"http:\/\/sepiamutiny.com\/blog\/2007\/08\/07\/review_new_cd_f\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[],"_links":{"self":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts\/4634"}],"collection":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/comments?post=4634"}],"version-history":[{"count":0,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts\/4634\/revisions"}],"wp:attachment":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/media?parent=4634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/categories?post=4634"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/tags?post=4634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}