Just when you thought the old geezer couldn’t possibly have any surprises left in the bag, Amitabh Bachchan has walked into a controversy for the part he plays in the new Ram Gopal Varma film Nishabd.

The photo to the right says most of what you need to know. Big B. plays a 60 year old man who falls in love with his daughter’s eighteen-year old friend (played by newcomer Jiah Khan). He’s tortured about it, but it appears that nothing untoward happens between the two of them. Still, his wife finds out, and I gather from reviews that the film after intermission becomes a typical family melodrama — guilt, shame, etc. While the general scenario is roughly similar to Nabokov’s “Lolita,” the story is actually quite different: there’s no abduction, no marriage to and then murder of an inconvenient mother, and no insane cross-country chase involving witty pseudonyms. On the whole, the film seems to be an order of magnitude less twisted than Nabokov. (And that’s probably a relief.)

As for the quality of the film? Not great, by most accounts. (I haven’t seen it.) The best review I’ve seen is Baradwaj Rangan’s (via DesiPundit), and he is far from thrilled. He says Nishabd isn’t as good as Naach, which means it must be truly bad, since Naach was itself pretty crappy.

Congress government party officials in Uttar Pradesh want the film banned, on account of it being “against Indian values.” But does it really make sense to ban a film for flirting with a taboo — and not crossing it? We’re in strange territory here: somewhere between Minority Report and the Immaculate Conception. Anyway, it’s yet another example of a plea for censorship that is incoherent.

There has been a major protest in Allahabad over the film, where protesters have claimed the film is bringing in “Western values.” And here it might be noted that while Nishabd does seem to have a western feel for it, India does have a tradition of mature men and young women (or girls) getting together — it’s called child marriage. (That, incidentally, is a subject that the great V. Shantaram condemned some 70 years ago, in his film Duniya Na Maane. So this is not a new thing).