A couple weeks ago I was standing on the train during my morning commute, my arm stretched all the way up so my finger could curl about the ceiling pole, idly twisting about on my toes in a half-turn to survey the crowd and eye-scape their morning reading for titles, authors, snatches of prose. What are they reading? I always wonder, like a ghost watching a feast. These days it makes me ill to read on the train, and I feel like I never have time to read real books–spoiled by my steady diet of magazines and blogs, I can’t quite digest those bricks of literature. That morning there were some romance novels, a Crichton, Guns Germs & Steel. A woman shifted, and behind her a gray-suited man’s folded back New Yorker came into view, the familiar Deco font, and like my mother’s voice the desi words sharpened into focus:
Karma, by Rishi Reddi, Harper Perennial; $12.95: Each of the stories in this startlingly mature collection shows first- and second-generation Indian-Americans attempting to manage the disconnect between cultures. The premise is hardly a new one, but Reddi’s understated prose and her choice of details give her revelations a quiet power.(link.)
Some part of me groaned. Karma? You’ve got to be kidding me. That’s really the best title you can come up with? Saying the premise is hardly new seems like the understatement of the generation. My skimming glance over the title story (then findable online, now sadly only partially available online as a pdf excerpt) quickly got me to a line that seemed worrisomely familiar:
. . Shankar and Neha were deposited on the threshold of their new life.
Oh not, not another catalog of the first apartment’s goods! Quick, do they mention those EIGHT DOLLARS? Continue reading