Flaming purple Kali

Sounds like a cocktail, no? Pixar artist Sanjay Patel illustrates Hindu mythology in a style reminiscent of Suck, Demian 5, Virgin and Bewitched (thanks, Turbanhead). It’s gorgeous work, although his Rama does look a bit much like Hrithik Roshan, and any kid-safe interpretation of Kali is bound to cross the line into kitsch.

Patel’s site says he came up with its name, Ghee Happy, via obscure analogy: reducing the rich strokes of Hindu iconography to their essence is like clarifying butter into ghee. He self-published a children’s book of Hindu gods and also sells 11″x17″ prints on his site. Check it out if you have any little ones in need of full-color indoctrination or just dig the visual style.

Update: Drawn has more (thanks, Harry). A commenter there says:

We were actually joking with Sanjay that he SHOULD do this with every religion, but I guess the problem with the monotheistic religions is that there would only be ONE page in the book…

‘Love’-ing and leaving

I went to the the first South Asian American art exhibit at a major museum that I’ve ever heard of:

I saw a queer Rani of Jhansi, she of the Mutiny, lying dead in snow. I saw a six-yard sari made of Coca-Cola bottlecaps, silver with an orange border. I saw a wall of crimson medicine bottles called ‘Blame’: blame a minority, you’ll feel better in the morning…

I saw a book of memory by a Malayalee daughter, Annu Matthew, who must’ve loved her daddy like Anna loved hers. Her father had died young of smoking. She collaged her childhood snaps into new photos, painting her own Pygmalion paternis. Then she surrounded her false memories with tobacco strewn on cigarette paper like ashes…

I ran into Kal Penn and asked him how he’ll play a super-henchman. ‘Dude, I haven’t even seen the script yet,’ he said. But he remembered the Harold hungama. Boy, did he ever. He was in celeb-out-for-groceries attire, a baseball cap pulled low over his eyes; he’s taller and thinner than he looks on screen…

Outside the museum, Shea Stadium and the World’s Fair site were wintry carcasses. The Unisphere, its fountains drained, hung without an Atlas. I stood below the Indian plate, staring up at the stainless-steel underbelly of America.

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‘Disappeared’ in ‘Fatal Love’

Disappeared in America,’ a multimedia installation about American Muslims detained in the post-9/11 dragnet, is opening at the Queens Museum of Art this Sunday. A friend of mine has a short film playing at the installation, whose title sounds like a reference to Pinochet’s Chile. Suketu Mehta and Meena Alexander will read at the opening reception, which also features a discussion with artist Shahzia Sikander, refreshments and a DJ.

Since 9/11, approximately 3,000 American Muslim men have been detained in a security dragnet. To date, none have been prosecuted on terrorism charges. The majority of those detained were from the invisible underclass of cities like New York. They are the recent immigrants who drive our taxis, deliver our food, clean our restaurant tables, and sell fruit, coffee, and newspapers…

Already invisible in New York, after detention, they have become “ghost prisoners.”  In this, there are eerie parallels to… the 1919 detention of 10,000 immigrants after anarchists bombed the Attorney General’s home; the 1941 internment of 110,000 Japanese-Americans… and the HUAC Black-listing under Senator Joseph McCarthy.

DISAPPEARED IN AMERICA is a walk-through installation that uses video, soundscapes, photos, objects, and the audience’s interactions to humanize the faces of the “disappeared.”

The installation is part of a major desi art double-header at the Queens Museum. One show is ‘Fatal Love: South Asian American Art Now,’ the other is ‘Edge of Desire: Recent Art in India,’ in conjunction with the Asia Society. Very worth checking out.

Fatal Love features contemporary photographic, print, video, web-based and installation works by 28 emerging and established American artists of South Asian descent… because of tumultuous political state of the subcontinent, diaspora artists are again considering the ways in which the legacy of South Asia’s Independence and partition is manifest both in the local (US) communities and “back home.”
Opening reception on Sunday 2/27: 3pm, artist discussion, readings, refreshments; 4:30, dance performances, ghazals, DJ; free shuttle leaves Asia Society (725 Park/70th) at 2:30pm; or take 7 train to Willets Point/Shea Stadium and follow the yellow signs; show runs until 6/5

Art of the Mutiny

themutiny.jpg

Visitors to The Museum of London will now be treated to two brand new paintings that have been described as two of the most important works of mid-Victorian England. From 24hourmuseum.org:

Painted by Henry Nelson OÂ’Neil, Eastward Ho! (1858), and companion piece, Home Again (1859), show soldiers boarding a ship bound for the Indian Mutiny (1857-1859), and returning to their families again over a year later.

Ahh, yes. That is the same Sepoy Mutiny (or Rebellion depending upon which side you were on) that our blog’s name took inspiration from.

“As well as being exceptional examples of OÂ’NeilÂ’s work,” explained Sue Bowers, Regional Manager for the HLF in London, “these paintings are important for the stories they tell about Victorian London, when the Thames held world status as the gateway to the heart of the Empire. ”

A picture of both paintings can be seen on the Museum’s website.

Posted in Art

India’s biggest art deal ever

MFHusain.jpg A Bombay businessman has commissioned Indian painter Maqbool Fida Husain to create 100 paintings for $21M (Rs. 1 billion).

The buyer, Guru Swarup Srivasava, is described as a low-profile Bombay (Mumbai) businessman who was not an art collector. He says he believes it is a good investment.

What’s Husain doing with the money? He’s going to Bollyland!

Husain plans to splash a major portion of his fee – $20m – on a mega Bollywood film. “I will… cast all the big names in the industry – Amitabh Bachchan, Shah Rukh Khan, everyone,” he said.

Unless dissuaded by saner men, Husain would blow double the budget of Devdas, India’s most expensive film ever.

Here are a few of Husain’s highly stylized paintings.

Posted in Art