The Bangladeshi writer Taslima Nasreen, about whom I’ve written before, has become the center of controversy again following anti-Taslima riots in Calcutta over the past few days. Exactly why the riots focused on her is a bit of a mystery, since the incident is really inspired by a new violent incident at Nandigram (about which I’ve also written before). At any rate, some Muslim groups are also demanding that Nasreen’s Indian visa be canceled (she’s applied for Indian citizenship; her current visa expires in February 2008), and she seems to have yet again become a bit of a political football.
Since the riots, the Communist government of West Bengal apparently bundled her up in a Burqa (!) and got her out of the state, “for her own protection.” (She’s now in Delhi, after first being sent to Rajasthan, a state governed by the BJP.) The state government has also refused to issue a statement in defense of Taslima, fueling the claims of critics on both the left and right that the Left is pandering (yes, “pandering” again) to demands made by some members of the Muslim minority.
Mahashweta Devi’s statement sums up my own views quite well:
This is why at this critical juncture it is crucial to articulate a Left position that is simultaneously against forcible land acquisition in Nandigram and for the right of Taslima Nasreen to live, write and speak freely in India. (link)
Ritu Menon in the Indian Express gives a long list of outrages to freedom of artistic expression in India in recent years:
These days, one could be forgiven for thinking that the only people whose freedom of expression the state is willing to protect are those who resort to violence in the name of religion — Hindu, Muslim or Christian. (Let’s not forget what happened in progressive Kerala when Mary Roy tried to stage ‘Jesus Christ, Superstar’ at her school. Or when cinema halls screened The Da Vinci Code.) Indeed, not only does it protect their freedom of expression, it looks like it also protects their freedom to criminally assault and violate. Not a single perpetrator of such violence has been apprehended and punished in the last decade or more that has seen an alarming rise in such street or mob censorship. Not in the case of Deepa Mehta’s film; not in the attack on Ajeet Cour’s Academy of Fine Arts in Delhi; not in M.F. Husain’s case; not in the violation of the Bhandarkar Institute; not at MS University in Baroda; not in the assault on Taslima Nasreen in Hyderabad this August. I could list many, many more. (link)
I was unaware of some of those, in fact. Continue reading