I was recently in cool Vancouver to give a talk at a conference on Modern Punjabi Literature. The conference was at the University of British Columbia, and it was hosted by the Asian Studies department (where they have a strong program in Punjabi language instruction, part of which includes the study of literature in Punjabi).
The community was invited in, and they most definitely came — including a number of poets and novelists in Vancouver’s surprisingly large Punjabi language writers’ community. One of the best-known Punjabi poets in Vancouver is of course Sadhu Binning, who has also taught the Punjabi language at UBC for more than 20 years (he’s now retiring, sadly). His collection, “No More Watno Dur” is one of the very few collections of Punjabi poetry I’ve seen to be published in a bilingual edition (which is especially helpful for someone like me — a person who reads Punjabi only haltingly, and always with reference to a dictionary).
Among the many other writers in attendance, it was great to meet, for instance, the Punjabi-Pakistani-Canadian poet, Fauzia Rafiq (who didn’t mention she had a blog!). Another writer who seems well worth checking out is Ajmer Rode.
At the poetry reading on the last night of the conference, Nadeem Parmar sang a ghazal in Punjabi. I Googled him today, and was surprised to find that he’s written lyrics for many well-known singers, including Jagjit Singh. I also Googled Darshan Singh Gill, and was intrigued to find that he had actually been featured in a CBC documentary about new immigrants in Canada, back in 1958. And those were just a few of the names.
I met a Dhol player who plays for a “world music”/fusion group called “Delhi To Dublin”, which seems worth checking out. He also plays Dhol for a “pure” Bhangra group called En Karma. (There might be another post about these Vancouver bands once I’ve had a chance to listen to the music.)
Those are some links to start off. After the jump, I’ll discuss some of the more substantial issues discussed at the conference.
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