{"id":2396,"date":"2005-10-20T23:18:43","date_gmt":"2005-10-21T04:18:43","guid":{"rendered":"http:\/\/sepiamutiny.com?p=2396"},"modified":"2005-10-21T13:42:11","modified_gmt":"2005-10-21T18:42:11","slug":"being_nitin_saw","status":"publish","type":"post","link":"http:\/\/sepiamutiny.com\/blog\/2005\/10\/20\/being_nitin_saw\/","title":{"rendered":"Being Nitin Sawhney"},"content":{"rendered":"<p><img alt=\"\" hspace=20 src=\"http:\/\/www.sepiamutiny.com\/sepia\/nitin.jpg\" align=left vspace=10 border=0>When it comes to music in the diaspora, there a few names that of course come to mind (Talvin Singh, <a href=\"http:\/\/www.pmcrecords.com\/index_content.html\">Panjabi MC<\/a>), but one of the most consistent and visible musicians evolving from the South Asian diaspora, and who is not&nbsp;universally from the UK Bhangra or the&nbsp;Asian Drum and Bass scene,&nbsp;is without a doubt, <a href=\"http:\/\/www.nitinsawhney.com\">Nitin Sahwney<\/a>.&nbsp;&nbsp;DJ, producer, musician, and activist extraordinaire, Sawhney whose most recent&nbsp;studio-album <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/B0007D5654\/qid=1129862363\/sr=8-1\/ref=pd_bbs_1\/102-6223439-8164169?v=glance&#038;s=music&#038;n=507846\">Philtre<\/a>, which&nbsp;has to be listed amongst&nbsp;his best work, is now slated to score Mira Nair&#8217;s production of Jhumpa Lahiri&#8217;s&nbsp;<a href=\"http:\/\/www.imdb.com\/title\/tt0433416\/\">The Namesake,<\/a> and is <a href=\"http:\/\/www.asiansinmedia.org\/news\/article.php\/music\/1129\">reported<\/a>&nbsp;to&nbsp;be&nbsp;working as a producer on&nbsp;Indo-Canadian British transplant pop-star <a href=\"http:\/\/www.raghav.com\">Raghav&#8217;s&nbsp;<\/a>unfinished second&nbsp;album.&nbsp; In fact, <a href=\"http:\/\/www.bbc.co.uk\/radio1\/urban\/bobbyandnihal\/\">Bobby and Nihal<\/a>, on their October 12&nbsp;radio show on the BBC offerred up a bit of a preview of&nbsp;the Raghav\/Nitin&nbsp;collaborative work entitled&nbsp;&#8220;Seasons,&#8221; which draws heavily on the heavenly&nbsp;&#8216;Mausam&#8217;, which appears on the Philtre album.&nbsp; After having heard the original Mausam, the version featuring Raghav&nbsp;admittedly sounded a bit cheecky, but knowing that Nitin is producing some of&nbsp;the record makes me dizzy with anticipation.&nbsp; Well, maybe not dizzy, but excited for&nbsp;sure. <\/p>\n\n<p>&lt;<\/p>\n\n<p>p>Incidentally, Sawhney, who has also&nbsp;worked with Sting and&nbsp;Spanish collective <a href=\"http:\/\/www.ojosdebrujo.com\/\">Ojos de Brujo<\/a> among others, seems to be in demand lately. Former Beattle Sir Paul McCartney, in an interview with <a href=\"http:\/\/www.rollingstone.com\/news\/story\/_\/id\/7683649\/paulmccartney?pageid=rs.NewsArchive&#038;pageregion=mainRegion\">Rolling Stone<\/a> published earlier this month, said he initially wanted to make a record influenced by Nitin&#8217;s sound,&nbsp;<\/p>\n\n<blockquote>&#8220;I liked the idea of toying with a kind of Asian thing, a one-chord thing. There&#8217;s an artist called Nitin Sawhney who I like &#8212; he&#8217;s a British-Asian guy. It was just a vibe I was into at the time <\/blockquote>\n\n<p>More SM on Nitin <a href=\"http:\/\/www.sepiamutiny.com\/sepia\/archives\/000518.html\">here<\/a>. <\/p>\n\n<!--more-->\n","protected":false},"excerpt":{"rendered":"<p>When it comes to music in the diaspora, there a few names that of course come to mind (Talvin Singh, Panjabi MC), but one of the most consistent and visible musicians evolving from the South Asian diaspora, and who is &hellip; <a href=\"http:\/\/sepiamutiny.com\/blog\/2005\/10\/20\/being_nitin_saw\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,13,31],"tags":[],"_links":{"self":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts\/2396"}],"collection":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/comments?post=2396"}],"version-history":[{"count":0,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts\/2396\/revisions"}],"wp:attachment":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/media?parent=2396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/categories?post=2396"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/tags?post=2396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}