India’s biggest art deal ever

MFHusain.jpg A Bombay businessman has commissioned Indian painter Maqbool Fida Husain to create 100 paintings for $21M (Rs. 1 billion).

The buyer, Guru Swarup Srivasava, is described as a low-profile Bombay (Mumbai) businessman who was not an art collector. He says he believes it is a good investment.

What’s Husain doing with the money? He’s going to Bollyland!

Husain plans to splash a major portion of his fee – $20m – on a mega Bollywood film. “I will… cast all the big names in the industry – Amitabh Bachchan, Shah Rukh Khan, everyone,” he said.

Unless dissuaded by saner men, Husain would blow double the budget of Devdas, India’s most expensive film ever.

Here are a few of Husain’s highly stylized paintings.

Posted in Art

Delhi shopping hours extended

Delhi extends its shopping hours from 7 to 11pm to please its consumption-conscious citizens. But no government should restrict shopping hours in the first place. It smacks of the labor protectionism of France and Germany, where shopping hours are inconvenient.

Separately, Delhi has a late-night crime problem:

[T]here are others who think extending shopping hours in a city which remains extremely unsafe for women is an unwise move… “We have decided that women will work till 2000 hours and then the men will take over. We will not force our women to work late… But if we can make arrangements for them to travel late, and they want to work late, we’ll welcome it.”

800-MANGLE

Trying to get a Manhattan theater to tell me which Bollywood flick they were showing:

She struggled through something that sounded like the wonka-wonka teacher in a Charlie Brown special… ?What?s that first word again?? ?Dill. As in pickle.? Ah, dil. It?s a clue, Watson. Unfortunately, it?s also the first word in 17 million other Hindi film titles which mix-and-match dil, kya, main, nahin, and pyar. Like the housing developments of Seattle (timber, wood, lake, lawn), no other words are allowed.

Continue reading ? Continue reading

The American Raj

Firangpolicypundit Fareed Zakaria notes that the American strategy of playing off Shia vs. Sunni in Iraq resembles that of British India (via Amardeep Singh):

The intractable security problems in Sunni areas coupled with some success in Shia ones might lead the Iraqi government (and Washington) toward a “Shia strategy” in Iraq… In many of its colonies the British would often favor a single group as a quick means of gaining stability. Almost always the results were ruinous—a trail of civil war and bloodshed.

Et tu, Smithsonian?

NMAI.jpg The name of a new museum in Washington, D.C. perpetuates a historical mistake. In the 21st century, the Smithsonian still saw fit to call it the National Museum of the American Indian. In a farcical juxtaposition, even the hometown paper calls them Native Americans throughout the very same story.

Researching desis in the U.S. has always been a pain because the injection of American Indian in search results forces you to use ever more tortured qualifiers like East Indian (which really means Bengali, Bihari, Oriya, Assamese…), Asian Indian, Indian-American, South Asian and South Asian American. This museum’s name just makes it worse. (I suppose it’s too late to ask the West Indies to choose a new moniker.)

The sexy, curvy new museum sits on the National Mall between the Capitol and the spectacular aerospace museum.

The outmarriage rate

Razib plugs common desi names into Wedding Channel and comes up with a 38% outmarriage rate for second-gen desis, which he says confirms his belief that:

the first Asian Indian generations are in the same statistical ball-park as Japanese who have been resident in the United States for 100 years!

A 38% outmarriage estimate strikes me as inaccurately high due to least two forms of sampling bias. One is obvious, online wedding registries disproportionately draw from people of higher socioeconomic status. The other is less so: it samples outmarriage from age groups at the leading edge of population cohort and subculture formation.

Californian Sikhs in the early 1900s outmarried at a near-100% rate because they were barred from bringing over Sikh wives. Similarly, older second-gen desis met fewer desis in college and grad school because there weren’t many others in their cohort. And they didn’t have as thriving a popular subculture and identity within the U.S. to play with, as Vinod ably demonstrated:

We were at the bleeding edge of the Desi demographic wedge — the children of the first wave of Indian professional parents… demography has provided a critical mass of other Desi’s… The turning point here was somewhere around my senior year in college (1995)… 5-10 years of additional Desi penetration into America has made all the difference and provides them with a college experience quite distinct from mine… Desi is now a “3rd culture” that’s neither mainstream American nor FOB Indian.

The outmarriage rate will most likely follow a trinomial path where it reverses twice: high in the beginning, sharply lower as cohort size increases, and then gradually increasing as assimilation progresses. Razib notes but then glosses over this argument:

there are likely to be more South Asian partners on the market than there were for the children of the late 60s to early 80s…

Continue reading

Pat Oliphant’s outsourcing toon

OutsourcingCartoon2.gif

Sigh. This editorial cartoon by Pat Oliphant (9/8/04) just ran in the New York Times and the Washington Post, among other papers. Using an emaciated, half-naked beggar sitting next to a cow to represent Indian high tech: it’s Temple of Doom all over again (thanks, S.K.).

Let Universal Press Syndicate know how you feel: content@uclick.com. Takes only 30 seconds. I just wrote in.

For a funny, thinly-disguised take on outsourcing, check out ‘Dilbert’ on the fictional country of Elbonia.

‘Shaft’ meets ‘Sholay’

Screen Daily has some interesting details on yet another Mira Nair project (thanks, Brimful!)

[Nair] recently acquired the remake rights to an Indian “blockbuster” and has sold them on to an as yet undisclosed Hollywood studio. “It will be the first time there has been a reverse, when Hollywood will buy Bollywood. I’m going to remake it in an African-American context.”

Blockbuster in an African-American context? Maybe Shaft meets Sholay! I can see it now: Will Smith channels Amitabh, Martin Lawrence does Dharmendra. Don Cheadle sneers as Gabbar Singh, Mya dances over rough-cut bling. Instead of ‘Mehbooba Mehbooba,’ we get ‘Girls Dem Sugar.’ And all the motorbike scenes are filmed on a wicked Japanese racer.

I think the reverse is even funnier, Indian ripoffs of Hollywood films. But I hear that’s been done.

Mira, no charge for the treatment. Just send me a couple of points off the back end.

Kashmiri family held hostage over love marriage

Two young Kashmiri Muslims recently eloped against their families’ wishes and are in hiding. The village elders have ordered the man’s family to offer a bride and cash to the woman’s family and are allegedly holding the man’s family hostage to ensure compliance.

This takes the theory of vicarious liability to a whole new level. But merely taking them hostage stinks of rank amateurism. Why not follow the lead of Russian counterterrorism and send the couple a severed hand? That would really get the point across: love hurts, babe.