This morning Taz splashed my Facebook page with a phenomenal sound and with lyrics she knew I’d love, even the curveball at 2 min 5 second that I didn’t see coming given the title of the song:
<
p>
Of course, Bandish Projekt has been known to some Sepia Mutiny readers as far back as 2005. The Projekt is the creation of artist Mayur Narvekar.
Mayur Narvekar, a composer, producer, creative director, Dj, remix artist, performer and a multi-instrumentalist, calls his Bandish Projekt an emotion, an experience that can awe spectators with its live performance. An arts student from Gujarat, Mayur developed an impeccable flair for classical music, an art form that is deep-rooted in his upbringing. A tabla ace, Mayur dived head-on into the world of percussions, earning repute as a tabla player, and adoration as a jazz-funk drummer. Fuelled by his father’s vision, today he is a master of rhythm through a cross-section of genres.
He has used his roots in classical tabla and percussion training to bring to the music maturity and authenticity while his taste for strange sounds and electronic noises brings in wildness and fervour. The classical element keeps Mayur grounded, while his need for experimenting takes him to heights unsurpassed and us to the lands unexplored. It is a journey of life beyond the known. [Link]
<
p>I also enjoyed the sound and the video for “Didi”:
<
p>
<
p>You can buy the tracks here.
I’m not surprised by the curve-ball. My husband was the Director of Protocol at a gay club in Seattle for quite some time. At a straight club, he would have been called the head bouncer…grin. Point is – I never saw straight women dance with such freedom and abandon as in gay clubs. It’s like hearing little girls speak up for the first time in class when the boys are taken away for something, except there are still all these dynamic men with whom to interact. Sans pressure.
And I’ve popped the first video onto my own blog. Lovely!