William Dalrymple, author of White Mughals, predicts that second-gen authors will eventually supersede authors like Rushdie and dominate prizes like the Booker (via Verbal Privilege). The Chosen One will Arise. It’s music to my ears:
It is not just that the diaspora tail is wagging the Indian dog. As far as the A-list is concerned, the diaspora tail is the dog…
As far as writing in English is concerned, not one of the Indian literary A-list actually lives in India, except Roy, and she seems to have given up writing fiction… I suspect that in the years ahead the main competition Indian writers aspiring to win the Booker will face will not be the Alan Hollinghursts or the AS Byatts, so much as their own cousins born and brought up in the west…
In Britain during the last four or five years, the waves have been made less by authors from south Asia, or even from the immediate south Asian diaspora, as much as British-born Asian writers such as Nadeem Aslam or Meera Syal, and particularly what Rushdie might call “chutnified” authors of mixed ethnic backgrounds who are, in Zadie Smith’s famous formulation, “children with first and last names on a direct collision course. Names that secrete within them mass exodus, cramped boats and planes, cold arrivals, medical checks”…
When he was in Delhi last summer launching Transmission, Kunzru surprised many Indian interviewers by emphasising that he was a British author, not an Indian one… “What I and Zadie are doing is British writing about British hybridity. It is a completely separate story to that strand of writing which is about Indian-born writers going somewhere else.”
It’s the mirror image of how I feel left out of the pop culture scene in India: movies, songs, premieres, the gossip when Parveen Babi died. The desi population here is like angels on the head of a pin relative to the heft of the subcontinent. And yet we’re natives in American and UK English. Our books will not be mangotarian:
Rushdie vigorously resisted all attempts to constrain the Hindi words in his novels within italics; Roy was also very brave in this respect, making it quite clear that she would not obey her foreign editors’ injunctions to explain Indian words: Updike didn’t explain baseball for an Indian audience, she said, and she was damned if she was going to explain the ways of Kerala to a Manhattan audience – they could take it or leave it. Other, newer writers, however, have had less leverage to resist such pressure and one often comes across tell-tale passages in Indian novels in English that explain, for example, that dal is a confection of lentils fried in garlic…
… the market in India itself, while growing fast, is still tiny: most books sell less than 1,000 copies and even 5,000 copies can make you a bestseller; therefore to make a living as an Indian writer in English you have to crack the British and American markets…
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