{"id":1315,"date":"2005-04-06T17:08:48","date_gmt":"2005-04-06T22:08:48","guid":{"rendered":"http:\/\/sepiamutiny.com?p=1315"},"modified":"2005-04-06T15:26:26","modified_gmt":"2005-04-06T20:26:26","slug":"i_care_about_my","status":"publish","type":"post","link":"http:\/\/sepiamutiny.com\/blog\/2005\/04\/06\/i_care_about_my\/","title":{"rendered":"&#8220;I care about my brother Nikhil. Do you?&#8221;"},"content":{"rendered":"<p>Several tipsters sent us <a href=\"http:\/\/www.nytimes.com\/2005\/04\/06\/movies\/06bomb.html?ex=1270440000&#038;en=28d42861da5eb215&#038;ei=5090&#038;partner=rssuserland\" target=\"_blank\">this NYTimes article<\/a> about <a href=\"http:\/\/www.mybrothernikhil.com\/index_html.html\" target=\"_blank\">a new Indian film<\/a> that surprisingly has not stirred up much controversy as of yet:<\/p>\n\n<blockquote>Late last month, a low-budget drama called &#8220;My Brother Nikhil&#8221; opened in movie theaters across India, telling the story of a gay man&#8217;s struggle with his family and his country after contracting the virus that causes AIDS.\n<br>\n<br>\nQuietly, gently, &#8220;My Brother Nikhil&#8221; has tested the limits of the Indian cinemagoer&#8217;s sensibility.\n<br>\n<br>\nCommercially, it is no runaway Bollywood blockbuster; nor is it meant to be. Rather, its impact lies in having served up a story about love and loss &#8211; sentimental staples of contemporary Indian cinema &#8211; <strong>with a gay man at its center, and having done so without kicking up the slightest fuss from India&#8217;s cultural conservatives<\/strong>. As one review published in the latest issue of Outlook, a mainstream newsweekly, put it, &#8220;The two lovers seem just like any other couple.&#8221;\n<br>\n<br>\nPlaying here in Mumbai, formerly called Bombay, and in about a dozen other major cities in India, &#8220;My Brother Nikhil&#8221; is part of a new breed of Bollywood pictures known here as the &#8220;multiplex movie&#8221; &#8211; appealing to an urban middle-class audience, peppered with English phrases, and easy on the song-and-dance numbers and potboiler story lines usually associated with Indian commercial cinema.<\/blockquote>\n\n<p>The Indian Supreme Court <a href=\"http:\/\/timesofindia.indiatimes.com\/articleshow\/1069785.cms\" target=\"_blank\">is currently reviewing<\/a> the ban on homosexuality in India.<\/p>\n\n<blockquote>&#8220;My Brother Nikhil&#8221; has faced none of the protests that six years ago greeted &#8220;Fire,&#8221; Deepa Mehta&#8217;s film about two women in love. <strong>Actors and athletes have been plugging &#8220;My Brother Nikhil&#8221; in television spots, an extraordinary marketing ploy in an industry where few people plug movies that are not their own. &#8220;I care about my brother Nikhil. Do you?&#8221; is the punch line<\/strong>. &#8220;This film has shown it&#8217;s possible to show a committed gay couple,&#8221; said Vikram Doctor, a journalist here who is active with a support group called the Gay Bombay Group. <strong>&#8220;It&#8217;s passed the Censor Board without any comment. Theaters have not been attacked. There&#8217;s no catcalling. It&#8217;s treated respectfully by the audience and the filmmaker<\/strong>. I&#8217;m happily surprised.&#8221;<\/blockquote>\n\n<p>View movie trailers and listen to the soundtrack <a href=\"http:\/\/www.mybrothernikhil.com\/multimedia.html\" target=\"_blank\">here<\/a>.<!--more--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Several tipsters sent us this NYTimes article about a new Indian film that surprisingly has not stirred up much controversy as of yet: Late last month, a low-budget drama called &#8220;My Brother Nikhil&#8221; opened in movie theaters across India, telling &hellip; <a href=\"http:\/\/sepiamutiny.com\/blog\/2005\/04\/06\/i_care_about_my\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12],"tags":[],"_links":{"self":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts\/1315"}],"collection":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/comments?post=1315"}],"version-history":[{"count":0,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/posts\/1315\/revisions"}],"wp:attachment":[{"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/media?parent=1315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/categories?post=1315"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sepiamutiny.com\/blog\/wp-json\/wp\/v2\/tags?post=1315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}