The author of that excellent Spiderman review was recognized for his talent in March. We’re slow over on this side of the pond:
Writer and journalist Sukhdev Sandhu won best critic at the British Press Awards… Currently the chief film critic for the Daily Telegraph, Sukhdev (pictured) also writes for the London Review of Books and Modern Painters… Sukhdev was educated at Oxford and has taught at New York University… He told AiM he was “a bit embarassed” about the award, as there were “tons of more deserving writers” than him.“I wish there were more British Asian films I could rave about. They’ll come in time, I’m sure,” he added…
Don’t we all, Mr. Sandhu, don’t we all. Here’s a great passage from his review of the Indian Spiderman comic in New York magazine:
… people used to scoff at Japanese anime. Aside from the absurdity of being a purist about one of pop culture’s most pleasingly bastard and vulgar forms, those carpers, if they’re to be consistent, should bemoan the popularity of Indian religious iconography and henna motifs among Western fashionistas. Cultural exchange is a two-way process…Hindi cinema has a long history of borrowing and adapting from Western sources, be they Busby Berkeley dance routines in the thirties, Chaplin-like heroes in the common-man social epics of the fifties, or Dirty Harry, a major influence on the wildly popular revenger tragedies of superstar Amitabh Bachchan… Hollywood animation companies have begun to outsource creative work to the subcontinent, where they can rely on a steady pool of ex-street painters whose former livelihoods waned because of crackdowns in illegal advertising and the rise of photography in film posters…
Sandhu’s the author of London Calling: How Black and Asian Writers Imagined a City. You couldn’t find a more recursive book topic, nor a more politically correct one 😉
Abhi’s previous post here.